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Home » 🎸 Magnum to Screen Tony Clarkin Tribute Concert Film at Birmingham Odeon 🎥🔥

🎸 Magnum to Screen Tony Clarkin Tribute Concert Film at Birmingham Odeon 🎥🔥

Michael by Michael
15 May 2025
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There are certain names in British rock that deserve to be carved into stone, right up there with the mighty riffs of Iommi, the soaring notes of Plant, and the pounding thump of Bonham. For Magnum fans — and frankly, anyone with an ear for melodic rock wizardry — that name is Tony Clarkin.

This September, Magnum’s legacy takes a new form: not in a sweaty club or a festival field, but on the big screen at Birmingham Odeon, as the band unveils a tribute concert film honouring their late guitarist and songwriter. And trust me, butt — this isn’t just a gig film. It’s a love letter. It’s Magnum’s way of saying: “Diolch, Tony. You built this castle of sound. Now we’ll keep the lights burning.” 🕯️


🌟 Who Was Tony Clarkin? (For the three of you at the back who don’t know…)

If Bob Catley was the voice, Tony Clarkin was the architect. From Magnum’s birth in Birmingham in 1972, Clarkin was the band’s chief songwriter, producer, and six-string visionary.

  • Every Magnum classic — from On a Storyteller’s Night to Vigilante, from Wings of Heaven to Lost on the Road to Eternity — came from Clarkin’s pen.
  • He had that rare knack of balancing grandeur and grit. One minute he’s weaving fantasy-laden prog textures, the next he’s belting out arena-sized hooks that’d get even the most miserable goth bouncing.
  • Behind the scenes, he was known as quiet, driven, and laser-focused on the music. On stage, he let his Les Paul do the talking.

Clarkin wasn’t just in Magnum. He was Magnum. His riffs, his lyrics, his production — all roads led back to him. When he passed away earlier this year, it wasn’t just the end of an era. It was like losing the very heartbeat of Brummie melodic rock. 💔


🎥 KK’s Steel Mill — The Night It Was Captured

The concert at the centre of this film wasn’t staged for cameras — it was born from love. Held at KK’s Steel Mill in Wolverhampton, the night gathered fans, friends, and a line-up of musicians determined to give Tony the send-off he deserved.

KK’s itself is a fitting choice: a venue built by KK Downing of Judas Priest, another Midlands metal hero. That’s proper steel country pride, mun. 🤘

The setlist? A dream for Magnum fans.

  • How Far Jerusalem — that slow-burning opener, a hymn to storytelling.
  • On a Storyteller’s Night — the album that changed it all, sung like a prayer by fans.
  • Just Like an Arrow — full of Clarkin’s signature melodic punch.
  • Kingdom of Madness — closing out with the song that started it all in 1978.

Each track wasn’t just played. It was lived. You could hear the grief, the gratitude, and the joy in every note. Fans cried, laughed, hugged strangers — and for a few hours, Wolverhampton became the centre of the Magnum universe.


🎬 Birmingham Odeon Screening — A Cinematic Farewell

Now, that magical night gets the full cinema treatment. Birmingham Odeon — right in the heart of the city where it all began — will screen the tribute concert for fans who couldn’t be there in person.

Why does this matter?

  • The Sound — Odeon’s system means you’ll feel the bass in your chest, just like standing front-row at KK’s.
  • The Scale — seeing Bob Catley’s expressions or Clarkin’s image projected huge? Goosebumps guaranteed.
  • The Community — this isn’t just watching a film. It’s sitting in a cinema full of fellow Maggies, singing along, raising pints, and celebrating together.

And let’s be real — Magnum never had the mainstream film attention of a Queen or a Zeppelin. This is the band’s moment on the silver screen, and it’s lush to see.


🏴 Birmingham’s Place in the Magnum Story

It’s no accident this screening is in Brum. Magnum were born in the pubs and clubs of Birmingham.

  • The Rum Runner Club — the same venue that launched Duran Duran, but before the synths came the riffs. Magnum cut their teeth here.
  • The Railway and The Barrel Organ — classic haunts where the band honed their sound.
  • Hometown Heroes — while Sabbath brought the doom, Magnum brought the dreams.

There’s something poetic about bringing Clarkin back home, larger than life, for one last Brummie gathering.


🤘 Fan Reactions — From Socials to Streets

Since the announcement of the film, Magnum fans have been flooding socials with tributes:

“Tony’s songs got me through school, divorce, and bloody lockdown. Can’t wait to sing Storyteller’s Night with the Brum crowd.”

“We’ve had Queen at Wembley, Sabbath on the bridge… now Magnum on the Odeon screen. Proper Brummie pride!”

“I saw them at Monsters of Rock ’88. Clarkin was on fire. This screening will be my way of saying thanks.”

Outside the online chatter, there’s talk of fans planning pub crawls before and after the screening — turning it into a mini-festival of Magnum love. Only in the Midlands, mun. 🍻


🎶 Tony Clarkin’s Legacy — Why It Matters

The tribute isn’t just nostalgia. It’s a reminder of what Clarkin gave to rock:

  • Consistency — while trends shifted from glam to grunge to nu-metal, Magnum kept flying their melodic rock flag.
  • Global Reach — the band built cult followings in Europe, particularly Germany, where they could still pack arenas.
  • Inspiration — ask bands like Powerwolf, Nightwish, or even Within Temptation, and you’ll find traces of Magnum’s DNA.

Clarkin’s riffs weren’t flashy, but they were eternal. His choruses didn’t fade; they soared.


🎤 The Big Question — What’s Next for Magnum?

Here’s the tough bit. Can Magnum continue without Tony? Bob Catley has made it clear: “We’ll keep playing as long as the fans want us.”

But let’s be real — the band without Clarkin is like Sabbath without Iommi, or Queen without May. Possible, yes. The same? Never.

This film might be Magnum’s swan song. Or it might be a new chapter, with guest musicians keeping Clarkin’s music alive. Either way, the Odeon screening will feel like closing a book — even if another is waiting to be opened.


🎶 Top 5 Magnum Songs to Crank Before the Screening

Get in the mood, mun:

  1. On a Storyteller’s Night — the anthem, the myth, the masterpiece.
  2. Just Like an Arrow — melodic rock perfection.
  3. How Far Jerusalem — build-up brilliance.
  4. Vigilante — Magnum getting gritty.
  5. Kingdom of Madness — because beginnings matter.

Stick those on a playlist and you’ll be ready to belt along in the Odeon aisles.


🏆 Why This Matters Beyond Magnum

This screening isn’t just about one band. It’s about Midlands rock history. Birmingham has already immortalised Sabbath with statues and bridges. Priest are still touring. Now Magnum, the often-overlooked third pillar of Brummie rock, get their flowers — and it’s bloody well deserved.

Rock history isn’t just the headliners. It’s the lifers like Clarkin who kept the fire burning. This film is a reminder of that.


🤘 Closing Riff

When the lights go down at Birmingham Odeon, and the first chords ring out, it won’t just be a film. It’ll be a communion. A gathering of the faithful to say goodbye, celebrate, and maybe cry into their popcorn.

Tony Clarkin wrote the soundtrack to countless lives. Now, fittingly, his music takes to the big screen. If that isn’t rock ’n’ roll immortality, I don’t know what is.

So grab your ticket, warm up your vocal cords, and get ready to raise a pint to the man who gave us a kingdom of madness worth living in. 🍻🎶

Diolch, Tony. Proper job. 🏴

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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