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Home ยป ๐Ÿ–ค MOTร–RHEAD โ€“ BORN TO LOSE, LIVED TO WIN ๐Ÿƒโšฐ๏ธ๐Ÿ”ฅ

๐Ÿ–ค MOTร–RHEAD โ€“ BORN TO LOSE, LIVED TO WIN ๐Ÿƒโšฐ๏ธ๐Ÿ”ฅ

Michael by Michael
2 July 2024
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Genre: Rock โ€™nโ€™ Roll / Speed Metal / Punk-tinged Carnage
Formed: 1975 โ€“ London, England
Known For: Loudness, Lemmy, war-themed basslines, and changing everything ๐Ÿค˜


๐ŸŽฉ WHO THE HELL WERE MOTร–RHEAD?

Motรถrhead wasnโ€™t just a band โ€“ they were a f**ing religion*.
Led by the immortal Lemmy Kilmister โ€“ gravel-voiced outlaw, bassist from hell, slot machine enthusiast, and actual god among men โ€“ Motรถrhead stripped rock down to the studs, supercharged it with speed and swagger, and invented an entire generation of chaos.

They werenโ€™t metal, but metal wouldnโ€™t exist without them. They werenโ€™t punk, but punks bowed to their riffs.
They were Motรถrhead. They played rock โ€˜nโ€™ roll. And they were LOUDER THAN EVERYONE ELSE.


โš™๏ธ THE LINE-UP OF LEGENDS

  • Lemmy Kilmister โ€“ Bass/Vocals / Voice of doom / The Patron Saint of Donโ€™t-Give-a-F***
  • โ€œFastโ€ Eddie Clarke โ€“ Guitar (classic era shredder)
  • Phil โ€œPhilthy Animalโ€ Taylor โ€“ Drums (wildman, legend, actual animal)
  • Mikkey Dee โ€“ Drums from 1992 onwards / thunder incarnate
  • Phil Campbell โ€“ Guitar (joined 1984) / riff machine from Wales ๐Ÿด
  • Wรผrzel, Brian Robertson, and more โ€“ all part of the roaring machine

Lemmy famously said:

โ€œWe are Motรถrhead, and we play rock โ€˜nโ€™ roll.โ€
And thatโ€™s all you needed to know.


๐Ÿ’ฟ THE MOTร–RHEAD DISCOGRAPHY โ€“ DIRTY, LOUD & PROUD ๐Ÿค˜๐Ÿ”Š


1๏ธโƒฃ Motรถrhead (1977)

๐Ÿงจ Raw, messy, glorious chaos
๐ŸŽง Motรถrhead, Iron Horse/Born to Lose
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


2๏ธโƒฃ Overkill (1979)

โšก THE START OF THE ONSLAUGHT. Double bass mayhem.
๐ŸŽง Overkill, Stay Clean, No Class
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
This is where they became dangerous.


3๏ธโƒฃ Bomber (1979)

โœˆ๏ธ Faster, filthier, even tighter.
๐ŸŽง Bomber, Dead Men Tell No Tales
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


4๏ธโƒฃ Ace of Spades (1980)

๐Ÿƒ THE CLASSIC. The Anthem. THE DEFINITION OF METAL COOL.
๐ŸŽง Ace of Spades, Love Me Like a Reptile, The Chase is Better Than the Catch
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
Changed everything. Still flawless.


5๏ธโƒฃ Iron Fist (1982)

๐Ÿ–๏ธ Gritty, groovy, and packed with attitude
๐ŸŽง Iron Fist, Iโ€™m the Doctor
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


6๏ธโƒฃ Another Perfect Day (1983)

๐ŸŽฉ Brian Robertson joins. Weird, underrated gem.
๐ŸŽง Shine, I Got Mine
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


7๏ธโƒฃ Orgasmatron (1986)

๐Ÿš‚ Crushing mid-’80s aggression. Doom meets speed.
๐ŸŽง Orgasmatron, Deaf Forever
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


8๏ธโƒฃ Rock โ€™nโ€™ Roll (1987)

๐ŸŽธ Straightforward, unapologetic pub brawler of an album
๐ŸŽง Rock โ€™nโ€™ Roll, Stone Deaf in the USA
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


9๏ธโƒฃ 1916 (1991)

๐Ÿช– Shockingly emotional + experimental. Lemmyโ€™s heart bleeds.
๐ŸŽง 1916, No Voices in the Sky
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
Title track will make you cry in your cut-off denim vest.


