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Home » 9 Bands Featuring All But One Member of a Previous Band – The Riff Report Blog 🎸

9 Bands Featuring All But One Member of a Previous Band – The Riff Report Blog 🎸

Michael by Michael
6 August 2025
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Sometimes bands break up… and sometimes they just reorganise like your dodgy pub quiz team after one player forgets it’s Thursday. What do you get when almost everyone from a band sticks together but one person vanishes (or gets booted)? You get these musical near-reunions that are so close, yet completely different. Here’s to the 9 bands that carried on without that one mate — and often made something epic in the process.


1. Audioslave – All of Rage Against the Machine… Minus Zack de la Rocha

Rage Against the Machine split in 2000 when frontman Zack de la Rocha bailed over creative differences (and a whole lotta firebrand politics). The rest of the band — guitarist Tom Morello, bassist Tim Commerford, and drummer Brad Wilk — weren’t ready to hang up their instruments.

So what did they do? They brought in Chris Cornell, the legendary frontman of Soundgarden, and created Audioslave. Gone were the rap-political rants, and in came moody melodies, massive hooks, and Cornell’s soaring voice.

Their self-titled debut dropped in 2002 and went triple platinum. Tracks like Cochise, Like a Stone, and Show Me How to Live redefined what a post-Rage band could sound like. It was more polished, less revolutionary — but undeniably powerful.

Sadly, Audioslave split in 2007, and Cornell passed away in 2017, but the impact remains. This wasn’t a side project. This was a full-blown reinvention.


2. Velvet Revolver – All of Guns N’ Roses… Minus Axl Rose

Ah yes, Axl Rose. The walking hurricane of talent and temper tantrums. When GN’R fell into dysfunction in the late ’90s, Slash, Duff McKagan, and Matt Sorum weren’t keen on waiting another 15 years for Chinese Democracy.

So what did they do? They roped in Scott Weiland from Stone Temple Pilots and formed Velvet Revolver — essentially GN’R without Axl, plus Weiland’s drug-fuelled swagger.

Their debut album Contraband (2004) smashed expectations with hits like Slither and Fall to Pieces, winning them a Grammy and loads of sold-out shows. The band oozed attitude, grit, and that sexy, dirty rock energy that GN’R had lost to courtroom battles and ego wars.

They fizzled by 2008 (too much drama, not enough harmony), but for a while, Velvet Revolver were proof you can replace a rock god and still kick arse.


3. New Order – All of Joy Division… Minus Ian Curtis

When Ian Curtis, the iconic frontman of Joy Division, died by suicide in 1980, it could’ve marked the end. Instead, the remaining members — Bernard Sumner, Peter Hook, and Stephen Morris — decided to move forward. They brought in keyboardist Gillian Gilbert and reinvented themselves as New Order.

Joy Division had been all gloomy post-punk brilliance, but New Order injected synths and dancefloor vibes. Blue Monday became the best-selling 12-inch single ever.

They didn’t forget their roots — you can feel the shadows of Joy Division in songs like Ceremony and Your Silent Face — but they evolved. And thrived.

It wasn’t just survival. It was resurrection through transformation. Proper job.


4. Tin Machine – All of David Bowie’s Band… Minus the Solo Bowie

This one’s cheeky. In the late ’80s, David Bowie decided he was tired of being David Bowie. So he joined a band. That band was Tin Machine, featuring guitarist Reeves Gabrels and brothers Hunt and Tony Sales — all of whom had played with him in some shape or form.

The twist? Bowie insisted this wasn’t “David Bowie and co.” — he was just a band member. No solo star. No theatrics. Just raw, noisy, democratic alt-rock.

Their self-titled debut (1989) split fans and critics. Some loved its garagey mess, others screamed “bring back Ziggy!” Still, Tin Machine deserves respect for being bold and experimental. It was the calm (well, noisy chaos) before Bowie’s brilliant ’90s resurgence.


5. Temple of the Dog – All of Soundgarden… Minus Matt Cameron (at first)

Before Pearl Jam were even a thing, and before grunge went global, Chris Cornell started Temple of the Dog as a tribute to his late roommate and friend Andrew Wood, frontman of Mother Love Bone. He brought in Stone Gossard and Jeff Ament (MLB alumni), and eventually, Eddie Vedder wandered in for backing vocals on Hunger Strike.

