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Home » 🤘💀🔥 GEROGOT Prepare To Unleash ‘EIDOLOKLAS’ – Indonesian Brutal Death Metal Monsters Return With Nine Tracks Of Unrelenting Carnage!

🤘💀🔥 GEROGOT Prepare To Unleash ‘EIDOLOKLAS’ – Indonesian Brutal Death Metal Monsters Return With Nine Tracks Of Unrelenting Carnage!

Michael by Michael
9 November 2026
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A💀🔥 WARNING, METALHEADS! SOMETHING ABSOLUTELY SAVAGE IS CRAWLING OUT OF INDONESIA! Surabaya’s brutal death metal destroyers GEROGOT are preparing to unleash their third full-length album, EIDOLOKLAS, on Friday 20 November 2026 through extreme metal specialists COMATOSE MUSIC. And if you like your metal filthy, furious and heavier than a collapsing mountain, this one’s got your name written all over it!

Featuring nine tracks of suffocating heaviness, technical guitar brutality, devastating blast beats and the monstrous guttural vocals of KRISNA SAPTIAN, Eidoloklas promises to be GEROGOT’s most punishing release yet. Mixed and mastered by INDRA CAHYA at TEXAS SICKLAB and featuring nightmarish artwork from ANDIK GODFINGER, the album continues a journey into sonic extremity that’s been gathering momentum for more than a decade.

For fans of SUFFOCATION, DECREPIT BIRTH, BRODEQUIN and VILE DESOLATION, it’s time to prepare those neck muscles. This is going to hurt! 🤘

💀 From The Depths Of Indonesia Comes GEROGOT!

Well then, Riff Report crew!

We’ve got another absolute monster heading your way.

And this time, we’re travelling thousands of miles from the valleys of Wales to Surabaya, East Java, Indonesia.

A city with a thriving underground heavy music community.

And home to a band whose musical philosophy appears remarkably straightforward.

MAKE IT HEAVY.

MAKE IT BRUTAL.

AND DON’T GIVE THE LISTENER A MOMENT TO RECOVER!

Meet GEROGOT.

These Indonesian death metal veterans have been grinding away in the underground for more than a decade, building their reputation through savage recordings and an uncompromising commitment to extremity.

Now they’re preparing to release their third studio album, Eidoloklas.

And according to the band’s label, this is their most explosive material to date.

Nine tracks.

Approximately 25 and a half minutes.

And an approach built around relentless aggression, technical precision and a rather unhealthy amount of musical violence.

Forget gentle introductions and radio-friendly choruses.

This is brutal death metal designed for people who consider ordinary death metal a little too relaxing.

Sounds like a cracking Friday night, butt! 💀

🇮🇩 Indonesia’s Brutal Death Metal Underground Is Alive And Kicking!

Indonesia has developed one of the most dedicated extreme metal scenes in Asia.

While countries such as Sweden, Norway, Germany and the United States often dominate discussions about international metal, Indonesia has spent decades cultivating its own thriving underground.

Death metal.

Grindcore.

Thrash.

Black metal.

And some of the most uncompromising brutal death metal around.

Independent musicians have built communities through local venues, underground labels, physical releases and international collaborations.

And GEROGOT are part of that tradition.

The band formed in 2013, emerging from the earlier project Crematoria.

Their name comes from an Indonesian word meaning gnaw, a rather appropriate choice for a group whose music is built around crushing riffs and relentless aggression.

Over the years, they’ve established themselves as a force within the country’s brutal death metal scene.

But their ambitions haven’t been restricted to Indonesia.

Through their recordings and collaborations, GEROGOT have continued reaching listeners across the international underground.

And Eidoloklas represents another major step in that journey.

🔥 A Decade Of Death Metal Devastation!

Before we dive into the new album, it’s worth exploring how GEROGOT reached this point.

Because the band’s history contains several important releases.

💀 Promo 2014 – The First Warning

GEROGOT’s early musical identity began taking shape with their limited-edition Promo 2014 demo.

Like many underground extreme metal bands, they used their earliest recordings to establish their sound and introduce themselves to dedicated listeners.

The demo laid the foundations for a project that would become increasingly brutal.

🩸 Cruelty Vomit Of Hatred – Debut Album (2016)

In 2016, the band released their first full-length album, Cruelty Vomit Of Hatred.

And that title tells you pretty much everything you need to know about their musical direction!

The release demonstrated GEROGOT’s commitment to uncompromising brutal death metal.

Technical aggression.

Crushing instrumentation.

And the sort of relentless intensity that defines the more extreme corners of the genre.

It was an important first milestone.

And it established the band’s reputation among underground death metal listeners.

⚔️ Heinous Interstellar Malformations – Four-Way Split (2020)

Four years later, GEROGOT contributed two tracks to Heinous Interstellar Malformations.

The split release also featured:

  • VIRULENT EXCISION
  • FACELIFT DEFORMATION
  • GRAVITATIONAL DISTORTION

For anybody unfamiliar with underground metal, split releases remain an important tradition.

Several bands contribute music to the same release, allowing their audiences to discover one another.

They’re particularly common within death metal, grindcore and other underground genres.

And GEROGOT’s participation helped strengthen their presence within the international brutal death metal community.

