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Home ยป Best Ozzy Osbourne Songs: 15 Essential Anthems to Crank Up

Best Ozzy Osbourne Songs: 15 Essential Anthems to Crank Up

Michael by Michael
24 August 2025
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๐ŸŽค The Prince of Darkness in Full Voice

Ozzy Osbourne isnโ€™t just a singer. Heโ€™s a living myth, a Brummie legend who crawled out of Aston with a voice like gravel and lightning mixed together, and somehow became one of the most recognisable figures in music history. From his early Sabbath years painting the blueprint of heavy metal to his solo career that stormed MTV and beyond, Ozzy has always had that voice โ€” equal parts haunting, unhinged, and heart-punching.

So, tidy up your record shelves, crack open a pint, and prepare for 15 essential Ozzy Osbourne tracks โ€” the ones you blast loud enough to scare the neighbours into calling the council.


15. Gets Me Through (2001)

When Ozzy dropped Down to Earth in the early 2000s, critics were sharpening their knives. Instead, he gave us โ€œGets Me Throughโ€ โ€” a snarling, riff-heavy middle finger with a chorus that basically says: โ€œIโ€™m still here, deal with it.โ€ Itโ€™s the sound of a man refusing to fade away, even as nu-metal was trying to steal the spotlight.

๐Ÿ’ก Fun fact: This track was a live staple during the Ozzfest years, proving Ozzy could still go toe-to-toe with Slipknot and Papa Roach on the same bill.


14. See You on the Other Side (1995)

A haunting ballad from Ozzmosis, โ€œSee You on the Other Sideโ€ was Ozzy at his reflective best. Written after the death of his friend, itโ€™s a bittersweet goodbye, carried by those aching vocal lines only he could deliver.

๐ŸŒ™ Fans still hold lighters (or, more likely, phone torches these days) aloft whenever this gets played live. Itโ€™s that powerful.


13. Shot in the Dark (1986)

โ€˜80s Ozzy at his most polished. โ€œShot in the Darkโ€ is glossy, melodic, and catchy as hell. While purists argue about its songwriting credits (a bit of a legal nightmare), thereโ€™s no denying itโ€™s an anthem that belongs on every essential Ozzy playlist.

๐Ÿ’„ With its neon-lit video and massive chorus, this was Ozzy stepping right into MTV territory โ€” eyeliner, smoke machines, and all.


12. Over the Mountain (1981)

If you ever need proof that Randy Rhoads was a guitar wizard sent by the gods, just listen to the opening riff. Fast, fierce, and flamboyant, โ€œOver the Mountainโ€ is a proper rollercoaster. Ozzy rides it with manic energy, cementing the Diary of a Madman album as untouchable.

๐ŸŽธ Guitarists still sweat buckets trying to nail Rhoadsโ€™ solo here.


11. Goodbye to Romance (1980)

Ozzy had just walked out of Black Sabbath, and instead of another doom-laden riff fest, he gave us this bittersweet ballad. Itโ€™s a farewell letter in song form โ€” tender, melancholic, but still defiantly Ozzy.

๐Ÿด A tidy example of his range. He wasnโ€™t just the madman biting bats โ€” he could also deliver ballads that knocked the wind out of you.


10. Bark at the Moon (1983) ๐Ÿบ๐ŸŒ•

Campy? Yes. Brilliant? Also yes. The title track of his 1983 album is an over-the-top, gothic, shreddy blast that shows Ozzy embracing his theatrical side.

๐Ÿ“บ That music video with the werewolf transformation? Pure cult metal cinema. Only in the โ€˜80s, mun.


9. Flying High Again (1981)

This oneโ€™s cheeky as hell. On the surface, itโ€™s a playful ode to excess, but beneath that is Randy Rhoads shredding with more finesse than most mortals could dream of. A song that feels like Ozzyโ€™s cheeky grin set to music.

๐Ÿ”ฅ Live crowds used to roar โ€œFlying high again!โ€ louder than Ozzy himself.


8. No More Tears (1991)

A swampy bassline that slithers like a python. Zakk Wyldeโ€™s guitar wails. Ozzy, crooning like a storyteller in a haunted tavern. โ€œNo More Tearsโ€ isnโ€™t just a song โ€” itโ€™s an experience.

๐Ÿ’€ At over seven minutes, itโ€™s prog-length Ozzy, but never drags. Pure epicness.


