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Home » 🎸 THE RIFF REPORT BLOG: 15 BEST FEMALE ROCK GUITARISTS OF ALL TIME 🤘🔥

🎸 THE RIFF REPORT BLOG: 15 BEST FEMALE ROCK GUITARISTS OF ALL TIME 🤘🔥

Michael by Michael
8 July 2025
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Who said shredding is a boys-only club? These six-string queens have blown amps, melted faces, and proved that rock ‘n’ roll knows no gender. Whether they’re riffing through punk anthems or unleashing solos that would make Hendrix weep, these women didn’t just join the boys’ club—they bulldozed the bloody door down and set it on fire. Let’s raise a pint (or a flying V) to the loudest ladies in the game. 🎤💅


🥇 1. Lita Ford (The Runaways / Solo)

Style: Glam Metal, Hard Rock
Signature Weapon: BC Rich Bitch
A blonde bombshell with a Marshall stack behind her and a don’t-mess-with-me attitude. Lita Ford tore through the ’80s with high-octane solos, catchy choruses, and a voice as fierce as her fretwork. “Kiss Me Deadly”? More like shred me deadly, mun! 💋⚡


🥈 2. Joan Jett (Joan Jett & The Blackhearts / The Runaways)

Style: Punk Rock, Garage Rock
Signature Weapon: Gibson Melody Maker
She doesn’t give a damn ’bout her reputation—and neither do we. Joan Jett made punk palatable and rock radio-ready. Not the flashiest guitarist on this list, but her raw power, songwriting chops, and chunky riffs changed the game. What’s occurring? Icon status, butt. 🎸🔥


🥉 3. Jennifer Batten (Solo / Michael Jackson / Jeff Beck)

Style: Shred, Fusion, Rock
Signature Weapon: Washburn and Ibanez guitars
You ever try to play Van Halen–level solos onstage with Michael Jackson while looking like a cyberpunk goddess? Jennifer Batten did, and she nailed it. Proper job. 🧠⚡


4. Nancy Wilson (Heart)

Style: Classic Rock, Folk Rock
Signature Weapon: Gibson SG, Martin acoustics
If you’ve ever played the acoustic intro to “Crazy on You,” you owe Nancy Wilson your pick hand. She’s the queen of melody, dynamics, and making Led Zep-style riffs sound lush. Heart? More like axe-wielding Cupid. 💘🎶


5. Orianthi (Solo / Alice Cooper / Michael Jackson)

Style: Hard Rock, Pop Rock
Signature Weapon: PRS Custom 24
Orianthi was literally handpicked by the King of Pop to shred on his comeback tour. She’s got bluesy roots, metal technique, and glam-rock confidence. Oh, and she makes it look way too easy. Tidy! 🤯🎸


6. St. Vincent (Annie Clark)

Style: Art Rock, Experimental
Signature Weapon: Her own signature Ernie Ball Music Man guitar
Angular riffs, otherworldly tones, and guitar faces that could scare off demons. Annie Clark makes you question what a guitar should sound like—and that’s the whole point. Weird? Yep. Brilliant? 100%. 🧜‍♀️🎛️


7. Susan Tedeschi (Tedeschi Trucks Band)

Style: Blues Rock, Southern Rock
Signature Weapon: Fender Telecaster
She’s got the soul of Bonnie Raitt, the chops of Clapton, and the tone of someone who’s made a deal with the bluesy devil. She’ll break your heart with a bend and build it back with a solo. Lush. 🎶💔


8. Poison Ivy (The Cramps)

Style: Psychobilly, Punk
Signature Weapon: Gretsch guitars
Creepy, kooky, and cooler than a coffin on ice. Ivy defined the Cramps’ sinister surf-punk sound. Every riff sounds like it was ripped from a haunted house. Halloween queen with tremolo claws. 🎃🦇


9. Donita Sparks (L7)

Style: Grunge, Punk Rock
Signature Weapon: Gibson Les Paul
Want distortion, destruction, and full-frontal feminism? Donita’s got you. Her playing is nasty, noisy, and oh-so-satisfying. Remember when she threw a tampon into the crowd? Yeah. Icon. 😈💥


10. Nita Strauss (Alice Cooper / Demi Lovato / Solo)

Style: Metal, Shred
Signature Weapon: Ibanez JIVA
Nita Strauss plays like she’s trying to summon gods from the underworld. Whether she’s with Alice Cooper or shredding solo, she’s technical, tight, and terrifying—in the best way. Slayer meets ballet. 🔥🎶


11. Kristen Pfaff (Hole)

Style: Alternative Rock, Grunge
Signature Weapon: Fender Jazz Bass (but don’t let that fool you, she played guitar too)
Underrated, overlooked, and gone far too soon. Her guitar and bass work in Hole added structure to Courtney Love’s chaos. A punk poet with precision. RIP ❤️


12. Michelle Zauner (Japanese Breakfast)

Style: Dream Pop, Indie Rock
Signature Weapon: Fender Stratocaster
Wait, dreamy riffs on a “Best Rock Guitarists” list? YES, MUN. Michelle’s textured, emotional guitar playing hits you right in the feels while still kicking with indie swagger. 🌙✨


13. Lindsay Ell

Style: Country Rock, Blues
Signature Weapon: Fender Telecaster
Don’t let the Nashville vibe fool you. Lindsay can play circles around most modern rockers. Her technique, phrasing, and showmanship are next-level. Slide into those solos, girl. 🤠🎸


14. Julien Baker (boygenius / Solo)

Style: Emo, Indie Rock
Signature Weapon: Fender Telecaster
Julien’s emotional dynamics and loop-heavy guitar work build cathedrals out of heartbreak. She might not shred, but she makes you feel. That’s real power. 😭🙏


15. JinJoo Lee (DNCE / Session Musician)

Style: Pop Rock, Funk Rock
Signature Weapon: Fender Strat
The unsung shredder of pop rock, JinJoo is a session killer with attitude and flair. Her riffs are slick, stylish, and full of swagger. Funky fretboard fire. 💅🎉


🎤 Honourable Mentions:

  • Bonnie Raitt (slide queen of blues rock)
  • Charlotte Caffey (The Go-Go’s)
  • Kelly Johnson (Girlschool)
  • PJ Harvey (raw and real)
  • Emily Wolfe (watch this space 🔥)

🕶️ Final Thoughts From The Mosh Pit

This ain’t just about technique—it’s about tone, style, vibes, and attitude. These legends didn’t wait for permission to rock. They picked up a guitar, cranked the volume, and told the world: “This is MY stage now.”

Whether they made you cry, riot, or jump around like a maniac in a muddy field in Wales… they’ve earned their spot in The Riff Report hall of axe-wielding fame. 🏴🔥

YESS MUN. LONG LIVE THE RIFF QUEENS! 👑🎸

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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