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Home » 🎭🔥 ANA: The Melbourne Metal Visionaries Creating Their Own Universe One Riff At A Time

🎭🔥 ANA: The Melbourne Metal Visionaries Creating Their Own Universe One Riff At A Time

Michael by Michael
31 May 2026
in Bands, New Album Released
Reading Time: 11 mins read
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Promotional band photo of four members of ANA in edgy outfits, with the text 'ANA' and 'Motivated by Death' above them on a light background.

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From High Fashion To Heavy Metal – ANA’s Rise Is Unlike Anything Else Happening In Modern Music

Every so often a band comes along that doesn’t just write songs.

They create a world.

A world where music isn’t simply listened to; it’s experienced. A world where visual art, storytelling, emotion, mythology, fashion, and heavy riffs collide into something far greater than the sum of its parts.

That’s exactly what Melbourne’s ANA have achieved in an astonishingly short space of time.

While countless bands spend years trying to stand out from the crowd, ANA arrived in 2023 with a crystal-clear vision and an identity so distinctive that people immediately took notice.

The Australian quintet have coined their own genre descriptor — “couture metal” — and while that might sound unusual at first glance, spend even a few minutes with the band and it becomes obvious why traditional labels simply don’t fit.

ANA aren’t interested in being another symphonic metal band.

They aren’t interested in following trends.

And they certainly aren’t interested in blending into the background.

Instead, they’re building something much bigger.

Something ambitious.

Something theatrical.

Something emotional.

Something that feels as comfortable on a fashion runway as it does inside a dark, sweat-soaked metal venue.

And honestly, that’s exactly why we’re fascinated by them.

🤘 Melbourne’s Latest Heavy Music Success Story

Australia has always punched well above its weight when it comes to producing world-class heavy music.

From Parkway Drive and Northlane to Thy Art Is Murder and Karnivool, the country has consistently produced bands capable of taking on the global stage.

Melbourne, in particular, has become one of the most exciting breeding grounds for innovative heavy music anywhere in the world.

It’s a city known for creativity, artistic freedom, and a thriving underground scene where experimentation is encouraged rather than feared.

ANA embody that spirit perfectly.

Since forming in early 2023, they’ve quickly evolved from an intriguing new project into one of Australia’s most talked-about emerging metal acts.

What makes their rise particularly impressive is how fully formed the vision was from day one.

Many bands spend years searching for their identity.

ANA arrived already knowing exactly who they were.

🎤 Meet The Architects Of Couture Metal

The current ANA line-up consists of:

🎤 Anna Hristenko – Vocals
🎸 Josh Mak – Guitar
🎸 Cody Lamb – Bass
🎹 Mark Shi – Keyboards
🥁 Andres Felipe Martinez Osorio – Drums

Together, they operate as a tightly unified creative force.

Every member contributes to a sound that balances crushing heaviness with cinematic grandeur.

At the centre of it all stands Anna Hristenko.

Her vocal performances serve as both the emotional and narrative heart of ANA’s music.

Capable of delivering vulnerability, rage, elegance, and power within the same song, she provides the perfect focal point for the band’s ambitious artistic vision.

Meanwhile, guitarist Josh Mak helps shape the sonic landscape that defines ANA’s sound, combining modern metal aggression with melodic sophistication and atmospheric depth.

The rhythm section of Cody Lamb and Andres Felipe Martinez Osorio provides a powerful backbone, while Mark Shi’s keyboards inject the cinematic scope that helps elevate ANA beyond conventional genre boundaries.

🎭 More Than Masks

Let’s address the masks.

Because let’s face it — whenever a band appears wearing masks, comparisons immediately start flying around.

But ANA’s visual identity serves a very different purpose.

These aren’t masks designed purely to create mystery.

They’re symbols.

Extensions of the mythology.

Physical representations of the larger ANA universe.

The band often describe themselves as a collective of “masked super-humans,” existing within a carefully crafted narrative that runs parallel to their music.

It’s an approach that transforms every performance into something more immersive.

Rather than simply watching musicians play songs, audiences become participants in a larger story.

And in an age where attention spans are shrinking and content is increasingly disposable, that kind of world-building feels refreshingly ambitious.

📚 The Comic Book Connection

One of the most unique aspects of ANA’s creative output is their collaboration with Cynation Comics.

While many bands release albums and music videos, ANA have expanded into an entirely different medium.

The official comic series allows fans to explore the mythology surrounding the band in far greater depth.

Within this narrative, Anna’s character exists as a powerful deity-like figure sent to Earth with a mission to awaken humanity from mediocrity.

It’s a fascinating concept that mirrors ANA’s real-world artistic goals.

The band’s music consistently encourages listeners to challenge themselves, embrace creativity, confront difficult emotions, and pursue something greater than simple existence.

The comic universe reinforces those ideas while providing another layer of engagement for fans.

