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Home » 🤘💥 BANG BANG FIRECRACKER Announce Explosive Three-Track EP ‘Fat Cash Idolatry vs Black Heart Tragedy’ – Stoke-on-Trent Heavy Rockers Bring Their Seven Deadly Singles Saga To A Thunderous Finale!

🤘💥 BANG BANG FIRECRACKER Announce Explosive Three-Track EP ‘Fat Cash Idolatry vs Black Heart Tragedy’ – Stoke-on-Trent Heavy Rockers Bring Their Seven Deadly Singles Saga To A Thunderous Finale!

Michael by Michael
6 November 2026
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🎸 Band: Bang Bang Firecracker
💿 EP: Fat Cash Idolatry vs Black Heart Tragedy
📅 Release Date: Monday 30 November 2026
🇬🇧 Hometown: Stoke-on-Trent, England
🔥 Genre: Heavy Rock / Heavy Metal / Thrash-Influenced Rock ’n’ Roll
🎵 Tracks: Three
🏷️ Release: Independent
💀 Concept: Seven Deadly Singles – Final Chapter
🎬 Music Videos: Two New Videos Accompanying The Release

🔥 Seven Deadly Sins. Seven Singles. One Hell Of A Finale!

STOKE-ON-TRENT HEAVY ROCK TROUBLEMAKERS BANG BANG FIRECRACKER are preparing to bring their ambitious Seven Deadly Singles project to an explosive conclusion!

And they’re not going out quietly.

The British power trio have announced their new three-track EP, Fat Cash Idolatry vs Black Heart Tragedy, arriving on Monday 30 November 2026.

Featuring two headline tracks and a bonus recording, the release represents the final chapter of a musical project exploring the seven deadly sins.

We’re talking greed.

Envy.

Lust.

Wrath.

Pride.

Gluttony.

And sloth.

Seven familiar human weaknesses transformed into a collection of heavy rock and metal songs.

And if that wasn’t enough, the band are also bringing two brand-new music videos to the party.

Three tracks. Two videos. Seven deadly sins.

Somebody fetch the earplugs, because Bang Bang Firecracker are getting ready to cause absolute carnage! 🤘💥

💿 ‘Fat Cash Idolatry vs Black Heart Tragedy’ – The Final Three Tracks

The EP features three songs, with two compositions completing the band’s Seven Deadly Singles concept. Track Song Concept 1 Fat Cash Idolatry Greed 2 Black Heart Tragedy Envy 3 P.1.55 Bonus Track

The first two songs explore two particularly destructive human characteristics.

Greed and envy.

The third, “P.1.55”, takes the band into more experimental musical territory.

Together, the tracks provide a conclusion to a project that has developed across several years.

And for a band that thrives on aggressive riffs, confrontational lyrics and old-school rock attitude, the subject matter is particularly appropriate.

💰 ‘Fat Cash Idolatry’ – Greed Gets The Heavy Metal Treatment

Money.

Power.

Possessions.

And the endless desire for more.

“Fat Cash Idolatry” tackles the deadly sin of greed.

According to the band’s release information, the track combines aggressive guitar work with staccato riffs, muted chromatic runs and influences from old-school thrash metal.

It’s described as an angry, confrontational composition exploring the destructive consequences of excessive materialism.

The title itself is particularly interesting.

Idolatry refers to the worship or excessive devotion given to something.

Combine that with the pursuit of wealth, and the song’s central message becomes clear.

Money can become an obsession.

And when financial success becomes the only thing that matters, other values can quickly disappear.

For a heavy metal band, that’s fertile lyrical territory.

Metal has a long history of challenging greed, corruption and the abuse of power.

And Bang Bang Firecracker are continuing that tradition through their own uncompromising style.

🖤 ‘Black Heart Tragedy’ – Envy Takes Centre Stage

The second headline track explores another familiar human weakness.

Envy.

“Black Heart Tragedy” examines the destructive nature of jealousy and resentment.

The band’s promotional description presents the song as fast, furious and unpredictable.

It’s an interesting contrast to “Fat Cash Idolatry”.

