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Home ยป In Memoriam 2025: When the Music Stopped ๐Ÿ•ฏ๏ธ๐ŸŽถ

In Memoriam 2025: When the Music Stopped ๐Ÿ•ฏ๏ธ๐ŸŽถ

Michael by Michael
24 August 2025
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2025 has been one of those years, mun. A year when the music world felt like it had a black cloud โ˜๏ธ hanging above it. One after another, our heroes left the stage for the last time. Weโ€™ve celebrated festivals ๐ŸŽช, shouted along in stadiums ๐ŸŽค, and clinked eco-cups ๐Ÿป in muddy fields, but behind it all thereโ€™s been a steady beat of sadness ๐Ÿ’”.

This is our centrepiece memorial โ€“ a look back at the rock figures we lost in 2025, the riffs they gave us ๐ŸŽธ, the stages they set on fire ๐Ÿ”ฅ, and the silence they leave behind.


๐Ÿฆ‡ The Prince of Darkness: Ozzy Osbourne (1948 โ€“ 2025)

When the news broke on July 22nd, time froze โณ. Ozzy Osbourne โ€“ our Prince of Darkness ๐Ÿ‘‘๐Ÿฆ‡, the madman who re-wired heavy metal forever ๐Ÿค˜ โ€“ had died.

His final big moment? That almighty Villa Park Black Sabbath farewell in Birmingham ๐ŸŸ๏ธ. Thousands of fans crying ๐Ÿ˜ข, singing ๐ŸŽถ, screaming โ€œIron Manโ€ into the sky ๐ŸŒŒ.

Rob Halford of Judas Priest โš”๏ธ admitted he curled up in a ball and bawled his eyes out ๐Ÿ˜ญ. Sharon Osbourne said simply: โ€œHe was the love of my life ๐Ÿ’•, and the love of millions.โ€

When Sabbathโ€™s riffs roll out over a festival field someday again ๐ŸŽช, you know damn well the ghost of Ozzy will be there, throwing horns ๐Ÿค˜.


โšก A Titan Falls: Brent Hinds (1974 โ€“ 2025)

Mastodonโ€™s wild-eyed riff wizard ๐ŸŽธ๐Ÿ˜ was killed in a motorcycle accident ๐Ÿ๏ธ on August 20th in Atlanta, aged just 51.

Brent was chaos incarnate ๐ŸŽญ. Tattoos across his face, banjo in one hand ๐Ÿช•, guitar in the other ๐ŸŽธ. His death feels especially cruel ๐Ÿ˜” because he seemed unstoppable โ€“ one of those larger-than-life figures whoโ€™d always be there.

Now, Mastodonโ€™s riffs carry a hollow note ๐ŸŽถโšซ.


๐ŸŒŠ The Genius of Harmony: Brian Wilson (1942 โ€“ 2025)

On June 11th we lost Brian Wilson, architect of The Beach Boysโ€™ sunshine sound ๐ŸŒž๐Ÿ„.

His harmonies shaped pop culture ๐ŸŽต, yet he battled mental health demons ๐Ÿ˜” all his days. Still, he gave us โ€œGod Only Knowsโ€ ๐Ÿ™ โ€“ the song Paul McCartney once called โ€œthe greatest ever written.โ€

Fans gathered on beaches ๐Ÿ–๏ธ, playing his songs as the sun went down ๐ŸŒ…. Candlelit vigils ๐Ÿ•ฏ๏ธ for a man who bottled joy in music.


๐Ÿด The Welsh Warrior: Mike Peters (1959 โ€“ 2025)

On April 28th, Wales lost a legend ๐Ÿด. Mike Peters, frontman of The Alarm ๐Ÿšจ, passed after his long fight with cancer ๐ŸŽ—๏ธ.

His anthem โ€œSixty Eight Gunsโ€ became a battle cry โš”๏ธ and a metaphor for his resilience ๐Ÿ’ช.

At Steelhouse Festival โ›ฐ๏ธ, the crowd held a minuteโ€™s silence ๐Ÿค before erupting into chants of โ€œThe Alarm!โ€ ๐Ÿ”Š His music was rebellion with a heart โค๏ธ.


๐ŸŽน The Soul of โ€œLaylaโ€: Bobby Whitlock (1948 โ€“ 2025)

Co-writer of Layla ๐ŸŽถ, voice and keys in Derek & the Dominos. Bobby passed August 10th, leaving behind some of rockโ€™s most heartbreakingly beautiful moments ๐Ÿ’”.

Fans replayed Bell Bottom Blues in his honour, letting his soulful fingerprints echo through the years ๐ŸŽผ.


๐ŸŒŸ The Ones Who Donโ€™t Make Headlines (But Should)

  • Marianne Faithfullย ๐ŸŒน โ€“ smoky-voiced icon of 60s London.
  • Sly Stoneย ๐ŸŽค โ€“ funk revolutionary who made the world groove.
  • David Johansenย ๐Ÿ’„ โ€“ glam-punk spark of the New York Dolls.
  • Rick Bucklerย ๐Ÿฅ โ€“ steady heartbeat of The Jam.
  • Clem Burkeย ๐Ÿฅโœจ โ€“ Blondieโ€™s disco-punk dynamo.
  • James Bakerย ๐Ÿ‡ฆ๐Ÿ‡บ โ€“ Hoodoo Gurus rhythm wildman.
  • Barry Goldbergย ๐ŸŽน โ€“ helped Dylan go electric โšก.
  • Terry Manningย ๐ŸŽš๏ธ โ€“ behind the desk with Zeppelin & Stax.
  • Wizz Jonesย ๐ŸŽธ โ€“ folk guitarist who inspired Clapton & Richards.

๐Ÿ’ป Fan Memories & The Digital Wake

When Ozzy passed, Twitter/X flooded with โ€œAll Aboard!โ€ ๐Ÿš‚ clips.
When Mike Peters died, Welsh fans shared VHS gems ๐Ÿ“ผ.
Brent Hindsโ€™ passing turned TikTok into a gallery of Mastodon riffs ๐ŸŽธ.

Grief lives online now ๐ŸŒ โ€“ but the love is just as real โค๏ธ.


๐ŸŽง Closing the Year on a Quiet Note

2025 will be remembered for the gigs ๐ŸŽถ, the comebacks ๐ŸŽค, the festivals ๐ŸŽช. But also for the silences ๐Ÿค.

Every time you hear Paranoid โšก, or a Beach Boys harmony ๐ŸŒŠ, or Mastodonโ€™s thunder ๐Ÿ˜, theyโ€™re still here.

So pour one out ๐Ÿบ. Light a candle ๐Ÿ•ฏ๏ธ. Spin the record ๐ŸŽต.

Because the show never really ends, mun. The music lives on โ€“ louder than ever ๐Ÿค˜๐Ÿ”ฅ.

Previous Post

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When Rock Royalty Meets The New Pretenders ๐Ÿฆโœจ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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