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Home ยป ๐ŸŽป๐Ÿ”ฅ QUEEN SYMPHONIC: โ€œWHO WANTS TO LIVE FOREVER / HAMMER TO FALLโ€ โ€” SHANE GREENHALL (THOSE DAMNED CROWS)

๐ŸŽป๐Ÿ”ฅ QUEEN SYMPHONIC: โ€œWHO WANTS TO LIVE FOREVER / HAMMER TO FALLโ€ โ€” SHANE GREENHALL (THOSE DAMNED CROWS)

Michael by Michael
15 December 2025
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๐Ÿ”ฅ๐ŸŽปFour years onโ€ฆ and it still gives The Riff Report full-body goosebumps, mun.

Some performances donโ€™t age. They donโ€™t fade. They just sit there in the archives, waiting to grab you by the collar and whisper, โ€œYou ready to feel something?โ€

This is one of those moments.

Back in the Before Times, when packed halls were normal and sweat wasnโ€™t a health hazard, Shane Greenhall of Those Damned Crows stepped into the Queen canon and absolutely owned it. Not karaoke. Not cosplay. A full-blooded, spine-tingling reinterpretation that treats Freddie Mercuryโ€™s legacy with respect, power, and zero fear.

๐ŸŽฅ Watch the performance here:
๐Ÿ‘‰ Queen Symphonic โ€“ Who Wants To Live Forever / Hammer To Fall (feat. Shane Greenhall)
https://www.youtube.com/watch?v=S4ZEnWIDTcE

๐ŸŽผ The Performance Details
This stunning rendition of โ€œWho Wants To Live Foreverโ€ and โ€œHammer To Fallโ€ was performed by Shane Greenhall (Those Damned Crows) at Queen Symphonic, held at the London Palladium on 19th November 2021.

Greenhall was joined on stage by an absolute powerhouse of vocal talent, with support from Emma Hatton, Jenna Lee-James, Peter Eldridge, Jon Boydon, Andy G Jones, and Adam Martin, all backed by the mighty Planet Rock Orchestra, who brought the full cinematic weight to every note.

๐ŸŽค โ€œWho Wants To Live Foreverโ€
This isnโ€™t just sung. Itโ€™s felt. Greenhall doesnโ€™t try to out-Freddie Freddie. Instead, he leans into the emotion. The vulnerability. The quiet devastation baked into the song. By the time the orchestra swells, it stops being a cover and becomes a moment. Lush strings, aching pauses, and a vocal delivery that hits you square in the chest.

Then, just when you think youโ€™re safeโ€ฆ

โšก โ€œHammer To Fallโ€
Bang. Mood whiplash.
The switch flips. The rock frontman comes charging out. Grit replaces fragility, urgency replaces stillness, and the symphonic backing turns into a full-scale sonic battering ram. Strings surge like waves, drums march like impending doom, and Shane sounds like he was born for this collision of rock and orchestra.

What makes this performance hit even harder now is hindsight. Four years on, it lands differently. Weโ€™ve all lived more. Lost more. Missed gigs. Missed crowds. Missed that shared feeling of being swallowed whole by live music in a room full of strangers who all know every word.

And here it is, bottled.

This wasnโ€™t just a Queen tribute. It was a reminder of why these songs still matter, why voices like Greenhallโ€™s matter, and why mixing rock grit with orchestral grandeur can still stop time dead.

The Riff Report verdict:
๐ŸŽถ Timeless songs
๐ŸŽค A fearless vocal
๐ŸŽป A symphonic sledgehammer straight to the soul

If you havenโ€™t revisited this one in a while, do yourself a favour. Turn it up. Let the chills roll in.

Still hits. Still hurts. Still glorious.
Only in rock โ€™nโ€™ roll, mun. ๐Ÿค˜๐Ÿ”ฅ

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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