While greed focuses on wanting more, envy often develops from wanting what somebody else possesses.

The two emotions are closely connected.

And placing them together on the same release creates a natural thematic relationship.

Both can lead to destructive behaviour.

Both can damage relationships.

And both have provided inspiration for countless rock and metal songs.

For Bang Bang Firecracker, “Black Heart Tragedy” completes another part of their ambitious seven-sin concept.

🍻 ‘P.1.55’ – The Bonus Track With An Unexpected History

The EP’s third track, “P.1.55”, has a particularly interesting backstory.

According to the band, the composition originally began life as a ballad.

But during rehearsals, the music developed in a completely different direction.

The finished arrangement is described as a groove-driven rocker, opening with a relaxed, tribal-inspired tom rhythm before developing into a more expansive composition.

The track also features an extended guitar solo from frontman Kieron Berry.

Interlocking bass and guitar harmonies contribute to the arrangement, while guest vocalist Gem Adams provides additional vocals during the atmospheric closing section.

Those vocals were reportedly improvised in the studio.

The song’s lyrical subject matter explores alcohol-fuelled excess and wasted ambition.

For a band known for their irreverent attitude, it’s a fitting bonus track.

And its more experimental arrangement suggests that Bang Bang Firecracker aren’t afraid to move beyond their established musical formula.

💀 The Seven Deadly Singles – An Ambitious Heavy Metal Concept

What makes this EP particularly interesting is that it doesn’t exist in isolation.

It’s the conclusion of a much larger project.

Bang Bang Firecracker’s Seven Deadly Singles concept explores each of the traditional seven deadly sins through a separate song.

Rather than releasing everything simultaneously, the band developed the project through a series of individual singles.

Each release was designed to represent a different aspect of human behaviour.

The project began with “Hail Waco”, associated with wrath.

Subsequent releases explored other sins through the band’s heavy rock sound.

The earlier songs include:

  • Hail Waco – Wrath
  • Ain’t Nothin’ Gonna Change – Sloth
  • Keep Pushin’ It – Gluttony
  • Diamonds & Dirt – Lust
  • Alive For The Game – Pride
  • Fat Cash Idolatry – Greed
  • Black Heart Tragedy – Envy

With the arrival of the final two headline tracks, all seven sins will have received their own musical interpretation.

It’s an ambitious approach to releasing music.

And rather than treating each single as a completely separate project, the band have maintained a connecting concept throughout the series.

💿 A Complete Seven Deadly Singles Album Is Also Coming

The EP isn’t the only release associated with the conclusion of the project.

Bang Bang Firecracker have confirmed that the seven songs will also be presented together as a complete album.

The running order has been personally arranged by songwriter and frontman Kieron ‘K’ Berry.

Importantly, the album won’t necessarily follow the chronological order in which the singles were released.

Instead, Berry has arranged the material to create a complete listening experience.

That gives the project another dimension.

Listeners who followed the individual releases will be able to revisit them as a unified collection.

Meanwhile, newcomers can discover the complete seven-sin concept in one place.

The album will be available through digital distribution.

Fans purchasing the band’s Collector’s Edition CD Set bundle will also receive a complimentary digital download of the complete album.

🎸 Who Are BANG BANG FIRECRACKER?

Bang Bang Firecracker are a heavy rock and metal power trio from Stoke-on-Trent, England.

The band were founded by guitarist, vocalist and songwriter Kieron Berry.

Their musical identity combines classic heavy metal, hard rock and the raw aggression of old-school rock ’n’ roll.

Think the uncompromising energy of Motörhead, the hard-hitting attitude of The Almighty and the guitar-driven power of early Iron Maiden.

But Bang Bang Firecracker aren’t simply interested in recreating the past.

Their music also incorporates heavier modern tones, dissonant arrangements and influences from thrash metal.

The result is a band that draws upon classic heavy music while developing its own confrontational identity.

And they’ve built a reputation for energetic live performances along the way.

