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Home ยป BELETH Drag Us Into โ€˜The Grinding Voidโ€™ โ€” And It Sounds Absolutely Monstrous ๐Ÿค˜๐Ÿ”ฅ

BELETH Drag Us Into โ€˜The Grinding Voidโ€™ โ€” And It Sounds Absolutely Monstrous ๐Ÿค˜๐Ÿ”ฅ

Michael by Michael
6 May 2026
in Bands, New Album Released
Reading Time: 4 mins read
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Dark, surreal horror scene with shadowy red-robed figures and fiery tendrils in a smoky, nightmare landscape.

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Australiaโ€™s death/groove metal bruisers Beleth are back, butt โ€” and theyโ€™ve brought a riff-shaped wrecking ball with them.

Their new single โ€˜The Grinding Voidโ€™ lands on May 15th 2026 as an independent release, and judging by the sheer weight of the thing, itโ€™s less a song and more a flaming pit opening beneath your feet. Lovely stuff. ๐Ÿ˜ˆ

From Pandemic Project To Riff Machine ๐Ÿฅ

Formed during the chaos of the COVID era, Beleth began life as a recording project โ€” but once the world started creaking open again, the band didnโ€™t vanish into the fog.

Oh no.

They got heavier, groovier, and far more dangerous.

Their 2021 debut album Silent Genesis landed through Wormholdeath Records, in association with Scorching Earth Records and Narcoleptica Productions, earning praise across the global metal press. With comparisons to Carcass and Lamb Of God, Beleth quickly marked themselves out as a band built on muscle, melody, and absolute riff carnage.

Since then, theyโ€™ve kept the furnace burning with independent singles โ€” including a bulldozing cover of Metallicaโ€™s โ€˜No Remorseโ€™ โ€” and now, with new vocalist Dean Wade locked into the line-up, the next chapter is ready to explode.

โ€˜The Grinding Voidโ€™ Is A Proper Death/Groove Hammer Blow ๐Ÿ”ฅ

From the opening moments, โ€˜The Grinding Voidโ€™ feels like something crawling out of smoke, blood, and fire.

It builds with atmosphere before the riffs come smashing through like a tank through a kebab shop wall at 2am. The track keeps all the classic Beleth ingredients โ€” muscular riffs, rolling rhythms, monstrous vocals, and sharp melodic hooks โ€” but pushes everything into darker, meaner territory.

The chorus is big, addictive, and built for neck-snapping, while the whole track keeps tightening its grip until it reaches a furious climax topped off by a guest guitar solo from Aidan Cibich of Echoes In Eternity, formerly of Apophis and Taninโ€™iver.

Tidy? Absolutely. Subtle? Not a chance. ๐Ÿค˜

Armour-Plated Production โš™๏ธ

The single was mixed and mastered by Lasse Lammert at LSD Studios in Germany, whose credits include work with Raven, Sigh, and Godsnake.

And mun, you can hear it.

โ€˜The Grinding Voidโ€™ sounds massive โ€” rugged, polished, and dangerous, with enough low-end bite to rattle the fillings out of your head. Itโ€™s the kind of production that doesnโ€™t just support the song; it kicks the door open and drags the whole thing into battle.

The track will also arrive with a lyric video created by Tony Kaarlas at Kaarto Media in Finland, premiering on May 14th.

Line-Up ๐Ÿค˜

Dean Wade โ€“ Vocals
Chris Long โ€“ Guitars/Bass
Robin Stone โ€“ Drums
Guest Lead Guitar: Aidan Cibich

The Riff Report Verdict ๐Ÿงจ

Beleth have delivered what may be their strongest statement yet with โ€˜The Grinding Voidโ€™ โ€” a crushing slab of death/groove metal packed with atmosphere, power, hooks, and enough riff-weight to cave in the roof.

This is not background music.
This is not polite metal.
This is stand in the fire and grin metal.

When May 15th hits, crank it loud and let the void do the grinding. Cโ€™mon butt. ๐Ÿ”ฅ๐Ÿค˜

Follow Beleth

Facebook: https://www.facebook.com/BelethAU
YouTube: https://www.youtube.com/@BelethAU
Bandcamp: https://belethau.bandcamp.com/
Instagram: https://instagram.com/BelethAU
Video Premiere: https://www.youtube.com/watch?v=Px2HUkzAEgc

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BELETH Unleash Crushing New Single โ€˜The Grinding Voidโ€™ โ€“ And It Absolutely Rips ๐Ÿค˜๐Ÿ”ฅ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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