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Home ยป ๐ŸŽฎ๐Ÿ”ฅ THE DARK ROOM IS BACK! John Robertson Brings Gaming, Improv & Absolute Chaos to Edinburgh Fringe 2026

๐ŸŽฎ๐Ÿ”ฅ THE DARK ROOM IS BACK! John Robertson Brings Gaming, Improv & Absolute Chaos to Edinburgh Fringe 2026

Michael by Michael
14 August 2026
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WHAT IS YOUR NAME?!

If you know, you know.

If you donโ€™t knowโ€ฆ congratulations. Youโ€™re about to discover one of the most gloriously unhinged combinations of comedy, gaming, audience participation and controlled psychological warfare currently rampaging around the planet. ๐Ÿ˜‚

Comedian John Robertson is back with his cult live-action videogame comedy spectacular The Dark Room, and judging by the clips flying around social media, things are going exactly as they should.

Which is to sayโ€ฆ

BADLY. VERY BADLY. FOR THE AUDIENCE.

The legendary interactive show is currently tearing through the Edinburgh Festival Fringe, before Robertson takes his darkened chamber of questionable decisions across the Atlantic and eventually down under.

And yes, this absolutely sits in The Riff Reportโ€™s wheelhouse.

Itโ€™s loud.
Itโ€™s ridiculous.
Itโ€™s nerdy.
Itโ€™s chaotic.

Basically, replace the guitars with an enormous glowing head and weโ€™re home. ๐Ÿค˜๐ŸŽฎ

๐Ÿ˜ˆ SOโ€ฆ WHAT THE HELL IS THE DARK ROOM?

The Dark Room takes the wonderfully frustrating world of old-school text adventure videogames and turns it into a live comedy gameshow.

Audience members are selected to play.

Theyโ€™re given choices.

They make what they believe is the sensible decision.

And then John Robertson destroys their hopes and dreams in front of a room full of people.

Beautiful stuff. ๐Ÿ˜‚

The show mixes improvisation, stand-up comedy, gaming culture and audience participation, with Robertson appearing as the terrifying host of the whole thing.

The basic objective sounds simple enough:

Escape The Dark Room.

Good luck with that, butt.

The show has become a genuine cult phenomenon, particularly among gamers, geeks and comedy fans who enjoy watching somebody else make an absolutely catastrophic decision under pressure.

And social media has introduced the madness to an even bigger audience.

Clips from the show have gone viral across TikTok and Instagram, with Robertsonโ€™s booming interrogations and interactions with unsuspecting contestants becoming instantly recognisable.

One question in particular has effectively become the battle cry of the entire experience:

๐Ÿ—ฃ๏ธ โ€œWHAT IS YOUR NAME?!โ€

You can practically hear it while reading that.

The screenshot doing the rounds shows another wonderfully chaotic moment from the touring production, accompanied by the caption:

โ€œTHE DARK ROOM: WHAT IS YOUR NAME?!โ€

The accompanying post simply says:

โ€œThe Dark Room is having a wild time on tour!โ€

Judging by the audience reaction, that might be underselling it slightly.

๐ŸŽญ THE DARK ROOM HITS EDINBURGH FRINGE

Robertson has brought The Dark Room back to the Edinburgh Festival Fringe for another monster run in 2026.

The show runs from:

๐Ÿ“… 5โ€“30 August 2026
๐Ÿ“ Gilded Balloon Patter House โ€“ Doonstairs, Edinburgh
โฐ 10:00pm
โฑ๏ธ Approximately 60 minutes

Tickets vary depending on the performance, generally sitting between ยฃ9.50 and ยฃ15.50.

And this isnโ€™t some little experimental Fringe oddity thatโ€™s only just appeared from behind a curtain.

The Dark Room has serious history at Edinburgh.

The production sold out its Fringe runs between 2019 and 2025, while its wonderfully bizarre mixture of videogames and live comedy has helped build a seriously devoted following.

For 2026, there are even new deathtraps waiting for players.

Because apparently the existing Dark Room wasnโ€™t traumatising enough. ๐Ÿ˜ˆ

๐Ÿค˜ WAITโ€ฆ HASNโ€™T THIS BEEN AT DOWNLOAD?!

Oh yes.

Now weโ€™re talking.

The Dark Room has appeared at places including Download Festival, Glastonbury, PAX and MCM Comic Con, alongside its UK touring adventures.

Which explains why it feels strangely at home around rock and metal crowds.

Think about it.

Hundreds of sweaty people.

Someone shouting.

People making questionable decisions.

Occasional flashing lights.