🤘 Meet The Band

🎤 Kieron ‘K’ Berry – Guitar And Lead Vocals

Founder and principal songwriter Kieron Berry is the driving force behind Bang Bang Firecracker.

Before establishing the band, he spent time on the road with former W.A.S.P. guitarist Chris Holmes.

His musical influences range from classic heavy metal to thrash and hard rock.

Artists including Motörhead, Anthrax, Slayer, Exodus and AC/DC have helped shape his musical background.

Berry’s approach combines guitar-driven songwriting with a raw, aggressive vocal style.

He’s also responsible for developing the Seven Deadly Singles concept.

🎸 Paul Challinor – Bass And Backing Vocals

Bassist Paul Challinor joined Bang Bang Firecracker in 2026.

His arrival introduced another energetic performer to the band’s live line-up.

Challinor has previously performed with several projects, including Nettlefish, Soma and Black Road Home.

He has cited Jason Newsted and Pat Badger among his bass-playing influences.

Interestingly, “Fat Cash Idolatry” holds particular significance for him.

According to his profile on the band’s official website, it was the first Bang Bang Firecracker song for which he wrote a bassline.

That makes its inclusion on the new EP particularly meaningful.

🥁 Bobby Ansell – Drums

Drummer Bobby Ansell provides the rhythmic firepower behind the band.

His aggressive playing style has become an important part of Bang Bang Firecracker’s live identity.

Together, Berry, Challinor and Ansell form the band’s current power-trio line-up.

And with just three musicians responsible for delivering the live performance, every instrument has an important role.

🔥 From ‘Welcome To The Slaughterhouse’ To The Seven Deadly Singles

Bang Bang Firecracker have been building their catalogue for several years.

Their debut album, Welcome To The Slaughterhouse, established the band’s uncompromising approach to heavy rock.

The record introduced their combination of powerful guitar riffs, aggressive vocals and hard-hitting rhythms.

The band subsequently developed the ambitious Evil Trilogy.

💿 See Evil

Released in 2021, See Evil explored darker and heavier musical territory.

Its songs included “Unleash The Devil”, “G.F.Y” and “Chase The Wasted”.

💿 Hear Evil

The second instalment arrived in 2022.

It featured “The Power Of The 72”, “Set The World Ablaze” and “Father Genocide”.

💿 Speak Evil

The final chapter of the trilogy also arrived in 2022.

It included “Life After Dark”, “Straight To The Bloodshed” and “We Can’t Hear You”.

Together, those releases demonstrated the band’s interest in developing connected musical projects rather than simply releasing unrelated collections of songs.

The Seven Deadly Singles concept represents another evolution of that approach.

🎬 Two New Music Videos Accompany The EP

Bang Bang Firecracker are also preparing two new music videos to accompany the release.

“Fat Cash Idolatry” will receive an official 4K performance video.

Meanwhile, “Black Heart Tragedy” will be accompanied by a monochrome lyric video.

The contrasting visual approaches reflect the different identities of the two songs.

One focuses on performance.

The other places the lyrics and visual atmosphere at the centre of the presentation.

For independent bands, music videos remain an important promotional tool.

They provide another way to introduce new songs to audiences and can help develop the identity of a release.

And with the Seven Deadly Singles project finally reaching its conclusion, these videos represent an important part of the final campaign.


🎸 THE RIFF REPORT EP REVIEW

🔥 First Impressions – A Concept With Plenty Of Bite

There’s something appealing about a heavy rock band building an entire project around the seven deadly sins.

The concept provides a natural foundation for aggressive songwriting.

Greed, envy, wrath and pride have inspired countless heavy metal songs.

But Bang Bang Firecracker have approached the subject as a connected series.

That’s what makes this final EP particularly interesting.

It’s not simply three new tracks.

It’s the conclusion of a musical idea developed across several releases.

The band’s promotional information describes a combination of thrash-influenced guitar work, aggressive rhythms and experimental arrangements.

Those are promising ingredients.

However, this is a pre-release editorial review based on the band’s confirmed information and descriptions, not a first-hand listening assessment of the complete EP.