It’s the sort of multimedia storytelling approach more commonly associated with blockbuster franchises than emerging metal bands.

Yet ANA pull it off remarkably well.

🎵 The Next Chapter Begins

Following the release of their debut EP The Art of Letting Go in 2023 through Eclipse Records, ANA found themselves with momentum.

The EP introduced listeners to their unique blend of theatricality and heaviness while establishing a strong foundation for future growth.

However, it was always clear that the band had bigger ambitions.

Rather than rushing into a full-length release, ANA returned to Monolith Studios determined to create something substantial.

Something meaningful.

Something that would challenge both themselves and their audience.

The result is Motivated by Death.

An album title that immediately grabs your attention.

An album title that practically demands questions.

And an album that ultimately delivers answers in the most fascinating way possible.

⚰️ Understanding The Meaning Behind Motivated By Death

At first glance, the title might seem dark.

Even morbid.

But ANA’s intentions are actually surprisingly optimistic.

Rather than dwelling on death itself, the album explores how awareness of mortality can become a powerful source of motivation.

It’s a concept rooted in a simple truth:

Life is finite.

Every person reading this article has a limited amount of time.

Every dream, every opportunity, every relationship exists within that reality.

Instead of viewing this as depressing, ANA argue that it should inspire action.

Create something.

Leave a legacy.

Tell people you love them.

Take chances.

Live fully.

The album constantly returns to these themes, encouraging listeners to embrace the present rather than fear the future.

It’s philosophical without becoming pretentious.

Thought-provoking without losing its emotional core.

And that’s a difficult balance to achieve.

💔 The Heartbreaking Power Of “Papa”

Among the album’s most emotionally devastating moments sits “Papa.”

This deeply personal track explores Anna Hristenko’s relationship with her father, who was lost to addiction during her childhood.

Rather than approaching the subject through anger alone, the song feels like a conversation that never had the chance to happen.

A letter written across time.

A search for understanding.

A search for closure.

The vulnerability displayed throughout the track is remarkable.

In an album filled with big ideas and grand concepts, “Papa” reminds listeners that the most powerful stories are often the most personal.

It’s impossible not to feel the emotional weight behind every word.

😡 “Hate Me” And The Dark Side Of Success

On the opposite side of the emotional spectrum sits “Hate Me.”

A fierce, unapologetic track that examines the complicated relationship between admiration and resentment.

The music industry can be a strange place.

Success attracts support.

But it can also attract criticism.

Jealousy.

Negativity.

Judgement.

“Hate Me” explores those realities head-on.

It’s angry.

It’s confrontational.

And it’s likely to resonate with anyone who has ever dared to put their creativity into the world.

Because unfortunately, the bigger you become, the louder the critics often get.

🖤 Exploring Toxic Relationships Through “Sick Love”

Another standout track comes in the form of “Sick Love.”

The song tackles the addictive nature of unhealthy relationships and asks difficult questions about why people remain trapped in destructive cycles.

We’ve all seen it.

Sometimes we’ve lived it.

Relationships that hurt us.

Situations we know aren’t good for us.

Patterns we struggle to escape.

ANA approach the topic with honesty rather than judgement, creating a song that feels relatable while maintaining the album’s darker atmosphere.

🌑 Living Every Day Like It Matters

One of the album’s most important messages arrives through “Shadow Of Life.”

The track serves as a constant reminder that life is happening right now.

Not after the promotion.

Not after the holiday.

Not after retirement.

Right now.

It’s a theme that perfectly encapsulates the philosophy behind Motivated by Death.

Stop waiting.

Start living.

Take the trip.

Write the song.

Start the band.

Buy the concert ticket.

Go to the festival.

Make the memories.

Because none of us know how much time we have left.

🔥 The Future Looks Bright For ANA

What ANA have achieved in just a few short years is genuinely remarkable.

They’ve established a unique identity.

Built an expanding multimedia universe.

Released a compelling debut EP.

Delivered a thought-provoking full-length album.

And positioned themselves as one of the most exciting emerging acts in modern metal.

In a genre that sometimes struggles to reinvent itself, ANA feel like a breath of fresh air.

They’re proving that metal can still evolve.

Still surprise us.

Still challenge expectations.

And still deliver riffs heavy enough to shake the foundations of a venue while making us think about life’s biggest questions.

🤘 The Riff Report Verdict

ANA aren’t simply making music.

They’re creating an experience.

A world.

A philosophy.

A movement.

Motivated by Death is ambitious, emotional, intelligent, theatrical, and packed with enough heaviness to satisfy metal fans while offering far more beneath the surface.

This isn’t a band following a path.

They’re carving out their own.

And if this is what ANA are capable of only a few years into their journey, the future looks absolutely massive.

Keep your eyes on these masked Melbourne innovators, butt.

Something tells us they’re only getting started. 🔥🎭🤘

RIFF REPORT RATING: 9/10 🔥

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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