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Home ยป ๐ŸŽธ A Blues Community United: The Tribute Album Honouring Matt Long (Catfish) โค๏ธ

๐ŸŽธ A Blues Community United: The Tribute Album Honouring Matt Long (Catfish) โค๏ธ

Michael by Michael
13 January 2026
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Some albums arrive with hype.
Others arrive with heart.

This one lands with both hands on your chest.

What started as a spark of love turned into a full-blown musical uprising.

After the initial idea of honouring Matt Long through music took shape, his mum, Fiona, had a thought that changed everything. Why not make this bigger? Why not turn grief into something that could give back, loud and meaningful, to the very place that supported Matt through his fight?

The result: a full-scale fundraiser album for the cancer ward at the Royal Surrey County Hospital in Guildford, where Matt was treated โ€” powered entirely by friendship, respect, and the kind of community spirit that only music can summon ๐ŸŽธโœจ

Music doesnโ€™t stop when the player leaves the room.


How the Tribute Began

The spark came from musician and long-time family friend Dudley Ross, who also happens to be the UK booker and tour manager for Josh Smith, second guitarist to Joe Bonamassa.

Dudley floated a simple but powerful idea:
What if Joe โ€” Mattโ€™s absolute guitar hero โ€” recorded a part on one of Mattโ€™s original songs?

Thanks to long-standing friendships in the blues world, the idea wasnโ€™t as far-fetched as it sounds. Mattโ€™s dad, Paul Long, previously worked as producer on the Paul Jones Blues Show, collaborating with Joe Bonamassa during his early UK days. The Long family had shared backstage moments, conversations, and memories with Joe over the years.

Stillโ€ฆ when Joe said yes, it hit different.

When grief met groove, the blues did what itโ€™s always done best.


A Spark That Became a Family Affair

What started as a simple act of love quickly grew teeth, soul, and purpose.

After the idea of honouring Matt Long through his music first took shape, his mum Fiona had a thought that shifted everything. Why keep it small? Why not turn loss into something that could give back โ€” loudly, honestly, and with heart โ€” to the very place that supported Matt through his fight?

That thought became With A Little Help From My Friends: a full-scale fundraising album supporting the cancer ward at Royal Surrey County Hospital in Guildford, where Matt was treated.

Built entirely on friendship, respect, and the deep-rooted traditions of the blues, this record is proof that when musicians rally together, something bigger than music can happen ๐ŸŽธ๐Ÿ’™


Matt Long โ€” The Man Behind the Songs

Before this became an album.
Before it became a fundraiser.
Before it became a movement.

There was Matt.

Matt Long was a songwriter, guitarist, bandmate, and son whose life revolved around music and the people drawn to it. He wasnโ€™t chasing hype or headlines โ€” he was chasing feel. Tone mattered. Space mattered. Saying something honest mattered most of all.

The blues wasnโ€™t a costume for Matt; it was his natural language. His songs leaned into emotion over ego, melody over flash, and lyrics that spoke plainly but landed heavy. You can hear lived experience in his writing โ€” empathy, reflection, resilience โ€” the stuff the blues has always been built on.


The Fight, the Music, and the Community

Matt was diagnosed with cancer far too young, a moment that hit his family and the wider music community like a punch to the chest. What followed was a relentless, exhausting fight โ€” hospital visits, treatment cycles, hope, setbacks, and long stretches of waiting.

Through it all, music never left him.

Even during treatment, Matt stayed connected to the scene โ€” writing when he could, talking gear, swapping songs, and staying part of the community that had always felt like home. Benefit gigs were organised across the country to help fund additional treatment options, and musicians turned up in force.

Those nights werenโ€™t charity shows.
They were acts of solidarity.


Rooted in the Blues (Because the Blues Is Truth)

At its core, this album lives and breathes the blues โ€” not just as a genre, but as a way of surviving hard truths.

The blues has always taken lifeโ€™s most painful moments and turned them into something shared. Long before it filled clubs and festivals, it existed to tell the truth plainly and play it honestly.

That spirit runs through every groove here.

Mattโ€™s songwriting sat squarely in that tradition. Whether slow-burning and reflective or gritty and driving, his songs always served the feeling first โ€” the purest blues instinct of all.


