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Home ยป THE APPRENTICE RETURNS FOR ITS LANDMARK 20TH SERIES โ€“ AND YEAHโ€ฆ THE RIFF REPORT LOVES IT ๐Ÿค๐Ÿ“บ๐Ÿ”ฅ

THE APPRENTICE RETURNS FOR ITS LANDMARK 20TH SERIES โ€“ AND YEAHโ€ฆ THE RIFF REPORT LOVES IT ๐Ÿค๐Ÿ“บ๐Ÿ”ฅ

Michael by Michael
27 January 2026
in TV Shows That Rock
Reading Time: 4 mins read
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Right. Deep breath. Confession time, mun.

Yes โ€” The Riff Report absolutely, unapologetically loves The Apprentice.
And no, we will not be taking questions from the metal police at this time ๐Ÿ˜…๐Ÿค˜

Twenty. Bloody. Series.
Thatโ€™s two decades of dodgy business plans, PowerPoint crimes against humanity, taxis to nowhere, and Lord Sugar firing people like heโ€™s tuning a Marshall stack.


๐Ÿง  FROM 2005 TO 2026: A NATIONAL OBSESSION

When The Apprentice first landed back in 2005, none of us expected it to become this weirdly comforting British ritual.

Since then weโ€™ve had:

  • Logos that look like GCSE coursework
  • โ€œPremiumโ€ products nobody asked for
  • Candidates confidently explaining things that are objectively wrong
  • And that glorious walk of shame into the boardroom ๐Ÿ˜ฌ

Yet here we are.
Twenty series deep. Still watching. Still shouting at the telly. Still asking โ€œHOW ARE THEY STILL IN?โ€

Thatโ€™s legacy behaviour.


๐Ÿ’ผ LORD SUGAR: STILL FIRING, STILL ICONIC

Letโ€™s be honest โ€” Lord Alan Sugar is the show.

The raised eyebrow.
The sigh.
The โ€œwith regretโ€ฆโ€ pause that sends shivers down spines nationwide.

Heโ€™s basically the Ozzy Osbourne of British business telly at this point โ€” weathered, sharp-tongued, and somehow more entertaining with age.

And when he drops a line that absolutely ends someone?
Chefโ€™s kiss. Proper job. ๐Ÿ˜ˆ๐Ÿ‘Œ


๐Ÿคฆโ€โ™‚๏ธ WHY DO WE LOVE IT SO MUCH?

Look, we cover rock, metal, chaos, and community โ€” but The Apprentice taps into something very similar:

  • Big personalities clashing under pressure
  • Ego vs reality
  • Confidence without competence
  • Group projects gone violently wrong

Itโ€™s basically a prog-metal concept album, but with spreadsheets.

Also โ€” letโ€™s be real โ€” watching people mess up spectacularly while claiming theyโ€™re โ€œdisrupting the marketโ€ is oddly soothing after a long day.


๐ŸŽธ IS IT ROCK โ€™Nโ€™ ROLL? ABSOLUTELY NOT

๐ŸŽค IS IT ENTERTAINMENT? 100%

Would we crowd-surf to it? No.
Would we headbang to the theme tune? Maybe ironically.
Would we still watch every episode with a brew and shout โ€œYOUโ€™VE FORGOTTEN THE COSTINGS!โ€ at the screen?

Absolutely, mun.

Music snobbery is boring.
Liking things ironically is exhausting.
Liking things genuinely โ€” even if theyโ€™re a bit daft โ€” is punk as hell.


๐Ÿงพ THE VERDICT FROM THE BOARDROOM

Series 20 is here.
The format still works.
The chaos still hits.
And yes โ€” The Riff Report is locked in.

Judge us if you mustโ€ฆ but youโ€™re probably watching too ๐Ÿ˜‰

๐Ÿ“บ The Apprentice returns on BBC One and iPlayer
๐Ÿ”ฅ 20 years of boardroom carnage and counting

Now if youโ€™ll excuse us, weโ€™ve got a logo to redesign badly and a business plan to forget halfway through.

Youโ€™re fired. ๐Ÿ’ผ๐Ÿ’ฅ

Previous Post

๐Ÿ’” REVOLUTION BARS OWNER COLLAPSES INTO ADMINISTRATION โ€” 21 VENUES SHUT AND UK NIGHTLIFE TAKES ANOTHER HIT, MUN

Next Post

๐Ÿ”ฅ ALBUM REVIEW: Setting Fire to the Sky โ€“ Urne ๐Ÿ”ฅ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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