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Home » 🏟️ HOW LONG DID IT TAKE TO SET UP THE OASIS GIG AT PRINCIPALITY STADIUM? WHAT WAS USED? 🤯🎸

🏟️ HOW LONG DID IT TAKE TO SET UP THE OASIS GIG AT PRINCIPALITY STADIUM? WHAT WAS USED? 🤯🎸

Michael by Michael
2 July 2025
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So, you’re telling me Oasis – the actual feuding, iconic, lager-fuelled legends themselves – rocked up to Cardiff for their mega reunion gig… and you want to know how it all came together? C’mon butt, grab a pint, because this was no overnight pub karaoke setup. This was a week-long arena takeover with scaffolding, smoke, sibling sass, and a setlist to make grown men weep. Let’s break it all down, Gallagher-style 😎👇


⏱️ HOW LONG DID IT ACTUALLY TAKE?

🗓️ TL;DR: About a week. But the chaos started months before.

Let’s not kid ourselves – getting two Gallaghers on stage without someone throwing a mic stand is hard enough. But building a full Oasis stadium show? That’s war logistics.

📅 Breakdown:

  • 🔧 6–9 months out – Initial planning, contracts, and the big “are they ACTUALLY doing it?” meetings. Spoiler: they were.
  • 🚛 7 days before showtime – Trucks begin rollin’ into Cardiff. Blackweir Fields becomes a backstage village. The pub near Westgate Street starts stocking extra Stella.
  • 🏗️ 5 days before – Scaffolding, stage rigging, and lighting towers go up. The stadium starts looking less like a rugby temple and more like Liam’s ego made manifest.
  • 🔊 2–3 days before – Soundcheck city, baby. Locals hear “Live Forever” echoing across the Taff and immediately start crying into their Brains bitter.
  • 🎟️ 1 day before – Final checks. Backstage dressing rooms prepped. Merch set up. Brown M&Ms removed (just in case).

🎛️ WHAT WAS ACTUALLY USED TO BUILD THE SHOW?

This wasn’t some backyard PA system and fairy lights from Poundland. Oh no. Oasis went full Glasto-level with this one. Here’s the juicy kit rundown:


🎶 THE STAGE

  • Custom-built monster, likely by Stageco or similar touring pros.
  • Big enough to fit:
    • Giant LED walls
    • Pyro rigs (because you can’t have Oasis without a bit of fire 🔥)
    • Walkways for Liam’s “hands behind back” struts
    • Hidden risers for surprise guests… or just dramatic exits

🔊 SOUND SYSTEM

  • L-Acoustics K1/K2 or d&b GSL arrays blasting from every corner
  • Crystal-clear mixes piped in through:
    • DiGiCo Quantum338 & SD12 desks at front-of-house and monitors
    • In-ear monitor systems for each band member (not that Liam ever uses them properly, mind…)
  • Stadium-filling delay towers for those in the nosebleeds

🎤 Heard in Canton:
“Mate, I could feel ‘Supersonic’ vibrating my Greggs wrapper.”


💡 LIGHTING & FX

  • A thousand moving heads, courtesy of Robe & Clay Paky
  • Laser sweeps, CO2 jets, confetti storms, and strobe barrages
  • Visuals synced to the beat – Oasis meets EDM meets… Manc fury

🎥 VIDEO WALLS & CAMERAS

  • Multi-cam live production with Blackmagic Design or Ross Video backbone
  • Close-ups of Noel’s smug smirks and Liam’s legendary mic pose
  • Footage blasted onto:
    • Two side-stage mega screens
    • One jaw-dropping centre screen
    • Plus possible LED wristbands in the crowd (Coldplay, eat your heart out)

🥁 BACKLINE & BAND GEAR

  • Liam’s beloved Shure SM58 (held like a weapon of mass vocal destruction)
  • Noel’s Epiphone Supernova, vintage Gibson acoustics, and a rack of Gretsch guitars
  • Marshall and Vox stacks that could wake the dead
  • Drum kits so big you’d think they were building a new bridge over the Taff

👷‍♂️ WHO MADE IT HAPPEN?

Behind the glitter and swagger was a literal army.

🚛 THE CREW:

  • 100–150 total staff, minimum. Including:
    • Riggers on scaffolding 40ft up
    • Lighting & pyro techs
    • Audio engineers
    • Stage managers, runners, and logistics crew
    • Security teams, medics, and fire marshals
    • Caterers (feeding band, crew, and anyone else in Liam’s orbit)

And of course: the local Welsh crew legends who kept it all moving. Absolute heroes, the lot of them. Proper job! 💪🏴


🚛 THE GEAR ROLL-IN

At least 30 articulated lorries rolled through Cardiff’s gates like the circus had come to town:

  • Stage pieces
  • Lighting rigs
  • Sound desks
  • Video walls
  • Merch crates
  • Gallaghers’ duffel bags of attitude

🗣️ “We even saw a truck labelled ‘Liam’s Parsnips & Parkas’ – can’t confirm if real or legend…”


🥪 BACKSTAGE BANTER & CATERING

It wouldn’t be Oasis without some backstage drama, right? Reported rider inclusions:

  • Yorkshire Tea and PG Tips (Gallagher brother compromise?)
  • Bowls of crisps big enough to dive into
  • Buckets of Haribo, Red Stripe, and probably a footy ball or two
  • Vegan options for Noel… meat pies for everyone else 🥧

There were also whispers of a “No Adele songs backstage” policy. Probably wise.


🧼 CLEAN-UP OPERATION

The moment the last chord of “Champagne Supernova” rang out and the fireworks faded?

BOOM. The crew were on it. Load-out starts immediately:

  • Lights stripped down
  • Cables coiled like snakes in a roadie’s nightmare
  • Instruments packed in foam-lined cases
  • Trucks rolling again before the first punters even found a taxi

By sunrise? It’s like they were never there… except for the hungover fans wandering St Mary Street like dazed soldiers after battle.


🎯 THE FINAL VERDICT

WhatDetails
⏰ Setup Time7 days (plus months of planning)
👷‍♂️ Crew Size100–150+ legends
🚛 Trucks~30 lorries full of rock chaos
🎤 GearDiGiCo desks, LED walls, pyro, the works
💥 EffectCardiff shook. And we’ll be talking about it for years.

🧨 IN CONCLUSION (WITHOUT SAYING “IN CONCLUSION”)

The Oasis reunion gig wasn’t just a concert – it was a full-scale Manc-powered military operation. Weeks of planning, days of building, and a night that’ll echo through Cardiff’s streets longer than Liam’s “I told you so.”

From the first speaker rig to the last sausage roll backstage, the Principality Stadium became a shrine to British rock ‘n’ roll history. And we were there, butty. Singing, sobbing, and trying to remember where we parked.


🔥 WANT MORE BACKSTAGE INSIGHT?
We’re working on a follow-up piece with fan quotes, crew interviews, and a deep-dive into the rumoured Liam vs. the tea lady incident. Stay tuned right here at The Riff Report, where rock meets rumour and everything gets louder.

Diolch, Cardiff. What a night. What a setup. What a bloody band.

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🎤🔥 BOB VYLAN DROPPED FROM MANCHESTER RADAR FESTIVAL AFTER GLASTONBURY CONTROVERSY – WHAT THE HELL JUST HAPPENED?!

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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