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Home » IRON MAIDEN’s “The Trooper” Soundtracked a Perfect EDDIE MUNSON Tribute in the Stranger Things Finale 🤘🔥

IRON MAIDEN’s “The Trooper” Soundtracked a Perfect EDDIE MUNSON Tribute in the Stranger Things Finale 🤘🔥

Michael by Michael
1 January 2026
in News
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If you needed proof that Stranger Things truly gets rock and metal culture, the finale delivered it loud, proud, and dripping in denim, distortion and destiny.

In one of the most fist-pumping moments of the entire series, Eddie Munson was honoured not with silence or sentimentality… but with The Trooper by Iron Maiden.

And honestly? That’s how you do it, mun. Proper job. 🇬🇧⚔️

🧙‍♂️ A METALHEAD’S FAREWELL, DONE RIGHT

Eddie Munson wasn’t just a character. He was our people.

A dungeon master, outcast, riff-loving chaos goblin who wore his patches like armour and lived life at full volume. From the second he strutted into Hawkins with a devil-may-care grin and a Judas Priest tee, metal fans everywhere clocked him as one of their own.

So when the finale rolled around and his legacy was marked by the galloping war cry of The Trooper… it felt less like a TV moment and more like a salute.

Swords up. Horns out. Tears in eyes. 😈🤘

⚔️ WHY “THE TROOPER” HIT SO HARD

Released in 1983, The Trooper isn’t just a Maiden classic, it’s a song built on bravery, sacrifice, and charging head-first into impossible odds. It’s pure momentum, driven by Steve Harris’ bass lines and Bruce Dickinson’s battle-ready howl.

Sound familiar?

Eddie’s story mirrors that energy perfectly. The misunderstood lad. The town scapegoat. The one who stood his ground when it mattered most. Pairing his farewell with The Trooper wasn’t accidental. It was storytelling with steel-toe boots on.

This wasn’t background music. This was a eulogy written in power chords.

🎸 STRANGER THINGS: METAL APPROVED

Let’s be honest, Stranger Things has always flirted with rock culture, but Eddie Munson dragged it headfirst into the pit.

From Hellfire Club aesthetics to guitar heroics and now full-on Iron Maiden worship, the show didn’t just nod at metal fans, it embraced them.

And that finale moment? That was the show raising a pint to every kid who ever got side-eyed for loving loud music and darker aesthetics.

Only in Hawkins. Only in metal. 🔥

🖤 EDDIE MUNSON FOREVER

The internet exploded. Metal fans cheered. Maiden shirts sold out faster than warm beer at a festival bar. Eddie Munson cemented his place as one of the most beloved rock-coded characters TV has ever given us.

No cheesy strings.

No soft piano fade-out.

Just Iron Maiden, volume up, heart open.

If you weren’t shouting along internally, you might want to check your pulse.

Long live Eddie.

Up the Irons.

And fair play to Stranger Things for absolutely nailing it. 🤘🖤

What did you make of the moment, butt? Let us know, and crank The Trooper while you’re at it.

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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