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Home » 🎸 20 METALLICA RIFFS NOT WRITTEN BY JAMES HETFIELD

🎸 20 METALLICA RIFFS NOT WRITTEN BY JAMES HETFIELD

Michael by Michael
15 May 2025
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1. “Enter Sandman” – Main riff by Kirk Hammett

Yep, the iconic Sandman chug-chug was actually Kirk’s baby. Producer Bob Rock and Lars helped tweak it, but it was Hammett who birthed the riff that launched a thousand mosh pits.


2. “The Day That Never Comes” – Intro riff by Kirk Hammett

That beautiful, soaring clean intro? That was Kirk flexing his melodic side before the track morphs into classic Metallica ballad-to-barrage mayhem.


3. “To Live Is To Die” – Main riffs by Cliff Burton (posthumous)

Built from Cliff’s leftover demo tapes, this instrumental is a haunting tribute using his unused riffs. A final farewell from the bass wizard. 🖤


4. “Cyanide” – Riff contributions by Lars Ulrich

While Lars isn’t a guitarist, he’s known to hum and bang out riff ideas to the band. On “Cyanide,” he helped shape the groove alongside the rest.


5. “My Friend of Misery” – Intro and bass riff by Jason Newsted

This haunting, slow-burning intro was originally a full instrumental by Jason — his biggest compositional credit on the Black Album.


6. “The Call of Ktulu” – Many riffs by Cliff Burton

The eerie, cosmic madness of Ktulu owes a lot to Cliff’s love of Lovecraft and classical influences. He co-wrote many of the track’s progressive shifts.


7. “Orion” – Most midsection riffs by Cliff Burton

The hypnotic midsection, especially that gorgeous bass harmony part? Pure Cliff magic. ✨


8. “Suicide & Redemption” – Clean intro and solo riff by Kirk Hammett

This instrumental from Death Magnetic was Kirk’s playground — finally giving him room to breathe with longer solos and riff writing.


9. “Frantic” – Riff and song structure by Lars Ulrich

Love it or hate it, Lars had a big hand in “Frantic” — one of the rawest tracks from St. Anger. Yes, that Frantic-tic-tic-tic-tic-tic one.


10. “Am I Evil?” – Cover riff by Brian Tatler (Diamond Head)

OK, Metallica didn’t write this — Brian Tatler of Diamond Head did — but Metallica made it theirs in legendary fashion. A riff so heavy it broke the Earth’s crust.


11. “Stone Cold Crazy” – Cover riff by Queen

Another cover, another killer riff! Originally by Queen, Metallica beefed this one up into a thrash metal face-smasher. Cheers, Freddie. 🎤👑


12. “The Unforgiven III” – Orchestral motifs and piano riffs by Greg Fidelman & Lars Ulrich

Unforgiven goes cinematic! Lars and producer Fidelman shaped this beast with layered strings and mood — more symphony than shred.


13. “I Disappear” – Chorus riff by Kirk Hammett

That slick, movie-ready chorus riff that made it into Mission: Impossible 2? That’s Kirk turning the volume up to 11 in a Hollywood moment.


14. “No Leaf Clover” – Orchestral backbone by Michael Kamen

While James did write some riffs, the orchestral metal blend was hugely shaped by Kamen’s arrangements and Lars’ vision.


15. “Ronnie” – Twangy intro riff by Kirk Hammett

That southern-tinged, clean-tone riff on Load? Yep, that was Kirk getting all swampy and bluesy on us.


16. “ManUNkind” – Intro riff by Robert Trujillo

Trujillo brings the funk-metal thunder with a twisted, almost Primus-like intro riff. Big creepy vibes — and it slaps. 💀


17. “All Within My Hands (Acoustic)” – Reworked arrangement by Kirk & Lars

The acoustic charity version gets a totally new identity, mostly rearranged by Kirk and Lars. Less thrash, more feels.


18. “Bleeding Me” – Mood riffs by Kirk Hammett

That hypnotic groove? Kirk helped set the tone for this emotionally charged slow-burner from Load.


19. “Low Man’s Lyric” – Mandolin and clean riffs shaped by Bob Rock & Kirk

Yeah, there’s a mandolin. Kirk and Bob brought that dusty, folky weirdness to life — an oddball riff journey.


20. “Some Kind of Monster” – Chunky intro riffs by Lars & Kirk

St. Anger again? Yep. The monster jam session format saw Lars and Kirk just riffing until it stuck. Pure garage chaos.


🎤 C’MON BUTT, WHAT’S OCCURRING?

So next time someone says “James Hetfield is Metallica,” you can raise a skeptical brow and whip out this list. Sure, he’s the king of the down-pick, but Metallica’s legacy is bigger than one man — it’s a swirling riff cauldron of creativity, chaos, and the occasional Lars cowbell. 🥁

Let us know your fave non-Hetfield Metallica riff down in the comments — or scream it from the front row.


💬 Follow The Riff Report for more headbanging truths, mythbusting madness, and metal mischief.

#RiffReport 🤘 #MetallicaMadness #RiffsNotByHetfield #JusticeForKirk #BassistsDeserveLoveToo #TidyRiffsMun

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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