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Home ยป ๐Ÿค˜ EVER SEEN AN OPENING BAND BLOW AWAY THE HEADLINER? HELL YES YOU HAVE! ๐ŸŽค๐Ÿ”ฅ

๐Ÿค˜ EVER SEEN AN OPENING BAND BLOW AWAY THE HEADLINER? HELL YES YOU HAVE! ๐ŸŽค๐Ÿ”ฅ

Michael by Michael
4 August 2025
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The Riff Report Blog

Thereโ€™s a certain smug thrill in watching jaws hit the floor when the support act crushes it so hard that the headliner feels like a wet fart in comparison. Itโ€™s rare, but when it happens, itโ€™s the live music equivalent of witnessing a glorious underdog KO a heavyweight champion.

We asked the question โ€“ and now weโ€™re spilling the stories. From bands that made crowds scream during soundcheck to legendary openers who had the headliner sweating backstage โ€“ hereโ€™s a run through some of the most iconic times an opening band blew the roof off before the main act even plugged in.


๐ŸŽธ 1. Guns Nโ€™ Roses Supporting Aerosmith (1988) โ€“ โ€œSweet Child Who?โ€

In โ€™88, Aerosmith were back on their sober grind with the Permanent Vacation tour. Problem? They booked a feral, drunk, and dangerously brilliant Guns Nโ€™ Roses as support โ€“ just as Appetite for Destruction was blowing up.

According to Steven Tyler, Aerosmith had to ban GNR from partying with them because they were out-chaosing everyone. Every night, Guns played like they were headlining Madison Square Garden, and by the time Steven and Joe hit the stage, the audience was already exhausted โ€“ or fully converted.

โ€œWe didnโ€™t open for Aerosmith. We burned the stage down, then left them the ashes.โ€ โ€“ Some drunk guy at a show, probably.


๐ŸŽค 2. Rage Against the Machine Opening for U2 (1997) โ€“ โ€œRage Trumps Religionโ€

U2โ€™s PopMart tour was an expensive, surreal, lemon-shaped spaceship of a thing. Then Rage Against the Machine came out and annihilated the senses with “Killing in the Name” before Bono could even start his monologue about peace.

Fans came for introspection and disco balls โ€“ and instead got a political riot in musical form. Rageโ€™s raw energy made U2โ€™s massive production feel… a bit safe.


๐Ÿค˜ 3. Nine Inch Nails Supporting David Bowie (1995) โ€“ โ€œIndustrial Beats > Art Rock Peeksโ€

During the Outside Tour, Bowie graciously handed the stage to Trent Reznor and Nine Inch Nails. Except Trent didnโ€™t just play… he levelled the venue with a soundstorm of rage, industrial angst, and broken synths.

Half the crowd left after NINโ€™s set. The other half needed therapy before Bowie even walked out.


๐ŸคŸ 4. Slipknot Opening for Slayer (Early 2000s) โ€“ โ€œThe Masked Ones Made It Murderousโ€

Imagine turning up to see Slayer, and youโ€™re met by nine maniacs in boiler suits pelting percussion at your skull with pyrotechnics, baseball bats, and a keg.

By the time Slayer took the stage, the adrenaline had already peaked โ€“ and fans were still dazed from Corey Taylor’s screaming baptism. Slayer were legends, but Slipknot were pure chaos unleashed.


๐Ÿ•ถ๏ธ 5. The Darkness Opening for Disturbed (2002) โ€“ โ€œGlam Outshines Gruntโ€

Disturbed had the growl, but The Darkness had fun, high notes that could shatter pint glasses, and catsuits so tight they couldโ€™ve been painted on. The UK glam rockers left fans singing โ€œI Believe in a Thing Called Loveโ€ all the way home โ€“ while Disturbed felt like a moody postscript.


๐Ÿงจ 6. Muse Opening for Red Hot Chili Peppers (2000s) โ€“ โ€œPunk-Funk, Meet Galactic Supremacyโ€

RHCP are legends, no doubt. But Muse brought a stage show that looked like a spaceship, complete with shredding, falsetto howls, and more lasers than Glastonburyโ€™s UFO sighting hotline.

RHCP felt a little… barefoot in comparison.


๐Ÿ˜ฌ 7. Steel Panther Opening for Mรถtley Crรผe (Sometimes) โ€“ โ€œSteel Panther Are the Crรผe You Wantedโ€

The wigs, the jokes, the shredding, the spandex that defies physics โ€“ Steel Panther often make crowds feel like theyโ€™re watching peak-80s Mรถtley, while the actual Crรผe trundle along trying to remember what song theyโ€™re doing.

Controversial? Yes. True? Often.


๐Ÿ’ฅ Honorable Mentions from The Pit Crew:

  • Royal Blood supporting Arctic Monkeys: Turned a bunch of indie kids into riff-loving animals.
  • Ghost opening for Iron Maiden: Theatrics so good even Eddie blinked twice.
  • Code Orange supporting Deftones: Gave the pit permanent PTSD.
  • Halestorm supporting Shinedown: Lizzy Hale ate the stage and spat out lightning bolts.

๐ŸŽค Final Chord: When the Underdog Becomes the Main Event

Sometimes the opener walks out like theyโ€™ve got nothing to lose โ€“ and ends up owning the night. Itโ€™s raw, itโ€™s unpredictable, and itโ€™s what live music is all about.

So next time you roll in late, pint in hand, thinking โ€œI’ll skip the support actโ€โ€ฆ think again, butt. You might miss the moment history kicks off before sunset.


๐Ÿง  Your Turn โ€“ Ever Seen It Happen?

Drop your war stories in the comments โ€“ who absolutely schooled the headliner at your gig?

Tag us on socials with @theriffreportuk and letโ€™s hear your tales from the trenches of live rock ‘nโ€™ roll. ๐Ÿค˜

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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