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Home ยป ๐ŸŽธ THE 11 BEST PROG METAL GUITARISTS OF ALL TIME

๐ŸŽธ THE 11 BEST PROG METAL GUITARISTS OF ALL TIME

Michael by Michael
15 July 2025
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Where Shred Meets Sorcery, and Solos Get Weird
๐Ÿง™โ€โ™‚๏ธ๐Ÿ”ฅ By The Riff Report

Welcome, progheads and tone nerds! Strap in, because weโ€™re diving face-first into a fretboard-frying rabbit hole to crown the 11 best prog metal guitarists of all time. ๐Ÿค˜

This ain’t your dad’s blues rock list โ€” this is the land of 13/8 time signatures, polyrhythmic breakdowns, and solos that sound like a black hole trying to sing. ๐ŸŒ€๐ŸŽถ Whether theyโ€™re tapping their way through galaxies or writing riffs that make your nan cry, these axe-wielding architects of chaos have changed the very DNA of metal.

So crank your amp, dust off your metronome, and prepare for lift-off… ๐Ÿš€


11. Misha Mansoor โ€“ Periphery

๐ŸŽ›๏ธ Genre-shifter. Djent pioneer. Fretboard hacker.

If youโ€™ve ever chugged along to a percussive, palm-muted riff in drop Z# and thought, โ€œWhy do I feel like Iโ€™m being punched in Morse code?โ€ โ€” thatโ€™s Misha Mansoorโ€™s doing.

The Periphery frontman isnโ€™t just a guitarist โ€” heโ€™s a bloody movement. Founding the modern djent sound, Misha blends hyper-technical rhythms with gorgeous ambient layering. His tone is tighter than your jeans after Christmas and his compositions are all over the map โ€” in a good, nerdy, โ€œI-just-downloaded-14-GB-of-IRsโ€ kinda way.

Essential listen: โ€œScarletโ€ โ€” skip to 2:40 and tell me you didnโ€™t see the Matrix.


10. Tosin Abasi โ€“ Animals as Leaders

๐Ÿ–– The eight-string alien overlord of the fretboard.

Tosin doesnโ€™t pick. He plucks and taps and slaps the guitar like it owes him money. Watching him play is like watching a spider on fast forward.

He co-founded Animals as Leaders, a band that sounds like a jazz robot having an existential crisis โ€” and I mean that with love. Tosin practically invented a new way to play guitar, combining classical techniques, jazz voicings, slap bass licks, and 8-string shred into a seamless, cerebral stew of sonic beauty.

Essential listen: โ€œCAFOโ€ โ€” where jazz, metal, and quantum physics collide. ๐Ÿงฌ


9. Fredrik Thordendal โ€“ Meshuggah

๐Ÿ”ฉ The godfather of rhythmic psychosis.

Fredrik is the mad monk of meshuggah-core, the high priest of polyrhythms. Without him, djent wouldnโ€™t exist, and your drummer wouldnโ€™t be counting in 17/16 and crying at the same time.

His solos are jazz-inspired, often bizarre, but somehow land perfectly in Meshuggahโ€™s mechanical madness. Itโ€™s like John Coltrane accidentally plugged his sax into a distortion pedal and joined Skynet.

Essential listen: โ€œBleedโ€ โ€” and try not to trip over your own internal metronome. ๐Ÿฉธ


8. Mikael ร…kerfeldt โ€“ Opeth

๐Ÿช“ Viking bard of brutality and beauty.

ร…kerfeldt isnโ€™t just a guitarist โ€” heโ€™s a composer of moods. One minute youโ€™re in a doom-drenched cave, the next youโ€™re sipping tea in a Swedish meadow with a 12-string acoustic.

He navigates between death metal growls and Floydian psychedelia like itโ€™s nothing. Itโ€™s prog with emotion, riffs with narrative, and solos that sing as much as they shred.

Essential listen: โ€œGhost of Perditionโ€ โ€” itโ€™ll ruin you in the best way. ๐Ÿ˜ญ


7. Devin Townsend โ€“ Solo, SYL, DTP

โšก Wall-of-sound wizard and mad scientist of metal.

Devy doesnโ€™t just play guitar โ€” he builds worlds with it. Whether itโ€™s the chaotic aggression of Strapping Young Lad or the uplifting, celestial rock of his solo work, Devin layers sounds like a one-man orchestra with ADHD.

Heโ€™s a riff factory, a vocal powerhouse, and a gear nerd to boot. And letโ€™s be honest โ€” no one else could write a metal opera about an alien named Ziltoid and make it work. ๐Ÿ˜†

Essential listen: โ€œKingdomโ€ (Live at EMG) โ€” youโ€™ll be levitating by the chorus. ๐Ÿ‘‘


6. Paul Masvidal โ€“ Cynic, Death

๐ŸŒŒ Philosopher shredder of the cosmos.

