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Home ยป ๐Ÿ”ฅ BACK TO THE BEGINNING โ€“ PANTERA UNLEASH PURE HOSTILITY AT VILLA PARK ๐Ÿ”ฅ

๐Ÿ”ฅ BACK TO THE BEGINNING โ€“ PANTERA UNLEASH PURE HOSTILITY AT VILLA PARK ๐Ÿ”ฅ

Michael by Michael
6 July 2025
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Full Review by The Riff Report Blog โ€“ July 5, 2025
Stage: Back To The Beginning Main Stage
Band: PANTERA (USA / Legend Reforged)
Time: Right between hellfire and the holy groove โšก๐Ÿค˜


โš”๏ธ โ€œREโ€ฆ SPECTโ€ฆ WALK!โ€ โ€“ PANTERA BRING THE DOMINATION BACK TO BIRMINGHAM ๐Ÿ

If you could bottle aggression, pour it over riffs the size of buildings, and light it with a flamethrowerโ€ฆ youโ€™d get Pantera at Villa Park.

Back together with the blessing of the Abbott family legacy, and now fronted by Phil Anselmo in peak primal scream mode, Pantera took to the stage like metal warlords on a mission: to honour, to annihilate, and to remind the world why they were gods of groove metal. ๐Ÿ–ค


๐Ÿ’ฅ THE SETLIST โ€“ NOTHING BUT CLASSIC, CRUSHING BRUTALITY

  • A New Level (and that level = total destruction)
  • Mouth for War
  • Strength Beyond Strength
  • Becoming (yes, with those pitch-shifted drums ๐Ÿคฏ)
  • I’m Broken (crowd scream-along: deafening)
  • 5 Minutes Alone ๐Ÿ”ช
  • This Love (a proper emotional sledgehammer)
  • Suicide Note Pt. II
  • Yesterday Donโ€™t Mean Sh*t
  • Floods (guitar solo = goosebumps, tears, full-body possession)
  • Cowboys From Hell ๐Ÿค ๐Ÿ”ฅ
  • Walk (possibly the loudest crowd chant of the entire weekend)
  • Domination / Hollow (with Dimebag & Vinnie footage on screen ๐Ÿ˜ญ)

๐ŸŽค PHIL ANSELMO โ€“ AGED, GRIZZLED, AND STILL A VOICE OF FURY

Phil strode out with the weight of Panteraโ€™s legacy on his shoulders and a fire in his gut. Older? Sure. Softer? Not a chance. That roar on โ€œWalkโ€ could melt concrete. His stage banter was equal parts gritty, emotional, and hilarious.

At one point he stopped the show and yelled:
โ€œThis oneโ€™s for Dime. For Vinnie. For every single one of you that still believes in this band. Letโ€™s f*ing GO!โ€**
And then launched into โ€œ5 Minutes Aloneโ€ with the rage of a thousand riots.


๐Ÿฅ CHARLIE BENANTE โ€“ SLAYER MEETS PANTERA = CHAOS DRUMMED INTO EXISTENCE

The Anthrax skin-smasher more than held it down. His double-kick on โ€œBecomingโ€? Straight sorcery. The โ€œDominationโ€ breakdown? Sounded like tanks rolling through Birmingham city centre.

He honoured Vinnieโ€™s groove while still adding that New York hardcore snap. Crowd = moshing like possessed wildebeests.


๐ŸŽธ ZAKK WYLDE โ€“ A LIVING TRIBUTE TO DIMEBAG ๐Ÿ”Š๐Ÿ’š

Zakk didn’t replace Dimebag โ€” he resurrected him. The signature squeals, the divebombs, the soul in โ€œFloodsโ€โ€ฆ he played like a man possessed by the ghost of Dime while riding a flaming Les Paul through Valhalla.

โ€œFloodsโ€ solo = tears. Actual tears. People hugging. One guy proposed.
His stage presence? Viking meets shred demon. Absolute scenes.


๐Ÿงฑ REX BROWN โ€“ THE UNMOVABLE OBJECT

The man laid down the filthiest, thickest bass tone all night, keeping the Pantera groove glued together like whiskey-soaked concrete.
โ€œCowboys From Hellโ€ hit like a freight train driven by Lemmy. Bass rumble = stomach realignment.


๐Ÿ’€ THE CROWD โ€“ MOSH PIT OF GLORY AND PAIN

Pits opened up like wormholes. During โ€œMouth for War,โ€ someone body-surfed in a wheelchair. During โ€œDomination,โ€ a full Wall of Death formed from end to end.
People were crying, bleeding, and screaming like they’d just seen God and he had a beard and camo shorts.

One man in the crowd screamed โ€œPANTERA ARE MY CHURCH!โ€ while chugging a Carling. Bless him.


๐Ÿ•ฏ๏ธ MOST POWERFUL MOMENT โ€“ “DOMINATION / HOLLOW” TRIBUTE

The lights dropped. Footage of Dimebag Darrell and Vinnie Paul lit up the screens.
Phil knelt. Zakk stared skyward. And as the band launched into โ€œDomination,โ€ it felt like those two legends were right there with us.

Thousands of fists raised. Eyes wet. Grown metalheads weeping openly.
Only Pantera could make devastation feel like healing.


๐ŸŽฏ FINAL VERDICT: THE LEGACY LIVES, AND IT F***ING CRUSHES

This wasnโ€™t nostalgia. This wasnโ€™t a tribute act.
This was PANTERA.
Brutal. Beautiful. Bone-breaking. Soul-shaking.

Score: 13/10 Vulgar Displays of POWER ๐Ÿ’ช๐ŸŽธ
Mood: Smashed, emotional, reborn in riff.

Diolch, Pantera โ€“ for giving us one more ride on the steel horse of destruction.

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๐ŸŽธ BACK TO THE BEGINNING โ€“ SUPERGROUP B SET VILLA PARK ON FIRE WITH RIFFS, RIOTS & RIDICULOUSNESS ๐Ÿ”ฅ๐Ÿค˜

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๐ŸŒ€ BACK TO THE BEGINNING โ€“ TOOL MELT MINDS & BEND TIME AT VILLA PARK ๐Ÿ”ฎ๐Ÿ–ค

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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