๐Ÿ”ฅ LATER YEARS: PURE UNSTOPPABLE GRIT

๐Ÿ”ฅ Bastards (1993) โ€“ One of their best. Criminally slept on.

๐ŸŽง Born to Raise Hell, Death or Glory

๐Ÿ”ฅ Sacrifice (1995), Overnight Sensation (1996), Snake Bite Love (1998), We Are Motรถrhead (2000)

๐ŸŽง Raw as hell. Never let up. Never gave in.
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ (consistently wild)


๐Ÿ FINAL RUN โ€“ THE KINGS NEVER FELL

Inferno (2004)

๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ Lemmy ages like bourbon & gunpowder
๐ŸŽง In the Name of Tragedy, Killers

Kiss of Death (2006), Motรถrizer (2008), The Wรถrld is Yours (2010)

๐ŸŽง Rock Out, Runaround Man

Bad Magic (2015)

โšฐ๏ธ The last word. Lemmyโ€™s final roar. A perfect goodbye.
๐ŸŽง Thunder & Lightning, When the Sky Comes Looking for You
Riff Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐Ÿ–ค LEMMY โ€“ THE MAN, THE MYTH, THE MONSTER

He drank Jack for breakfast.
He smoked 40 a day.
He played bass like a rhythm guitarist in a demolition derby.
He once told MTV to f off mid-interview***.
And he never, EVER sold out.

Lemmy wasnโ€™t just Motรถrheadโ€™s frontman โ€“ he was rock โ€™nโ€™ roll.

RIP to the last true outlaw of music. โœŠ๐Ÿ–ค


๐Ÿ”Š RIFF REPORT ESSENTIAL PLAYLIST

๐ŸŽง Ace of Spades โ€“ No explanation needed
๐ŸŽง Overkill โ€“ Drum intro of the gods
๐ŸŽง Stay Clean โ€“ Bassline face-melter
๐ŸŽง Bomber โ€“ Straight into the warzone
๐ŸŽง Born to Raise Hell โ€“ Party anthem forever
๐ŸŽง Orgasmatron โ€“ Sabbath meets Satanโ€™s train
๐ŸŽง We Are Motรถrhead โ€“ Their mission statement
๐ŸŽง 1916 โ€“ Haunting, historic, heartbreaking
๐ŸŽง When the Sky Comes Looking for You โ€“ Lemmyโ€™s goodbye


๐Ÿดโ€โ˜ ๏ธ WHY MOTร–RHEAD STILL MATTER

Because they never stopped.
They were the realest, rawest, most righteous rock band to ever plug in a bass and shout into the abyss.
They didnโ€™t care about charts. Or image. Or trends.

They only cared about:

  • Playing LOUD ๐Ÿ”Š
  • Living FREE ๐Ÿ๏ธ
  • And raising HELL ๐Ÿ”ฅ

And every single one of us has screamed along to Ace of Spades at 1am in a field somewhere. Thatโ€™s legacy.


๐ŸŽค FINAL VERDICT FROM THE RIFF REPORT:

Motรถrhead didnโ€™t just play rock โ€˜nโ€™ roll. They WERE rock โ€˜nโ€™ roll.
Lemmy was our prophet. The band was our sermon. And their discography? Scripture for the loud and free.

So next time you raise a pint, light a cig, or plug into an amp, say it loud:

โ€œI AM MOTร–RHEAD, AND I PLAY ROCK โ€˜Nโ€™ ROLL!โ€

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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