Specific judgements about the recorded performances, sound quality and overall musical impact will require hearing the tracks.

🎵 Track-By-Track Review And Commentary

💰 1. Fat Cash Idolatry – Greed

The first headline track explores the destructive nature of greed.

The band describe aggressive guitar riffs, chromatic passages and old-school thrash influences.

That combination fits naturally with the song’s confrontational subject matter.

Greed is a particularly effective theme for heavy metal because it can be explored through both personal behaviour and wider social criticism.

The title suggests a world where money becomes an object of worship.

And the band’s aggressive musical direction appears designed to reinforce that message.

What makes it interesting: The connection between its lyrical concept and its thrash-influenced musical approach.

🖤 2. Black Heart Tragedy – Envy

The second headline track completes the seven-sin concept by exploring envy.

The band describe the song as fast, furious and unpredictable.

Envy provides an interesting contrast to greed.

Both involve desire, but envy introduces the additional element of resentment towards others.

For a heavy rock band, that creates plenty of opportunities for confrontational songwriting.

What makes it interesting: Its role as the final deadly sin in the band’s wider concept.

🍻 3. P.1.55 – Bonus Track

The bonus track offers the most intriguing musical backstory.

Originally conceived as a ballad, it developed into a groove-driven rocker through rehearsal-room experimentation.

The inclusion of an extended guitar solo, bass harmonies and improvised guest vocals suggests a composition that moves beyond the band’s conventional approach.

The contribution from Gem Adams adds another musical element.

And the subject of alcohol-fuelled excess provides a fittingly irreverent conclusion.

What makes it interesting: Its evolution from ballad to experimental rocker, alongside the additional guest vocals.

🎸 Guitar Work And Riffs

Bang Bang Firecracker’s musical identity has always placed considerable emphasis on guitar-driven arrangements.

Kieron Berry’s influences include classic heavy metal, hard rock and thrash.

For the new EP, the band describe a combination of aggressive riffing and more expressive melodic passages.

“Fat Cash Idolatry” is associated with staccato guitar patterns and chromatic runs.

“P.1.55” introduces an extended solo and more melodic development.

That suggests a release with contrasting approaches to guitar work.

The important question in a complete listening review will be how effectively those elements serve the songs.

🥁 Bass And Drums

As a power trio, Bang Bang Firecracker rely heavily on the interaction between guitar, bass and drums.

Paul Challinor and Bobby Ansell provide the rhythmic foundation.

And Challinor’s personal connection to “Fat Cash Idolatry” makes that song particularly interesting.

The band describe the EP as featuring powerful rhythms and groove-driven arrangements.

For a three-piece heavy rock outfit, those qualities are essential.

A convincing rhythm section can give the guitars room to move while maintaining the music’s intensity.

🎤 Vocals And Attitude

Kieron Berry’s aggressive vocal style is an established part of Bang Bang Firecracker’s identity.

The band’s previous releases have combined confrontational lyrics with raw rock ’n’ roll delivery.

The new EP continues exploring subjects that suit that approach.

Greed and envy are not particularly gentle themes.

They invite criticism, anger and emotional intensity.

And Berry’s songwriting is positioned to explore those subjects through the band’s established style.

✍️ Songwriting And Originality

The strongest confirmed aspect of this release is its wider concept.

Rather than approaching each song independently, Bang Bang Firecracker have developed seven compositions around a connected theme.

That gives the project a clear identity.

It also creates opportunities for listeners to compare the different musical approaches associated with each sin.

The bonus track provides an additional contrast.

Its development from a ballad into a groove-driven composition demonstrates the band’s willingness to allow ideas to evolve during rehearsals.

That’s an encouraging approach to songwriting.

🎚️ Production And Musical Direction

The EP has been announced as an independent release.

Its promotional material describes aggressive guitar tones, heavy rhythms and contrasting musical arrangements.

The inclusion of two new music videos also demonstrates the band’s commitment to presenting the material as a complete release campaign.

A proper assessment of the recording’s production quality will require hearing the final masters.

That includes evaluating the guitar definition, bass presence, drum sound, vocal clarity and overall dynamics.

