First show in Cardiff turns into a resale bloodbath – here’s what’s occurring…
The Gallagher boys are back. Oasis are officially on stage again for the first time in over 16 years. But while fans are dusting off their parkas and practicing their Liam struts in the mirror, something very un-rock ‘n’ roll is happening behind the scenes…
Tickets for the first reunion gig in Cardiff are now being resold for over £10,000 a pop, and the UK’s Competition and Markets Authority (CMA) has officially said:
“You having a laugh, mate?”
💸 £10,000 for Oasis? What in the Champagne Supernova is Going On?
When the Oasis comeback was announced, fans were buzzing. Glastonbury rumours were swirling, the Principality Stadium was chosen to kick off the tour, and Ticketmaster promised a “fair” rollout. Spoiler alert: it wasn’t.
With days to go before the massive Cardiff show, resale sites have gone full bananas:
- 🎫 Front Row VIP Resale – £8,000 to £10,500
- 🎫 Pitch Standing Packages – £2,500 to £5,000
- 🎫 Even Nosebleeds – £600+ for seats so far back you might need binoculars (and a priest)
That’s not a ticket. That’s a second-hand car. Or half your rent for the year. Or two trips to Download Festival, including the overpriced noodles.
And fans? They’re fuming. Or as we say in Wales, “I was tamping, mun!”
🕵️♂️ CMA vs Ticketmaster: The Investigation Begins
Enter the CMA (Competition and Markets Authority) – basically the watchdog that bites back when companies try to mug you off. And right now, they’re turning the spotlight on Ticketmaster and Live Nation faster than Liam can say “mad fer it.”
The CMA is officially probing:
✅ Whether Ticketmaster has done enough to stop bots and touts
✅ If “Platinum” pricing is just price gouging in a shiny jacket
✅ Whether resale tickets are being advertised fairly and legally
They’ve already demanded info from Ticketmaster and will take things “further if needed.” Translation: they’re locked, loaded, and ready to smash some dodgy business models.
🧨 “This Isn’t Rock ‘n’ Roll – It’s Robbery!”
Fans across social media have lost the plot – and rightfully so:
“£10K for Oasis? I could hire Liam to sing in my garden for that.”
“We fought for Oasis to reunite – not to bankrupt ourselves for it.”
“I love you, Noel, but I don’t love you that much.”
Some are threatening boycotts. Others are plotting protests outside the venue. A few are trying to sneak in via merch trolleys. One lad apparently tried to pay in Greggs vouchers (respect 🥓).
Meanwhile, many fans are calling for a complete overhaul of the ticketing system, with resale caps, ID-checking, and better access for genuine fans.
📉 The Resale Sites: Viagogo, StubHub, and Ticketmaster Themselves?!
Let’s not pretend this is just Viagogo’s circus.
Even Ticketmaster’s own resale platform is part of the mess – with “dynamic pricing” pushing original tickets from £95 to £395+ before resellers even had a chance to scalp them.
Then came the wave of listing bots, buying hundreds of tickets at once and relisting instantly for insane prices.
The result? A battlefield of broken dreams, with fans priced out, scalpers cashing in, and the whole industry under fire 🔥
🤘 So What Now, Butt?
The CMA’s got its beady eye on Ticketmaster. Fan unions like FanFair Alliance are pushing hard. And politicians are finally being dragged into the mosh pit, demanding reforms.
But in the meantime?
- Stick to face value resale sites like Twickets
- Don’t reward the touts by paying £10K for “Don’t Look Back in Anger”
- And if you have got a ticket – you absolute lucky legend – get in touch with us, because we want your photos, vids, and possibly a spare laminate 👀
🎤 Final Thought: Would the Gallaghers Approve?
Let’s be honest. Even Liam himself would probably tell you not to pay £10K to see him sing “Live Forever” in the rain. The Oasis comeback was supposed to be about the music, the madness, the moment – not becoming a luxury gig for hedge fund managers.
So c’mon, industry folks – sort it out.
📣 Shout Out to Real Fans
Are you heading to the Cardiff show? Spotting some dodgy listings online? Got a miraculous last-minute ticket story or a DIY Liam shrine in your garden?
Drop us a line at staging.theriffreport.co.uk/ or tag us on socials @theriffreport – we’re watching every Gallagher move like it’s Match of the Day. 🕶️
⚠️ PSA: Don’t Get Ripped Off
Here’s where you can actually try your luck:
🎫 Official Ticketmaster Listing – Oasis Cardiff (£20 offer if still live)
🔥 Follow our updates all week long as Oasis take over Cardiff – from setlist leaks to merch stand madness to whether Liam really says “Mad fer it” on stage.
#OasisLive25 #CMAinvestigates #TicketmasterScandal #GallagherGate #TheRiffReport
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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