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Home ยป ๐ŸŽฌ 28 Years Later โ€“ A Film So Bad We Had to Invent A New Category for It ๐Ÿคข

๐ŸŽฌ 28 Years Later โ€“ A Film So Bad We Had to Invent A New Category for It ๐Ÿคข

Michael by Michael
7 August 2025
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By The Riff Report Blog โ€“ โ€œYESS MUN, what the hell did we just watch?โ€ edition

Well, well, wellโ€ฆ here we are. Nearly three decades after 28 Days Later infected our screens with rage-fuelled brilliance, and about 20 years too late for anyone to ask for a sequel, 28 Years Later lurches onto the screen like a hungover extra from The Walking Deadโ€ฆ and promptly faceplants into a flaming skip. ๐Ÿ”ฅ๐ŸงŸโ€โ™‚๏ธ๐Ÿ’ฉ

๐ŸงŸ โ€œLetโ€™s do another sequel!โ€ โ€“ said no one, ever.

Letโ€™s get this straight: 28 Days Later was a stone-cold classic. 28 Weeks Later had its moments (Robert Carlyle legging it like heโ€™s late for last orders? Iconic). But this? This feels like a straight-to-streaming fever dream that got greenlit by accident when someone sat on a keyboard.

The rage virus is back, apparently. So is London, looking like a Poundland version of its former apocalyptic self. And so areโ€ฆ characters? Maybe? Thereโ€™s a bloke called Josh who looks like he wandered in from a perfume ad, and a moody teenager named Skye who somehow knows parkour, hacking, and emotional manipulation all at once. Neat trick, that.

๐Ÿ’ธ The Budget Clearly Got Infected Too

The CGI? Diabolical. The zombies? More like grumpy joggers in smeared eyeliner. And donโ€™t get us started on the shaky cam โ€“ we get it, itโ€™s โ€œgrittyโ€โ€ฆ but if we wanted to feel dizzy, weโ€™d go spin in a circle after 5 pints of Doom Bar.

They spent more on fake blood than they did on the script. The dialogue sounds like it was written by a GCSE drama class on Monster energy drinks.

โ€œYou canโ€™t outrun rage!โ€ โ€“ actual line. Actual. Line.

๐ŸŽผ The Soundtrack Slaps… But Only Because It Was Nicked

They tried to recapture the glory of John Murphyโ€™s iconic โ€œIn the House โ€“ In a Heartbeat,โ€ but instead we got synth loops that sound like someone sat on a Casio keyboard in a panic. Thereโ€™s a weird TikTok-core remix halfway through the third act that nearly made us walk out. Only reason we didnโ€™t? We were watching it on the sofa with a kebab. ๐Ÿข

๐Ÿ”ฅ Plot Holes So Big You Could Drive the Tour Bus Through Them

Hereโ€™s a handy list of things that make no sense:

  • Why is the government back but only using walkie-talkies?
  • Why does the main character survive a zombie bite because of โ€œantibodies from a mysterious bloodlineโ€?
  • Why is there a subplot about a zombie influencer?! Are we having a laugh?

And the ending? Oh boy. Without spoiling too much: a child shoots a rocket launcher at a cruise ship and then whispers, โ€œThis is just the beginning.โ€
WE BLOODY HOPE NOT.

๐Ÿ’€ The Acting? Mateโ€ฆ

Weโ€™ve seen more convincing emotion in a Greggs queue. The cast tries, bless ’em, but you canโ€™t polish a turd โ€“ and this script is straight out of the loo at Download after day 3. One bloke is so wooden, you could carve him into a totem pole.

The one semi-decent performance comes from an elderly nurse who gets ten minutes of screen time and delivers the best line of the film:

โ€œYouโ€™re all morons. Weโ€™re doomed.โ€
Tidy.

๐Ÿด Welcome to a New Riff Report Category: MOVIE THAT SUCK ๐Ÿค˜

28 Years Later is officially our first inductee into the Movie That Suck ๐Ÿค˜ Hall of Infamy.

What qualifies a film for this elite dishonour?

  • Disrespecting the legacy of the originals โœ…
  • Phoning in the plot with zero signal โœ…
  • Turning genuine horror into unintentional comedy โœ…
  • Making us yell, โ€œOH DO ONE MATEโ€ at the telly โœ…โœ…โœ…

Congratulations. Itโ€™s that bad.


๐Ÿคฎ Final Thoughts: Rage? More like Regret

We had such high hopes, mun. We wanted chills, carnage, and clever commentary. Instead, we got zombies doing TikTok dances and a third act so dumb it made us question reality.

If 28 Days Later was a feral beast tearing through the streets of Britain, 28 Years Later is a confused pigeon stuck in a Tesco.

๐ŸŽฌ Rating: 1/10 โ€“ One limp pint glass hurled at the screen in rage.
๐Ÿšฝ Flush-worthy.
๐Ÿค˜ Instant classicโ€ฆ in the wrong way.


๐Ÿ’ฌ Have YOU suffered through 28 Years Later?

Drop your rants, memes and trauma below ๐Ÿ‘‡
Or send your condolences to Danny Boyle, who must be absolutely tamping right now ๐Ÿ˜ค


Want us to review more tragic cinema like this? Welcome to the madhouse that is:

๐ŸŽฌ Movie That Suck ๐Ÿค˜ โ€“ The Riff Reportโ€™s New Category for Disasters on Film

Stay tuned, but bring a bucket. ๐Ÿชฃ๐ŸŽฅ

โญ๏ธ Riff Report Rating: โ˜…โ˜†โ˜†โ˜†โ˜† (1 out of 5) โ€“ and that one star is purely out of pity for the poor extra who got splattered in the first five minutes.

Star Breakdown:

  • Story: 0.5โญ โ€“ Lifted from the back of a cereal box.
  • Acting: 1โญ โ€“ For the nurse who roasted everyone and dipped.
  • Effects: 0.5โญ โ€“ Early-2000s SyFy Channel called. They want their VFX budget back.
  • Soundtrack: 1โญ โ€“ Only because we like Casio keyboards.
  • Rage Virus Energy: 0โญ โ€“ We were more enraged than the zombies.
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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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Original content, reviews, photography and general riff-fuelled chaos belong to The Riff Report Blog unless otherwise stated. Please donโ€™t nick our stuff โ€” ask first, butt. ๐Ÿ˜ˆ

ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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