A SAD FINAL CHAPTER FOR ONE OF ROCKโS MOST TREASURED PRINT PUBLICATIONS
It is a sad day for fans of classic rock journalism, as Rock Candy Magazine has announced that its current edition, Issue 56, will be its final issue.
The news was shared in a heartfelt message from the magazineโs team, explaining that it is sadly no longer financially possible to continue producing the publication.
For readers who have supported Rock Candy over the years, this one is going to sting.
In a world increasingly dominated by quick social media posts, scrolling feeds and disposable content, Rock Candy Magazine proudly did things the old-fashioned way. Big interviews. Deep dives. Rare photographs. Forgotten stories. Proper rock journalism printed on actual paper.
The sort of magazine you kept on the shelf rather than chucking into the recycling after reading it once.
56 ISSUES OF ROCK HISTORY
The Rock Candy team said they were incredibly proud of the magazines they had produced, describing them as collectables that fans could treasure for years to come.
And they are absolutely right.
Across 56 issues, Rock Candy celebrated the bands, musicians, albums and stories that helped shape hard rock, heavy metal and classic rock history.
It gave legendary artists space to tell their stories properly, while shining a spotlight on bands and records that sometimes slipped through the cracks of mainstream music coverage.
These were not magazines designed to be skimmed in five minutes while waiting for the kettle to boil.
They were made to be read, revisited, collected and proudly displayed next to your vinyl, CDs and suspiciously large pile of tour programmes.
Proper job, mun. ๐ธ
BACK ISSUES WILL REMAIN AVAILABLE
Although the magazine itself is coming to an end, fans will still have the opportunity to pick up previous editions.
Rock Candy has confirmed that back issues will remain available through its website, meaning collectors can continue filling gaps in their collections or discover editions they may have missed the first time around.
Considering the magazineโs final issue has now been confirmed, those back editions are likely to become even more special to fans.
So, if there is a particular cover, artist feature or edition you have had your eye on, this might be the time to grab it before it disappears into the great rock โnโ roll collectorโs cabinet forever.
ROCK CANDY RECORDS WILL CONTINUE
Thankfully, this is not the complete end of the Rock Candy name.
The team has confirmed that its Rock Candy Records reissue label will continue operating, with four new releases due on 7 August.
The upcoming batch will feature two releases from Canadian melodic rockers White Wolf, alongside two releases from the American band Spider.
The Rock Candy Records website will remain open, with further reissues also planned for the future.
That means the team will continue doing what it has always done brilliantly: rescuing classic albums, polishing them up and putting them back into the hands of rock fans who genuinely care about the music.
Because nothing says rock obsession quite like buying a remastered version of an album you already own three times.
We have all been there, butt. ๐๐ฟ
THE ROCK CANDY COMMUNITY LIVES ON
The magazineโs Facebook pages will also remain active, including the popular Rock Candy Facebook group.
For many readers, the community surrounding the magazine has become just as important as the publication itself.
Fans from around the world have used the group to chat about bands, share memories, discuss rare albums and generally argue over which guitarist recorded the greatest solo of 1987.
So while the printed magazine may be ending, the friendships, conversations and passion it helped create will continue.
And that matters.
Rock music has always been about community. Whether you are standing in a muddy festival field, squeezed into a sweaty club or chatting online about an obscure Japanese pressing, it is the fans who keep the whole thing alive.
A HUGE THANK YOU FROM THE RIFF REPORT
At The Riff Report, we know how much passion, time, effort and sheer stubbornness goes into running an independent music publication.
It takes dedication. It takes late nights. It takes endless cups of coffee, questionable amounts of energy drink and the ability to keep typing while your bank account quietly screams in the background.
Rock Candy Magazine produced 56 beautiful, informative and lovingly crafted issues.
That is an incredible achievement.
The team gave classic rock fans something tangible to treasure and reminded everyone that long-form music journalism still has a place in the world.
The magazine may be ending, but the stories it told, the interviews it published and the memories it created will live on in collections around the globe.
To Julia and everyone involved with Rock Candy Magazine, thank you for the music, the memories and 56 issues of proper rock โnโ roll journalism.
Issue 56 may be the final curtain, but what a bloody good show it has been.
Rock Candy Magazine โ proudly collected, loudly remembered. ๐ค๐ฐ๐ฅ
Fans can contact the team via in**@**********ag.com or through the official Rock Candy Facebook page.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialโfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heโs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heโs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heโs not writing or interviewing artists, youโll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicโtheyโre about community, friendship, and creating memories that last a lifetime. Thatโs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ค
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