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Home ยป ๐Ÿ’„ Taboo

๐Ÿ’„ Taboo

Michael by Michael
19 June 2021
in News
Reading Time: 5 mins read
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๐Ÿ“ West End (2002), Broadway (2003), London Revival (2012), NYC Concerts & Cult Status
๐ŸŽญ โ€œIn the gutter looking up at the stars โ€“ and covered in glitter.โ€


๐Ÿงท What’s the Story, Gorgeous?

Taboo is not your traditional rise-and-fall musical. Itโ€™s a biographical fantasy, loosely based on the real lives and club legends of 1980s Londonโ€™s gender-bending, rule-breaking nightlife scene.

Set against the backdrop of the New Romantic movement, itโ€™s told through the eyes of Billy, a young wannabe photographer who escapes suburban life to find fame, love, and his people at Londonโ€™s infamous Taboo nightclub.

Through him, we meet:

  • Boy George โ€“ Already a star-in-the-making, defiant and flamboyant, but haunted by addiction

  • Leigh Bowery โ€“ The living art piece and avant-garde fashion warrior

  • Philip Sallon โ€“ Scene-queen, commentator, comedian, and conduit of chaos

  • Marilyn, Steve Strange, and others โ€“ real club icons name-dropped and sometimes portrayed

The show explores dreams vs destruction, gender expression, queer love, addiction, AIDS, and the ecstasy and agony of fame โ€“ all under the spinning lights of the club.


๐ŸŽถ The Music โ€“ Bangers, Ballads & Battle Cries

Written by Boy George himself, the score is raw, raunchy, and real. It blends synth-pop, acoustic storytelling, electro ballads, club anthems, and heartbreakers.

๐ŸŽง Deep-Cut Highlights:

  • โ€œStranger in This Worldโ€ โ€“ Billyโ€™s cry of isolation, later repurposed as a queer anthem

  • โ€œShell of a Manโ€ โ€“ George unravels the persona to show the pain

  • โ€œI See Through Youโ€ โ€“ A confrontational power duet

  • โ€œOut of Fashionโ€ โ€“ Leigh Boweryโ€™s manifesto. Think industrial disco with teeth.

  • โ€œThe Fame Gameโ€ โ€“ George and Billy explore the price of attention

  • โ€œTalk Amongst Yourselvesโ€ โ€“ Emotional group number, unified by grief and longing

  • โ€œPetrifiedโ€ โ€“ Georgeโ€™s most brutally honest ballad โ€“ fragile, beautiful, and devastating

  • โ€œEverything Tabooโ€ โ€“ The showโ€™s title track โ€“ a firework of defiance

๐ŸŽค Bonus: The cast albums (UK and Broadway) differ in tone and structure โ€“ both worth listening to. The original London cast includes Boy George himself as Leigh Bowery!


๐Ÿ‘  Visuals & Vibes โ€“ Fashion as a Weapon

Tabooโ€™s aesthetic is a love letter to DIY couture, performance art, and queer rebellion:

  • ๐Ÿ”ฅ Platforms, latex, feathers, kimonos, corsets, kilts, PVC and pearls โ€“ often all at once

  • ๐Ÿงต Leigh Boweryโ€™s costumes are literal works of art โ€“ padded, painted, and subversive

  • ๐ŸŽญ Makeup isnโ€™t cosmetic โ€“ itโ€™s a shield, a scream, and an identity

  • ๐Ÿ•บ The set is fluid, club-like โ€“ spotlights, graffiti walls, back alleys, dressing rooms, dive bars

The show moves like a club night: loud, chaotic, thrilling, and tinged with danger.


๐ŸŽญ The Real People Behind the Characters

  • Boy George โ€“ Needs no introduction. His character explores fame vs authenticity, queer visibility, and recovery from addiction.

  • Leigh Bowery โ€“ The undisputed icon of radical queer art. Died of AIDS in 1994. A muse to Lucian Freud.

  • Philip Sallon โ€“ Still active in Londonโ€™s queer scene. The comic heart of the story.

  • Steve Strange, Marilyn, John Galliano, and others are either referenced or portrayed.

This musical doesnโ€™t idolise them. It humanises them โ€“ showing their genius, but also their demons.


๐Ÿงจ Broadway Bombshell โ€“ What Happened?

Despite success in the UK, the 2003 Broadway version (produced by Rosie Oโ€™Donnell) crashed and burned.

Why?

  • Rewritten book (without Boy Georgeโ€™s full involvement)

  • Toned-down content

  • Clashing creative visions

  • Critics didnโ€™t get it โ€“ or werenโ€™t ready

BUT! The London revival in 2012 (Brixton Clubhouse) was stripped back, raw, and universally acclaimed โ€“ proving Taboo is best when itโ€™s messy, fearless, and intimate.


๐Ÿณ๏ธโ€๐ŸŒˆ Queer Heart, Fierce Legacy

Taboo was ahead of its time in addressing:

  • ๐ŸŒˆ Queer visibility

  • ๐Ÿงฌ AIDS grief and stigma

  • ๐Ÿง  Mental health & addiction

  • ๐ŸŽญ Gender fluidity and self-invention

  • โค๏ธ Chosen family and underground resilience

It did what Rent, Hedwig, and Kinky Boots would do later โ€“ but with a London accent and glitter-drenched grit.

It didnโ€™t just talk about queer trauma โ€“ it also celebrated joy, humour, and fabulous resistance.


๐Ÿ™Œ Final Verdict

Taboo is a beautiful, chaotic, glitter-bombed mosaic of identity, art, and authenticity.
Itโ€™s about being too much in a world that wants you to tone it down โ€“ and refusing.


โญ Final Score:

๐Ÿ’„๐Ÿ’‹๐Ÿ’…๐Ÿงท๐Ÿ–ค โ€“ Five heavily-contoured stars
Because when art, rage, and rhinestones collide, you donโ€™t critique โ€“ you applaud.

Previous Post

๐Ÿ›ธ Jeff Wayneโ€™s The War of the Worlds โ€“ Musical Review

Next Post

๐Ÿฐ๐Ÿ”ฅ A Night to Remember: Those Damn Crows, Cardinal Black & Scarlet Rebels Rock Cardiff Castle (29 Aug 2021)

Michael

Michael

Michael is the founder, editor, and chief riff wrangler of The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. ๐Ÿค˜ A lifelong rock and metal fan, he spends much of the year covering festivals, gigs, bands and the incredible community that keeps the scene alive. From massive headline shows to grassroots venues and rising artists, Michael is passionate about sharing the stories, music and people that deserve to be heard. Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ŸŽธ๐Ÿ”ฅ

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