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Home » 💄 Taboo

💄 Taboo

Michael by Michael
19 June 2021
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📍 West End (2002), Broadway (2003), London Revival (2012), NYC Concerts & Cult Status
🎭 “In the gutter looking up at the stars – and covered in glitter.”


🧷 What’s the Story, Gorgeous?

Taboo is not your traditional rise-and-fall musical. It’s a biographical fantasy, loosely based on the real lives and club legends of 1980s London’s gender-bending, rule-breaking nightlife scene.

Set against the backdrop of the New Romantic movement, it’s told through the eyes of Billy, a young wannabe photographer who escapes suburban life to find fame, love, and his people at London’s infamous Taboo nightclub.

Through him, we meet:

  • Boy George – Already a star-in-the-making, defiant and flamboyant, but haunted by addiction

  • Leigh Bowery – The living art piece and avant-garde fashion warrior

  • Philip Sallon – Scene-queen, commentator, comedian, and conduit of chaos

  • Marilyn, Steve Strange, and others – real club icons name-dropped and sometimes portrayed

The show explores dreams vs destruction, gender expression, queer love, addiction, AIDS, and the ecstasy and agony of fame – all under the spinning lights of the club.


🎶 The Music – Bangers, Ballads & Battle Cries

Written by Boy George himself, the score is raw, raunchy, and real. It blends synth-pop, acoustic storytelling, electro ballads, club anthems, and heartbreakers.

🎧 Deep-Cut Highlights:

  • “Stranger in This World” – Billy’s cry of isolation, later repurposed as a queer anthem

  • “Shell of a Man” – George unravels the persona to show the pain

  • “I See Through You” – A confrontational power duet

  • “Out of Fashion” – Leigh Bowery’s manifesto. Think industrial disco with teeth.

  • “The Fame Game” – George and Billy explore the price of attention

  • “Talk Amongst Yourselves” – Emotional group number, unified by grief and longing

  • “Petrified” – George’s most brutally honest ballad – fragile, beautiful, and devastating

  • “Everything Taboo” – The show’s title track – a firework of defiance

🎤 Bonus: The cast albums (UK and Broadway) differ in tone and structure – both worth listening to. The original London cast includes Boy George himself as Leigh Bowery!


👠 Visuals & Vibes – Fashion as a Weapon

Taboo’s aesthetic is a love letter to DIY couture, performance art, and queer rebellion:

  • 🔥 Platforms, latex, feathers, kimonos, corsets, kilts, PVC and pearls – often all at once

  • 🧵 Leigh Bowery’s costumes are literal works of art – padded, painted, and subversive

  • 🎭 Makeup isn’t cosmetic – it’s a shield, a scream, and an identity

  • 🕺 The set is fluid, club-like – spotlights, graffiti walls, back alleys, dressing rooms, dive bars

The show moves like a club night: loud, chaotic, thrilling, and tinged with danger.


🎭 The Real People Behind the Characters

  • Boy George – Needs no introduction. His character explores fame vs authenticity, queer visibility, and recovery from addiction.

  • Leigh Bowery – The undisputed icon of radical queer art. Died of AIDS in 1994. A muse to Lucian Freud.

  • Philip Sallon – Still active in London’s queer scene. The comic heart of the story.

  • Steve Strange, Marilyn, John Galliano, and others are either referenced or portrayed.

This musical doesn’t idolise them. It humanises them – showing their genius, but also their demons.


🧨 Broadway Bombshell – What Happened?

Despite success in the UK, the 2003 Broadway version (produced by Rosie O’Donnell) crashed and burned.

Why?

  • Rewritten book (without Boy George’s full involvement)

  • Toned-down content

  • Clashing creative visions

  • Critics didn’t get it – or weren’t ready

BUT! The London revival in 2012 (Brixton Clubhouse) was stripped back, raw, and universally acclaimed – proving Taboo is best when it’s messy, fearless, and intimate.


🏳️‍🌈 Queer Heart, Fierce Legacy

Taboo was ahead of its time in addressing:

  • 🌈 Queer visibility

  • 🧬 AIDS grief and stigma

  • 🧠 Mental health & addiction

  • 🎭 Gender fluidity and self-invention

  • ❤️ Chosen family and underground resilience

It did what Rent, Hedwig, and Kinky Boots would do later – but with a London accent and glitter-drenched grit.

It didn’t just talk about queer trauma – it also celebrated joy, humour, and fabulous resistance.


🙌 Final Verdict

Taboo is a beautiful, chaotic, glitter-bombed mosaic of identity, art, and authenticity.
It’s about being too much in a world that wants you to tone it down – and refusing.


⭐ Final Score:

💄💋💅🧷🖤 – Five heavily-contoured stars
Because when art, rage, and rhinestones collide, you don’t critique – you applaud.

Previous Post

🛸 Jeff Wayne’s The War of the Worlds – Musical Review

Next Post

🏰🔥 A Night to Remember: Those Damn Crows, Cardinal Black & Scarlet Rebels Rock Cardiff Castle (29 Aug 2021)

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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