Full Review by The Riff Report Blog – July 5, 2025
Stage: Back To The Beginning Main Stage
Event: THE DRUM-OFF – YES. A literal drum war. Only in metal.
Time: Somewhere between “soundcheck” and “someone summon the gods of thunder” ⚡
🥁💣 “THIS ISN’T JUST A SOLO… IT’S A BATTLEFIELD!” – VILLA PARK HOSTS METAL’S MOST UNHOLY DRUM WAR ⚔️
You thought you’d seen madness? You thought the pits were wild? You thought Lamb of God and Gojira were the loudest things at Villa Park?
WRONG.
What came next wasn’t a set. It was a DRUMMING BLOODBATH. Five kits. Five gods. No rules. No mercy. No seatbelts.
Welcome to THE DRUM-OFF: The world’s loudest, fastest, sweatiest, most over-the-top display of rhythmic violence ever witnessed on UK soil. It was so metal, even the crash cymbals screamed for help. 😵💫🔥
🥁 THE WARRIORS ENTER THE RING…
🧠 Mario Duplantier (Gojira) – The Precision Monster
Played blast beats like Morse code from an alien mothership. Threw sticks behind his back and still landed fills tighter than your ma’s purse string.
🧨 Arejay Hale (Halestorm) – The Showman
Entered wearing a cape, wielding drumsticks the size of cricket bats. Jumped ONTO his stool mid-solo and did a 360. Crowd went ballistic. He is chaos incarnate.
🐙 Jay Weinberg (Slipknot) – The Demonic Octopus
Strapped into a rotating kit. Face paint dripping. Looked like he was battling demons mid-air. Crowd started a pit during his solo. That’s new.
⚡ Brann Dailor (Mastodon) – The Jazz Wizard of Doom
Started with a shuffle. Ended with a time-signature-defying blast that gave everyone maths headaches. Basically Neil Peart’s chaotic cousin on acid.
🥷 Dave Grohl (Supergroup A) – The Smiling Assassin
Jumped behind the kit with a pint in one hand, destroyed everyone’s expectations. Switched from death metal to disco grooves to Slayer-style fills in 30 seconds. Legend.
When the crowd chanted “ONE MORE TIME!” he just smirked and dropped into “Smells Like Teen Spirit” at 220BPM. People wept.
🎤 COMMENTARY? YES. FROM OZZY BLOODY OSBOURNE.
Projected onto the screen mid-battle, Ozzy pops up, absolutely loving it.
“This is mental. I love it. I can’t hear nuffin’. Proper f*in’ loud, innit?!”**
Then he dropped his mic and walked off laughing. Icon.
🎵 HIGHLIGHT MOMENTS THAT BROKE THE LAWS OF PHYSICS
- Arejay Hale played a mini kit made entirely of beer cans – and made it sound GOOD.
- Mario did a one-handed blast beat while holding a GoPro in the other. Expect full POV madness online soon.
- Brann Dailor played a 7/4 solo… while reciting Shakespeare. Don’t ask. It slapped.
- Jay Weinberg started a silent drum solo – no sound, just motion – and the crowd beatboxed it themselves.
- *Grohl and Arejay tag-teamed a Slayer fill, back to back, like WWE but with snare drums.
🧷 THE CROWD? ABSOLUTE MAYHEM
Some sat cross-legged in awe. Some moshed. Some meditated. One lad tried to air drum all five solos at once and passed out.
A kid on their dad’s shoulders screamed “DRUMS FOREVER!” and we’re now legally adopting them into The Riff Report.
The security guards had earplugs, wide eyes, and thousand-yard stares. PTSD = Post-Tempo Stress Disorder.
🧨 THE GRAND FINALE – FIVE KITS. ONE BEAT. APOCALYPSE. 💀
The final 60 seconds: All five drummers synced up for a mind-melting rhythmic explosion that made the entire stadium rumble.
Bass drums firing like cannons. Cymbals exploding like fireworks. Crowd counting down, fists raised. And when it ended?
SILENCE.
Then: A SCREAM SO LOUD IT REGISTERED ON A WEATHER SATELLITE.
🎯 FINAL VERDICT: LOUDER THAN HELL. COOLER THAN ANY SOLO YOU’LL EVER SEE.
This wasn’t just a drum-off.
It was a drum reckoning. A kit-based crusade.
A percussion purge for the soul.
Score: 12/10 Snare-Rattling Showdowns 🥁🔥
Mood: Deaf, delirious, and DESPERATE FOR A REPLAY.
Diolch to every skin-hitting, stick-flipping, face-melting maniac on stage. That was glorious insanity. 🙏
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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