🔥 The Riff Report Verdict

Bang Bang Firecracker have created an interesting concept with their Seven Deadly Singles series.

The decision to explore each of the seven deadly sins through a separate release gives the project a distinctive identity.

And the final EP brings that journey to a conclusion.

“Fat Cash Idolatry” and “Black Heart Tragedy” complete the thematic sequence.

Meanwhile, “P.1.55” provides a bonus track with a particularly interesting creative history.

The band’s established reputation for energetic live performances and heavy guitar-driven music makes the release worth investigating.

The Riff Report’s initial verdict: A promising finale to an ambitious independent heavy rock project, with a strong concept and plenty of potential for musical variety.

⭐ Final Rating

Not Yet Rated – Full Listening Assessment Required

We won’t award stars without hearing the completed recordings.

🎧 Recommended For Fans Of

Motörhead, The Almighty, early Iron Maiden, AC/DC and thrash-influenced heavy rock.

These recommendations reflect the band’s established musical influences.


🎤 BANG BANG FIRECRACKER Are Looking For Interviews

Alongside the release, the band are inviting interviews and media coverage.

Frontman Kieron Berry is available to discuss the creation of the Seven Deadly Singles project.

Potential subjects include the band’s songwriting process, the musical influences behind each deadly sin and the evolution of the concept into a complete album.

There are also several interesting stories worth exploring.

How did the project begin?

Why release the songs individually?

What inspired the musical arrangements?

And how did “P.1.55” evolve from a ballad into a groove-driven rocker?

For fans interested in the creative process behind independent heavy music, those are fascinating questions.

🎸 The Riff Report Says…

Seven deadly sins transformed into seven heavy rock songs?

Now that’s a concept we can get behind!

There’s something wonderfully appropriate about a band called Bang Bang Firecracker exploring humanity’s less admirable characteristics through aggressive guitars and confrontational songwriting.

And they’ve clearly put considerable thought into the project.

Rather than simply releasing a conventional album, they’ve developed the concept across a series of individual singles.

Each one represents a different sin.

Each has its own identity.

And now they’re bringing everything together.

What makes this final EP particularly interesting is the contrast between the songs.

“Fat Cash Idolatry” tackles greed.

“Black Heart Tragedy” explores envy.

And “P.1.55” introduces a more experimental musical direction.

The story behind that bonus track is especially appealing.

A song that started life as a ballad before transforming into a groove-driven rocker?

That’s the sort of creative development that makes rehearsal rooms such fascinating places.

We’re also pleased to see another independent British heavy rock band continuing to invest in original music.

Because keeping the grassroots rock and metal scene alive requires more than simply turning up at gigs.

It requires supporting new releases.

Buying merchandise.

Sharing music.

And giving independent bands the attention they deserve.

Bang Bang Firecracker have spent years building their catalogue and developing their live reputation.

Now they’re preparing to close another chapter.

Three tracks. Two videos. Seven deadly sins.

And one Stoke-on-Trent power trio determined to make as much bloody noise as possible!

Bring on 30 November! 🤘💥🔥


💿 EP Release Information

Band: Bang Bang Firecracker
EP: Fat Cash Idolatry vs Black Heart Tragedy
Release Date: Monday 30 November 2026
Country: United Kingdom
Hometown: Stoke-on-Trent
Genre: Heavy Rock / Heavy Metal / Thrash-Influenced Rock ’n’ Roll
Tracks: Three
Release: Independent
Concept: Seven Deadly Singles Finale
Music Videos: Two

🎸 Current Band Members

Kieron ‘K’ Berry: Guitar And Lead Vocals
Paul Challinor: Bass And Backing Vocals
Bobby Ansell: Drums

🌐 Official Website And Music

Website: https://bangbangfirecracker.com/

Music And Merchandise: https://bangbangfirecracker.com/music

Videos: https://bangbangfirecracker.com/videos


🎸 THE RIFF REPORT BLOG
Music Journalism With Boots At The Barricade. 🐉🤘

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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© 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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