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Home » “People Don’t Realise I’m In Control of Everything” – Yungblud Shuts Down Claims the Industry Built Him

“People Don’t Realise I’m In Control of Everything” – Yungblud Shuts Down Claims the Industry Built Him

Michael by Michael
8 January 2026
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If there’s one thing Dom Harrison doesn’t do quietly, it’s reclaim his narrative. And this week, the Doncaster disruptor better known as Yungblud has absolutely had enough of the idea that he’s some industry-manufactured puppet on a glittery string.

Spoiler alert: he’s not. Never has been. Never will be.

In a refreshingly blunt statement, Yungblud hit back at claims that his career was “built” or “designed” by the music industry, firing off a reminder that behind the eyeliner, chaos, and crowd-surfing anthems is a bloke who knows exactly what he’s doing.

“People don’t realise I’m in control of everything.”

Short sentence. Massive mic drop. 💥

Not a Product – A Proper Wind-Up Merchant (In the Best Way)

Let’s be honest, the idea that Yungblud is some major-label science experiment completely ignores one crucial thing: his entire career is based on p*ssing people off.

From day one, he’s built a fanbase by:

Saying the wrong thing (on purpose) Dressing like a rejected extra from a punk apocalypse Writing songs that sound like therapy sessions shouted through a megaphone Creating safe spaces for kids who feel shoved to the margins

That’s not a corporate focus group. That’s chaos with intent 😈

Yungblud has made it clear that while he works with labels, producers, and teams (because this is still planet Earth, mun), the vision is his. The message, the look, the noise, the confrontations — all driven from the centre.

And that centre wears boots, smudged eyeliner, and zero patience for industry myth-making.

Control Doesn’t Mean Clean

Here’s the bit people get twisted. Being “in control” doesn’t mean polished, predictable, or safe. Yungblud’s control looks messy because rebellion always does.

He chooses when to provoke.

He chooses when to go quiet.

He chooses when to torch the rulebook and dance in the ashes.

That’s not losing control. That’s weaponising it.

And in an industry that still loves to box artists up into neat, sellable shapes, someone loudly declaring “nah, I’ve got this” is always going to make a few suits uncomfortable.

Good. Let them squirm.

The Bigger Picture: Owning Your Own Noise

This moment isn’t just about one quote or one artist clapping back. It’s about a wider shift we’re seeing across alternative music — artists refusing to be talked about instead of listened to.

Yungblud isn’t asking for permission. He’s not asking for validation. He’s reminding everyone that authenticity doesn’t need industry approval stamps.

And judging by the size of his crowds, the volume of his fans, and the sheer emotional chaos of his live shows… the kids already know who’s really in charge.

Riff Report Verdict 🎸

Manufactured artists don’t scare people.

Manufactured artists don’t spark movements.

Manufactured artists don’t make comment sections melt down on a weekly basis.

Yungblud does all three.

That tells you everything you need to know, mun. 🤘🔥

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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