7. Mama, Iโ€™m Coming Home (1991)

Written with Lemmy Kilmister (yes, Motรถrheadโ€™s Lemmy helped craft this ballad!), โ€œMama, Iโ€™m Coming Homeโ€ is Ozzyโ€™s most tender solo hit. A love letter to Sharon, but universal enough that fans belt it out like itโ€™s their own story.

๐Ÿ’” If youโ€™ve ever seen an arena full of tattooed metalheads cry, chances are this was playing.


6. I Donโ€™t Wanna Stop (2007)

Late-era Ozzy didnโ€™t just sit back and coast. โ€œI Donโ€™t Wanna Stopโ€ is a crunching, riff-heavy anthem that shows he could still write a song to shake stadium walls.

๐ŸŽถ Fun bit: WWE wrestler Randy Orton used it as his theme for a while โ€” proving Ozzyโ€™s riffs are fit for the fight.


5. I Donโ€™t Know (1980)

The first track of Ozzyโ€™s first solo album. Imagine the pressure: first time stepping out of Sabbathโ€™s shadow, first impressions on his own. What did he do? Dropped one of the greatest heavy metal openers of all time.

โšก Itโ€™s defiant, itโ€™s wild, and it set the tone: Ozzy wasnโ€™t going anywhere.


4. Suicide Solution (1980)

One of Ozzyโ€™s most controversial songs โ€” accused of glorifying suicide when in reality it was a warning about the dangers of alcohol. The controversy only made it more infamous, and musically, itโ€™s a raw, menacing highlight from Blizzard of Ozz.

๐Ÿบ Itโ€™s basically Ozzyโ€™s dark autobiography wrapped in riffs.


3. Mr. Crowley (1980) ๐ŸŽฉโšก

From its church-organ intro to Randy Rhoadsโ€™ jaw-dropping solo, โ€œMr. Crowleyโ€ is iconic. A gothic, occult-tinged masterpiece inspired by notorious occultist Aleister Crowley.

๐Ÿ•ฏ๏ธ If you ever needed proof that Ozzy could be spooky, theatrical, and utterly magnetic in one track โ€” here it is.


2. Crazy Train (1980) ๐Ÿš‚๐Ÿ’จ

โ€œAll aboard!โ€ ๐ŸŽถ The riff heard โ€˜round the world. Instantly recognisable, endlessly imitated, and still the ultimate Ozzy anthem for both newbies and veterans.

๐ŸŸ๏ธ Stadiums erupt when this kicks in. One of those songs that belongs not just to Ozzy, but to the DNA of heavy metal itself.


1. Diary of a Madman (1981) ๐Ÿ•ฏ๏ธ๐Ÿฆ‡

The crown jewel. Dark, orchestral, unhinged โ€” โ€œDiary of a Madmanโ€ is a gothic masterpiece that balances progressive ambition with pure heavy metal power.

๐Ÿ‘‘ Itโ€™s the kind of track that reminds you Ozzy wasnโ€™t just a cartoonish figure โ€” he was capable of deep, haunting artistry.


โšก Honourable Mentions

Because narrowing Ozzy down to 15 songs is like asking him to pick a favourite bat:

  • Perry Masonย (1995) โ€“ riffy, groovy courtroom chaos.
  • Dreamerย (2001) โ€“ Ozzy goes Lennon, and itโ€™s lush.
  • Mr. Tinkertrainย (1991) โ€“ creepy but unforgettable.
  • Let Me Hear You Screamย (2010) โ€“ late-era energy bomb.

๐Ÿฆ‡ Why These Songs Still Matter

What makes Ozzy special isnโ€™t just the riffs, the lyrics, or even the bat-gnawing antics. Itโ€™s that voice. A Brummie howl that cuts through decades of metal, pop culture, and personal demons.

From stadiums in Japan to living rooms in Wales, these songs are still blasted because they feel eternal. Theyโ€™re part of the heavy metal lifeblood.

Ozzy Osbourne isnโ€™t just the Prince of Darkness. Heโ€™s the soundtrack to our madness, our parties, our heartbreaks, and our headbanging hangovers.


๐Ÿ‘‰ Whatโ€™s your go-to Ozzy track, butt? Are you a Crazy Train purist, a No More Tears swamp-dweller, or do you secretly sob to Mama, Iโ€™m Coming Home when no oneโ€™s watching? Drop your favourite below and letโ€™s raise a pint (or a bat ๐Ÿฆ‡๐Ÿบ) to the man who gave us it all.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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