From One Idea to a Double-Vinyl Blues Statement

Things escalated quickly. In the best possible way.

What could have been a single tribute track grew into a double vinyl album, featuring 16 original Matt Long songs, each reimagined by artists who stood by him during his illness and played benefit gigs across the country last summer.

The response from the music community was instant and overwhelming. No hesitation. No half-measures. People showed up โ€” properly.

Two tracks retain Mattโ€™s original vocals, now lifted sky-high by deeply soulful guitar work from Joe Bonamassa and Walter Trout. These moments donโ€™t feel like guest spots โ€” they feel like quiet conversations between players who understood exactly what these songs meant.


Blues Is a Conversation, Not a Competition

One of the defining traits of blues music is conversation โ€” guitar answering vocal, rhythm sections breathing with the song, musicians listening as much as they play.

That philosophy guided this entire album.

Every artist treated Mattโ€™s songs like well-loved blues standards: respected, understood, and carefully expanded rather than overwritten. Youโ€™ll hear warm, expressive guitar tones, solos that tell stories instead of showing off, vocals full of grit and soul, and rhythm sections that swing and breathe naturally.

This is blues played the right way โ€” in service of the song.


A Roll Call of Modern Blues & Soul

The album reads like a snapshot of todayโ€™s British blues and roots scene โ€” artists blending tradition with modern voices, each bringing their own flavour while keeping Mattโ€™s songwriting front and centre.

Featuring contributions from:

Elles Bailey
Paul Jones
The Cinelli Brothers
Blue Nation
Sean Webster
When Rivers Meet
Brave Rival
Will Wilde
Zac Schulze
Alice Armstrong
Dom Martin
Chantel McGregor
Katie Bradley

And standing proudly among them is Mattโ€™s closest friend from music college, now vocalist with symphonic metal giants Avantasia โ€” Adrienne Cowan โ€” bringing the project full circle with real emotional weight.


Teachers, Mentors & The Blues Lineage

Blues survives because itโ€™s passed hand to hand.

This album also features guitar solos from two of Mattโ€™s tutors at the Academy of Contemporary Music in Guildford โ€” Nic Meier and Nat Martin.

Their presence says everything. Blues isnโ€™t frozen in time โ€” itโ€™s taught, shared, and carried forward. Teachers become collaborators. Students become peers. The circle stays unbroken.


Where Care Met Compassion

Much of Mattโ€™s treatment took place at Royal Surrey County Hospital, where the care he received left a lasting impression on his family โ€” not just clinically, but humanly.

Nurses, doctors, and staff treated Matt with dignity, warmth, and compassion at a time when those things mattered as much as medicine. Thatโ€™s why this album gives back there โ€” not symbolically, but directly.


More Than an Album

This isnโ€™t just a tribute record.

Itโ€™s a blues document.
Itโ€™s community pressed into vinyl.
Itโ€™s proof that music scenes arenโ€™t just scenes โ€” theyโ€™re families.

Matt Longโ€™s voice is still here.
His songs are still breathing.
And thanks to an army of friends, his legacy now lives on โ€” not in silence, but in sound.

Honest. Soulful. Unpolished where it matters.
Thatโ€™s the blues.

Release Details

  • Pre-sale launched: 7 November (Mattโ€™s birthday ๐ŸŽ‚)
  • Official release date: 20 March 2026
  • Format: Double vinyl
  • Tracks: 16
  • Purpose: Honour Mattโ€™s legacy and the community that stood beside him

More Than an Album

This isnโ€™t just about loss.
Itโ€™s about connection, gratitude, and the way music stitches people together when words fall apart.

Matt Long clearly mattered โ€” to his family, his friends, his peers, and the wider blues world. And this album proves that his sound, his spirit, and his influence are still ringing out loud and proud ๐Ÿค˜

Weโ€™ll be following this one closely and shouting about it every step of the way.

๐ŸŽถ With a Little Help From My Friends
๐Ÿ‘‰ PRE-ORDER NOW: https://linktr.ee/MattLongTributeAlbum

Support the music. Honour the man. Turn it up loud enough that the heavens hear it.
Only love. Only riffs. ๐Ÿค˜๐Ÿ”ฅ

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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