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Home » ⭐ DOLLY PARTON’S HOLLYWOOD WALK OF FAME STAR RESTORED AFTER SHAMEFUL VANDALISM 🦋

⭐ DOLLY PARTON’S HOLLYWOOD WALK OF FAME STAR RESTORED AFTER SHAMEFUL VANDALISM 🦋

Michael by Michael
5 September 2026
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The country music legend’s famous star is shining once again after mindless damage left her name covered in scratches.

There are some things you simply don’t mess with — and Dolly Parton’s legacy is right near the top of that list, butt. 🤘

The late country music icon’s star on the Hollywood Walk of Fame has been completely restored after it was disgracefully vandalised shortly after her death.

The monument, located at 6712 Hollywood Boulevard, was found with deep scratches running across Dolly’s name. The damage was discovered as fans continued to visit the spot, leaving flowers, cards and heartfelt tributes in honour of one of music’s most universally loved figures.

Quite why anyone would choose to damage a memorial to Dolly Parton is anybody’s guess. Honestly, mun, some people could start an argument in an empty Greggs.

Thankfully, the vandal didn’t get the final word.

🛠️ DOLLY’S STAR IS SHINING AGAIN

The Hollywood Historic Trust moved quickly to install a replacement, allowing it time to set before polishing and reopening it to the public on Friday 4 September 2026.

Images of the completed work show Dolly’s name restored in full, with the new star looking as tidy as the rhinestones on one of her legendary stage outfits. A turquoise butterfly was also placed over its central recording emblem, surrounded by flowers and tributes from fans. Variety confirmed that the restored star reopened to visitors on Friday.

The butterfly was a particularly fitting touch. Dolly had long embraced butterflies as a symbol of freedom, beauty and her childhood connection to the Tennessee mountains.

You can scratch the pavement, but you can’t scratch out a legacy like that. 🦋

💔 WHAT HAPPENED TO THE ORIGINAL STAR?

Dolly’s star had already developed cracks and was on a list of monuments awaiting maintenance before the vandalism took place.

Following her death on 25 August 2026, the Hollywood Historic Trust and Hollywood Chamber of Commerce brought the planned work forward as a mark of respect. The flowers, candles and keepsakes surrounding it were temporarily cleared so repairs could begin.

It was during this period that somebody apparently scratched heavily across Dolly’s name, turning an intended restoration into a full replacement job. Work began on 1 September, with the new terrazzo star requiring several days to cure before receiving its final polish. The Hollywood Historic Trust confirmed that the repair had already been planned but was accelerated to honour Dolly’s life and legacy.

No publicly identified suspect has been linked to the damage at the time of writing.

🌟 A STAR EARNED THE PROPER WAY

Dolly received her solo recording star on 14 June 1984, celebrating a career that had already turned the Tennessee songwriter into a global icon.

By then, she had given the world classics including ‘Jolene’, ‘Coat of Many Colours’, ‘Here You Come Again’ and ‘9 to 5’ — plus a little number called ‘I Will Always Love You’. You might have heard of it.

In 2018, Dolly was honoured with another Walk of Fame star alongside Emmylou Harris and Linda Ronstadt, celebrating the music created by the country supergroup behind the hugely influential Trio albums.

Yet Dolly’s importance went far beyond record sales, awards and sparkly dresses.

Through her Imagination Library, she helped place hundreds of millions of books into the hands of children around the world. She supported healthcare, education, disaster relief and countless community projects — often with far less fuss than many celebrities make over launching a new perfume.

She was country royalty, a rock ’n’ roll rule-breaker and, above everything else, someone who understood that kindness was never a weakness.

🤘 YOU CAN’T VANDALISE A LEGACY

The attack on Dolly’s star was ugly, pointless and deeply disrespectful — especially when the location had become a place for grieving fans to gather.

But the response showed something far bigger.

The star was replaced. The flowers returned. Fans gathered around it once again. Dolly’s name continued to shine from the heart of Hollywood Boulevard.

One person may have damaged a piece of stone and brass, but Dolly Parton’s real monument exists in her songs, her generosity and the millions of people whose lives she made a little brighter.

That legacy isn’t going anywhere.

Not today. Not tomorrow. Not ever. ⭐🦋

Rest easy, Dolly. Your star is shining again — exactly where it belongs.

Proudly Welsh. Proudly Loud. Zero Apologies. 🤘🔥

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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