Everybody laughing at somebody elseโ€™s misfortune.

Thatโ€™s basically a festival campsite after midnight anyway. ๐Ÿบ๐Ÿ˜‚

Thereโ€™s a wonderfully rock โ€˜nโ€™ roll energy surrounding Robertsonโ€™s performance too. The Dark Room isnโ€™t polite little sit-down comedy where youโ€™re worried about coughing at the wrong moment.

Itโ€™s an experience.

Youโ€™re part gameshow contestant, part victim and part member of a baying crowd desperately hoping somebody else gets selected.

๐ŸŒ THE DARK ROOM GOES INTERNATIONAL

Once Edinburgh has been thoroughly terrorised, Robertson isnโ€™t putting the giant glowing head back in storage.

The Dark Roomโ€™s 2026 adventures continue internationally.

๐ŸŽฎ PAX WEST โ€“ SEATTLE

๐Ÿ“… 4โ€“7 September 2026
๐Ÿ“ PAX West, Seattle

The Dark Room heads Stateside as part of one of gaming cultureโ€™s biggest gatherings.

Frankly, throwing this show into a building packed with hardcore gamers sounds dangerously appropriate.

๐Ÿ—ฝ NEW YORK DEBUT

๐Ÿ“… 9โ€“12 September 2026
๐Ÿ“ ASYLUM NYC, New York
โฐ 7:00pm

This marks The Dark Roomโ€™s New York debut.

New Yorkers probably think theyโ€™ve seen everything.

They havenโ€™t met John Robertsonโ€™s giant floating head yet.

Best of luck, lads. ๐Ÿ˜‚

๐Ÿ‡ฆ๐Ÿ‡บ PAX AUSTRALIA โ€“ MELBOURNE

๐Ÿ“… 10 October 2026
๐Ÿ“ PAX Australia, Melbourne

Then itโ€™s back down under as The Dark Room returns to PAX Australia.

Gaming convention + The Dark Room?

Thatโ€™s basically putting petrol next to a bonfire and wondering what might happen.

๐ŸŽค JOHN ROBERTSON IS DOING EVEN MORE AT THE FRINGE

Because apparently one show wasnโ€™t enough chaos for one human being, Robertson is also performing his new stand-up show:

JOHN ROBERTSON: EXCITABLE BOY!

during Edinburgh Fringe.

So if an hour of being screamed at by an enormous illuminated gaming overlord somehow leaves you wanting more Robertson, Edinburgh has you covered.

โš ๏ธ ENTER AT YOUR OWN RISK

Anyone considering entering The Dark Room should probably know what theyโ€™re signing themselves up for.

Expect:

๐ŸŽฎ Audience participation
๐Ÿ˜‚ Improvised comedy
๐Ÿ—ฃ๏ธ Strong language
๐Ÿ’ก Flashing lights
๐Ÿ˜ˆ Terrible decisions
โ˜ ๏ธ Questionable survival prospects

And possibly the sudden inability to remember your own bloody name when somebody shouts:

โ€œWHAT IS YOUR NAME?!โ€

Weโ€™ve all been there.

๐ŸŽฎ THE RIFF REPORT VERDICT

We bloody love stuff like this.

Rock and metal culture has always overlapped beautifully with gaming, horror, comedy and general nerdiness, and The Dark Room feels like somebody chucked all four into a blender and pressed the button marked CHAOS.

Itโ€™s interactive theatre for people whoโ€™d rather be at Download.

Itโ€™s a videogame where the controller is human panic.

Itโ€™s a gameshow hosted by someone who appears to have absolutely no interest in whether you survive.

Tidy. ๐Ÿ˜‚๐Ÿค˜

And with The Dark Room continuing to explode across social media while touring Edinburgh, Seattle, New York and Melbourne, John Robertsonโ€™s wonderfully deranged creation clearly isnโ€™t disappearing into the darkness anytime soon.

So rememberโ€ฆ

Should you find yourself sitting in the audienceโ€ฆ

Should the lights suddenly hit youโ€ฆ

Should John Robertson turn his attention in your directionโ€ฆ

There is one vitally important thing you need to know.

YOUR NAME.

Because youโ€™re probably going to be asked.

Very loudly.

๐ŸŽฎ WELCOME TO THE DARK ROOM.

Try not to die, mun. ๐Ÿ˜ˆ๐Ÿ”ฅ

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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  • ๐Ÿค˜ Download Festival 2027 Line-Up: Who Could Be Heading to Donington Next Year? ๐Ÿ•๏ธ๐Ÿ”ฅ

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