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Home » 🧯 VENOM – THE GODFATHERS OF BLACK METAL 🔥☠️🎸

🧯 VENOM – THE GODFATHERS OF BLACK METAL 🔥☠️🎸

Michael by Michael
3 July 2024
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Genre: Black Metal (Proto), Speed Metal, Thrash, NWOBHM Chaos
Formed: 1979 – Newcastle, England 🇬🇧
Known For: Inventing black metal (no, really), satanic swagger, and sounding like Motörhead if they’d been possessed by Beelzebub on cheap cider.


🧠 WHO THE HELL ARE VENOM?

Venom didn’t just flirt with the devil – they snogged him behind the bins, wrote an album about it, and scared the living hell out of 1980s Britain in the process.

These Geordie madlads didn’t care about being tight or clean – they wanted to be:

  • ⚫ Louder than hell
  • ⚫ Faster than punk
  • ⚫ Eviler than your nan’s Victorian doll collection

Their sound? Messy, menacing, and magnificent.
Their legacy? The birth of black metal. Full stop.

Bands like Metallica, Slayer, Bathory, Mayhem, and pretty much every corpse-painted ghoul with a pentagram tattoo owe Venom their horns.


🧨 ORIGINAL LINE-UP OF SATAN’S HOUSE BAND:

  • Cronos (Conrad Lant) – Bass/Vocals / The snarling icon
  • Mantas (Jeff Dunn) – Guitar / Riff generator from the abyss
  • Abaddon (Tony Bray) – Drums / Chaos incarnate on a kit

⚠️ Line-ups changed more than your teenage metal phase – but Cronos is the heart (and blackened soul) of Venom.


💿 VENOM’S DISCOGRAPHY – RAW, EVIL, AND BEAUTIFULLY UNHINGED 🔥🩸


🧨 Welcome to Hell (1981)

🚪 THE GATEWAY TO DARKNESS.
🎧 Sons of Satan, Welcome to Hell, In League With Satan
Riff Rating: 🔥🔥🔥🔥
*Lo-fi, dirty, dangerous. This is where black metal was born.


🕷️ Black Metal (1982)

🖤 THE ALBUM THAT NAMED A GENRE.
🎧 Black Metal, Buried Alive, Countess Bathory
Riff Rating: 🔥🔥🔥🔥🔥
Raw energy. Satanic lyrics. Musical anarchy. Essential.


🔪 At War with Satan (1984)

📜 Concept album madness. 20-minute title track.
🎧 At War with Satan, Rip Ride, Genocide
Riff Rating: 🔥🔥🔥
*Ambitious, theatrical, and still completely bonkers.


⚰️ Possessed (1985)

😈 More Satan. Less focus. Still bloody brilliant.
🎧 Powerdrive, Flytrap, Possessed
Riff Rating: 🔥🔥
*Venom starting to lose control in the best way possible.


💀 Calm Before the Storm (1987)

⚡ Cleaner production, but less evil bite
🎧 Metal Punk, Under a Spell
Riff Rating: 🔥🔥
*Not their finest hour – but still snarling.


🔥 Resurrection (2000)

🧟‍♂️ Cronos returns. Modern venom with classic venom bite.
🎧 Black Flame (Of Satan), Resurrection
Riff Rating: 🔥🔥🔥
*Proof Venom still had fire in the pit.


🩸 Storm the Gates (2018)

⚔️ Aging demons, still throwing fireballs.
🎧 Bring Out Your Dead, Dark Night (Of the Soul)
Riff Rating: 🔥🔥🔥
*Modern Venom = Old school attitude + updated chaos.


🎧 RIFF REPORT RIOTOUS VENOM ESSENTIALS:

🎸 Black Metal – The anthem that started a genre
🎸 Welcome to Hell – A filthy invitation to Satan’s moshpit
🎸 In League With Satan – “Eeeeeevil!” chants included
🎸 Countess Bathory – Melody meets menace
🎸 Rip Ride – Fast as hell, dumb as hell, fun as hell


🧡 WHY VENOM STILL MATTER IN THE METAL UNDERWORLD:

Because they:

  • Invented a movement by accident
  • Pioneered Satanic stage presence with DIY madness
  • Inspired literally hundreds of bands
  • Still tour, record, and terrify Daily Mail readers
  • Don’t care what you think – and never did.

And because metal needed a little evil to get interesting.


🎤 FINAL VERDICT FROM THE RIFF REPORT:

VENOM are the rotten roots of the black metal tree.
You don’t get Mayhem, Bathory, or even Slayer’s darker days without this lot.
Their albums may sound like they were recorded in a haunted shed… but that’s the point.

“Lay down your souls to the gods rock ‘n’ roll!” – And Venom did.

They’re loud, lewd, lawless – and we fing love ’em for it.*** 🐍🔥🖤

Previous Post

🌋 MASTODON – THE PROG SLUDGE TITANS OF ATLANTA 🐘🌌🎸

Next Post

🦇 AVENGED SEVENFOLD – RIFF-LORDS OF MODERN METAL 🥀🎸🧠

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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