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Home ยป ๐Ÿคก SLIPKNOT โ€“ THE NINE-HEADED HYDRA OF MAYHEM ๐Ÿ”ฅ๐Ÿฅ๐Ÿ”ช

๐Ÿคก SLIPKNOT โ€“ THE NINE-HEADED HYDRA OF MAYHEM ๐Ÿ”ฅ๐Ÿฅ๐Ÿ”ช

Michael by Michael
3 July 2024
in News
Reading Time: 6 mins read
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Genre: Nu-Metal, Groove Metal, Death-Metal-But-Not-Really
Formed: 1995 โ€“ Des Moines, Iowa (yes, really โ€“ Iowa)
Known For: Wearing masks, throwing punches (and mic stands), and turning pain into pulverising power.


๐Ÿง  WHO THE HELL ARE SLIPKNOT?

Slipknot are less a band, more a force of nature.
A sonic blender of rage, noise, and emotion โ€“ served raw, loud, and blood-soaked.

They rose from the cornfields of Iowa to become one of the biggest metal bands on the planet โ€” all while screaming about trauma, alienation, and setting the world on fire (literally and figuratively ๐Ÿ”ฅ).

And yeah โ€” nine members. Industrial jumpsuits. Serial killer masks.
Because subtlety is for cowards.


๐ŸŽญ THE NINE (Classic Era)

  1. #8 Corey Taylor โ€“ Vocals / Emotional scream king ๐Ÿ‘‘
  2. #0 Sid Wilson โ€“ Turntables / Kung-fu goblin ๐Ÿค–
  3. #1 Joey Jordison (RIP) โ€“ Drums / Absolute machine ๐Ÿฅ
  4. #2 Paul Gray (RIP) โ€“ Bass / The backbone ๐Ÿชฆ
  5. #3 Chris Fehn โ€“ Percussion / Pointy nose boi ๐Ÿคก
  6. #4 Jim Root โ€“ Guitar / Tall, calm, and dangerous
  7. #5 Craig Jones โ€“ Samples / โ€œ133โ€ / The silent one ๐Ÿ‘ฝ
  8. #6 Shawn โ€œClownโ€ Crahan โ€“ Percussion / Chaos conductor ๐Ÿฉธ
  9. #7 Mick Thomson โ€“ Guitar / The walking wall of riffs ๐Ÿงฑ

๐Ÿฉธ Later Additions:

  • Jay Weinberg (Drums) โ€“ Took over from Joey
  • Alessandro โ€œV-Manโ€ Venturella (Bass)
  • Michael Pfaff โ€œTortilla Manโ€ (Percussion)
  • And some mystery masks since. Slipknotโ€™s turnover is wilder than Tesco on a Friday.

๐Ÿ’ฟ SLIPKNOTโ€™S SONIC SLAUGHTER โ€“ ALBUM BY ALBUM ๐ŸŽง๐Ÿ”ช


1๏ธโƒฃ Slipknot (1999)

๐ŸŽญ THE ERUPTION.
๐ŸŽง Wait and Bleed, Surfacing, Eyeless
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
*Unhinged, unholy, unskippable.


2๏ธโƒฃ Iowa (2001)

๐ŸŒช๏ธ THE HEAVIEST ALBUM EVER. Fight us.
๐ŸŽง People = Sht*, Disasterpiece, The Heretic Anthem
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
If this album had a smell, itโ€™d be blood and regret.


3๏ธโƒฃ Vol. 3: (The Subliminal Verses) (2004)

๐ŸŽป Melodic. Experimental. Still savage.
๐ŸŽง Duality, Before I Forget, Vermilion
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
*Proof Slipknot werenโ€™t just screamers โ€” they were songwriters.


4๏ธโƒฃ All Hope Is Gone (2008)

๐Ÿงจ Political. Polished. Pit-starter.
๐ŸŽง Psychosocial, Sulfur, Snuff
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
Their biggest commercial album. Also, โ€œSnuffโ€ broke our hearts.


5๏ธโƒฃ .5: The Gray Chapter (2014)

๐Ÿชฆ Tribute to Paul Gray. Raw & real.
๐ŸŽง The Devil in I, Custer, Killpop
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
Grief meets groove meets glorious chaos.


6๏ธโƒฃ We Are Not Your Kind (2019)

๐Ÿงฌ Experimental. Cinematic. Epic.
๐ŸŽง Unsainted, Nero Forte, Solway Firth
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
Arguably their most creative album yet.


7๏ธโƒฃ The End, So Far (2022)

๐Ÿ•Š๏ธ Proggy, weird, and a bit divisive.
๐ŸŽง The Dying Song, Yen, Adderall
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
The weirdest Knรธt record โ€“ but itโ€™s still a banger in parts.


๐ŸŽง THE RIFF REPORT SLIPKNOT PLAYLIST โ€“ STAPLES FOR THE PSYCHOS

๐ŸŽธ Wait and Bleed โ€“ Nu-metal royalty ๐Ÿ‘‘
๐ŸŽธ People = Sht* โ€“ Anger therapy 101
๐ŸŽธ Duality โ€“ โ€œI push my fingers into myโ€ฆโ€ yeah, you know the rest
๐ŸŽธ Psychosocial โ€“ That breakdown
๐ŸŽธ The Devil in I โ€“ So melodic it hurts
๐ŸŽธ Nero Forte โ€“ Drum heaven
๐ŸŽธ Spit It Out (Live) โ€“ For the โ€œJump the f** up!โ€* moment
๐ŸŽธ Snuff โ€“ Tears in your mask
๐ŸŽธ Vermilion Pt. 2 โ€“ Beautiful, broken, haunting


๐Ÿงก WHY SLIPKNOT STILL MATTER

Because they:

  • Brought intensity back to metal
  • Made 9-man carnage work on stage
  • Spoke to a generation of outcasts, weirdos, and freaks
  • Arenโ€™t afraid to evolve, break rules, or set stuff on fire
  • Still sell out arenas โ€” masks and all

And because Corey Taylor could read a weather report and make it sound like the apocalypse.


๐ŸŽค FINAL VERDICT FROM THE RIFF REPORT:

Slipknot is the musical equivalent of a barbed-wire hurricane.

Theyโ€™re violent poets.
Mask-wearing therapists.
A cult of chaos that helped thousands survive themselves.

Whether youโ€™re in your bedroom crying to โ€œSnuffโ€ or flying across a pit to โ€œCusterโ€ โ€” theyโ€™re YOUR band.

โ€œWE ARE NOT YOUR KIND.โ€
But we are your soundtrack. Forever.

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๐ŸŽญ SYSTEM OF A DOWN โ€“ RIFFS, RANTS, AND REVOLUTIONARY MADNESS ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ”ฅ๐Ÿ’ฅ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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