Paul Masvidal brought soul to tech-death. With Cynic, he took death metal into space, adding vocoders, jazz-fusion chords, and introspective lyricism. His work with Chuck Schuldiner in Death helped birth progressive death metal as a genre.

Masvidalโ€™s solos arenโ€™t just fast โ€” they feel. Heโ€™s the rare guitarist who makes your brain and your heart melt at the same time.

Essential listen: โ€œVeil of Mayaโ€ โ€” not the band, the song. Respect the OGs. ๐Ÿง โค๏ธ


5. John Petrucci โ€“ Dream Theater

๐Ÿ’ช The man, the myth, the muscle.

Petrucci is prog metalโ€™s resident Terminator. With Dream Theater, he set the bar so stupidly high that other guitarists had to justโ€ฆ go home. His technique is flawless, his tone is nuclear, and he makes 9-minute solos sound like three-minute bangers.

Also: his downpicking stamina? Freakish. The man could open tins of beans with that right hand.

Essential listen: โ€œGlasgow Kissโ€ โ€” itโ€™ll have you crying and headbanging simultaneously. ๐Ÿ˜ค๐Ÿ’‹


4. Ron Jarzombek โ€“ Watchtower, Blotted Science

๐Ÿง  The shredder from another dimension.

Jarzombek is prog metalโ€™s secret weapon. Obscure to some, legendary to those in the know. His work with Blotted Science sounds like a horror movie narrated by a TI-83 calculator having a meltdown.

Weโ€™re talking mind-bending time signatures, pitch shifts, chaos theory with strings. He doesnโ€™t just play music โ€” he programs it into your skull.

Essential listen: โ€œSynaptic Plasticityโ€ โ€” good luck keeping up, mun. ๐Ÿ’พ


3. Alex Skolnick โ€“ Testament, Trio

๐ŸŽฉ The classy chaos conductor.

Skolnick can thrash with the best of โ€˜em โ€” but itโ€™s his love for jazz, world music, and classical that makes him prog. Heโ€™s what youโ€™d get if Slash studied Miles Davis and wore loafers.

His phrasing is elegant, his tone is buttery, and his solos tell stories. Donโ€™t let the Testament cred fool you โ€” heโ€™s a prog beast in disguise.

Essential listen: โ€œElectric Eyeโ€ (Skol Trio) โ€” Judas Priest meets jazz lounge ๐Ÿ”ฅ


2. Christian Mรผnzner โ€“ Obscura, Alkaloid

๐Ÿง  Tech-deathโ€™s neoclassical necromancer.

Christian makes neo-classical shred look effortless. Heโ€™s a machine of melody and speed โ€” think Yngwie on a diet of blast beats and Bach. His riffs are complex, aggressive, but always hooky as hell.

And bonus points: he battled through focal dystonia (a neurological condition affecting muscle control) and came back stronger. Thatโ€™s warrior-level resilience. ๐Ÿ›ก๏ธ

Essential listen: โ€œOcean Gatewaysโ€ โ€” pure epic tech death wizardry.


1. Steven Wilson โ€“ Porcupine Tree, Solo

๐ŸŽญ The maestro of melancholy and madness.

Heโ€™s not always metal โ€” but when he is? It hurts. Wilson is the thinking fanโ€™s guitar hero. His solos are sparse but stunning. His songwriting is layered with emotional weight. And when he chooses to unleash a shred โ€” itโ€™s like being hit with a slow-motion heartbreak grenade. ๐Ÿ’”

No tricks. Just feel, feel, feel.

Essential listen: โ€œAnesthetizeโ€ (Porcupine Tree) โ€” prepare for transcendence. ๐Ÿง˜


โš™๏ธ Honourable Mentions:

Because itโ€™s prog and 11 isnโ€™t enough, mun:

  • Jeff Loomis โ€“ Shred god.
  • Guthrie Govan โ€“ Too good. Like, rude levels of talent.
  • Dan Swanรถ โ€“ The multi-instrumental madman.
  • Plini โ€“ Beautiful, clean, dolphin-vibes prog.
  • Jake Bowen & Mark Holcomb โ€“ Mansoorโ€™s melodic co-pilots.

๐Ÿ•ถ๏ธ Final Thought:

Prog metal isnโ€™t about being the fastest โ€” itโ€™s about emotion wrapped in complexity. These guitarists arenโ€™t just shredders, theyโ€™re sorcerers, summoning riffs from the void and bending genres with a flick of their wrist.

Whether youโ€™re moshing to Meshuggah or weeping to Wilson, this is the sound of metal growing, mutating, and freaking out your neighbours. Cโ€™mon butt, embrace the weirdness! ๐ŸŽธ๐ŸŒŒ


#ProgMetalElite #ShredWizards #TheRiffReport #CmonButtPlayIn13Over8

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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