It was almost all of Soundgarden (minus drummer Matt Cameron originally), and most of what would become Pearl Jam. The album came out in 1991, before anyone really knew what grunge was.

It flopped… until everyone got famous. Then it became legendary. And that duet on Hunger Strike? Still gives goosebumps.


6. A Perfect Circle – Most of Tool… Minus Danny Carey

Tool are many things: cerebral, complex, hypnotic. But what if Maynard James Keenan fancied something slightly more accessible? Enter A Perfect Circle.

Formed with Billy Howerdel (former Tool guitar tech), APC included bassist Paz Lenchantin, guitarist Troy Van Leeuwen, and drummer Josh Freese. So, not all of Tool… but Maynard’s unmistakable vocals and the eerie atmosphere made it Tool-adjacent. Notably, Danny Carey, Tool’s powerhouse drummer, was missing.

Songs like Judith and 3 Libras carved a unique space: emotional, dark, yet melodic. Less math-metal, more mood-metal. A side hustle that became a main act.


7. Tom Petty & the Heartbreakers – All of Mudcrutch… Minus One

Back before he was a household name, Tom Petty was just a Florida lad playing in a band called Mudcrutch. They moved to LA and imploded, but Petty took guitarist Mike Campbell and keyboardist Benmont Tench and formed The Heartbreakers.

Only one Mudcrutch member, rhythm guitarist Danny Roberts, didn’t make the cut. Harsh.

But from those scraps came American Girl, Refugee, and Free Fallin’. Petty even later reunited Mudcrutch for two albums in the 2000s, just to finish what they started. Full circle, mun.


8. The Smile – All of Radiohead… Minus Ed O’Brien

In a move that screamed, “let’s mess with everyone’s heads again,” Thom Yorke and Jonny Greenwood formed The Smile with drummer Tom Skinner (from jazz outfit Sons of Kemet).

The vibe? Less Radiohead’s ethereal anxiety, more angular, twitchy jazz-rock chaos. But with Yorke and Greenwood involved, comparisons were inevitable. It felt like Radiohead Lite… or Heavy, depending on your perspective.

Missing from the lineup? Guitarist Ed O’Brien and drummer Phil Selway. It’s still a Radiohead family affair, but like a side mission where you didn’t bring the whole party.

Their debut A Light for Attracting Attention (2022) was critically adored, proving that Yorke and Greenwood are basically incapable of doing anything mid.


9. Heaven & Hell – All of Black Sabbath… Minus Ozzy Osbourne

You know the story. Ozzy out. Dio in. Sabbath reborn. When Tony Iommi, Geezer Butler, and Vinny Appice linked back up with Ronnie James Dio in the 2000s, they didn’t want to call it Black Sabbath.

Why? Respect for Ozzy, clarity for fans, and possibly a desire to avoid lawsuits. So they named it Heaven & Hell, after their classic 1980 Sabbath album with Dio.

Heaven & Hell toured like hellfire, dropped the thunderous The Devil You Know in 2009, and reminded everyone that Dio wasn’t just a replacement — he was a metal titan in his own right.

The band ended after Dio’s death in 2010, but left a legacy just as mighty as Sabbath’s Ozzy years.


Honourable Mentions 🧤

  • Dead & Company – The Grateful Dead, minus Jerry Garcia — but still trucking.
  • Asia – A supergroup of ex-Yes members, but no Jon Anderson.
  • The Winery Dogs – Dream Theater’s Mike Portnoy & Billy Sheehan… but no Rudess/Myung.
  • Slash ft. Myles Kennedy & The Conspirators – GN’R vibes without the Guns part.

Final Thoughts: Is One Missing Piece That Big a Deal?

Turns out… sometimes, yeah. But often? Not really. These near-reunion bands prove that chemistry doesn’t always need every molecule. Sometimes, you subtract one ego and unlock a whole new sound. Other times, it’s just about keeping the rock alive.

So the next time you hear a new band and go “wait, isn’t that just [insert band] without [insert dude]…?” — you’re probably right.

And it probably still slaps 🙌


More tales of band bust-ups, rebirths, and near-misses coming soon to The Riff Report Blog — because the only thing messier than a mosh pit is band politics.

C’mon butt, hit that follow button 😎🎶

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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