🔥 Heading To Eternal – Second Album (2021)

Then came Heading To Eternal in 2021.

The band’s second full-length album pushed their musical aggression even further.

It attracted attention from extreme metal publications, including Metal Purgatory, which praised its uncompromising brutality.

The release demonstrated that GEROGOT had no intention of softening their approach.

And following further material, including The Ancient Prophecy in 2023 and Presage in 2025, the band began preparing their next major statement.

Which brings us to November 2026.

And the arrival of Eidолoklas.

💿 EIDOLOKLAS – The Third Full-Length Album Arrives 20 November 2026!

GEROGOT’s latest album will be released worldwide through Comatose Music on Friday 20 November 2026.

The record contains nine songs, with a total running time of approximately 25 minutes and 30 seconds.

And according to the promotional announcement, its musical approach is built around speed, power and carefully controlled chaos.

📀 Album Information

Detail Information Artist GEROGOT Album EIDOLOKLAS Release date 20 November 2026 Record label Comatose Music Origin Surabaya, East Java, Indonesia Genre Brutal Death Metal Album number Third studio album Tracks 9 Running time Approximately 25:30 Mixing and mastering Indra Cahya, Texas Sicklab Artwork Andik Godfinger Available formats CD and digital Catalogue number COMA204

It’s a compact album.

But that isn’t necessarily a bad thing.

In brutal death metal, a shorter running time can help maintain momentum.

Rather than stretching every song into an extended composition, GEROGOT are concentrating their attack into nine focused tracks.

And the descriptions suggest there’s very little breathing space.

Twenty-five minutes of musical punishment? Sounds positively delightful!

🎶 GEROGOT – EIDOLOKLAS Full Tracklist

No. Track Duration 1 The Barrier Collapses 2:55 2 Presage 2:33 3 Disastrous Divinity 3:07 4 Drowned In Fear 2:51 5 The Ancient Prophecy 3:07 6 The Witching Spell 3:18 7 A New Dogma 2:55 8 The Prophesied Son 2:39 9 Will Come… 2:04

Total running time: approximately 25 minutes and 30 seconds.

And while the entire album isn’t officially released until 20 November, listeners can already experience Disastrous Divinity through the label’s Bandcamp page.

💀 Inside EIDOLOKLAS – Track By Track Through The Carnage!

The album’s promotional description reveals an interesting musical journey.

One built around devastating speed, intricate guitar arrangements and contrasts between ferocious blasting and slower, more oppressive passages.

Here’s what the band and label have revealed about the material.

🔥 1. The Barrier Collapses – The Destruction Begins!

GEROGOT waste absolutely no time with their opening track.

The Barrier Collapses is described as an immediate assault of high-speed brutality.

Rapid drumming.

Crushing guitar work.

And intricate riffs fighting their way through the chaos.

It’s the kind of opening designed to announce the band’s intentions within seconds.

No gentle introduction.

No cinematic buildup lasting five minutes.

Just the musical equivalent of being hit by a speeding freight train.

Welcome to GEROGOT, butt!

⚔️ 2. Presage – The Second Wave Of Violence!

If the opening track is intended to knock listeners off their feet, Presage promises to keep them there.

The label describes the song as another devastating combination of intense rhythmic passages and blinding speed.

The track was previously released as a single in 2025.

Its inclusion on Eidoloklas connects the band’s recent material with their latest studio album.

And for longtime followers, it provides a familiar point within the record.

🩸 3. Disastrous Divinity – The Official Album Preview!

Disastrous Divinity is already available through Comatose Music’s Bandcamp page.

Running for just over three minutes, it offers the clearest opportunity to explore the forthcoming release before launch day.

The song is available to stream and download as part of the album’s digital pre-order.

For listeners unfamiliar with GEROGOT, this is the obvious place to begin.

Listen here:

https://comatosemusic.bandcamp.com/album/eidoloklas

💀 4. Drowned In Fear – Guttural Vocal Carnage!

Next comes Drowned In Fear.

And according to the promotional description, vocalist Krisna Saptian delivers one of the album’s most ferocious performances.

The song is characterised by overwhelming aggression and the band’s familiar combination of crushing guitars and rapid percussion.

Within brutal death metal, vocal delivery is an essential part of the overall sound.

Deep gutturals become another layer of sonic heaviness.

Rather than sitting politely above the instruments, they contribute directly to the oppressive atmosphere.

And GEROGOT are clearly embracing that approach.

🔮 5. The Ancient Prophecy – Darkness Continues!

The Ancient Prophecy occupies the middle of the album.

The title was previously associated with a GEROGOT single released in 2023.

Its inclusion demonstrates how material developed between albums has become part of the band’s latest release.

And the song’s dark title fits comfortably within the imagery surrounding Eidoloklas.

🖤 6. The Witching Spell – Into The Darkness!

At 3 minutes and 18 seconds, The Witching Spell is the longest track on the record.

Its ominous title adds another layer to the album’s atmosphere.

While the complete musical arrangements haven’t been independently assessed here, the promotional material presents the album as maintaining its intensity throughout.

So don’t expect things to suddenly become a gentle acoustic singalong.

Unless GEROGOT have a particularly unusual surprise planned!

🔥 7. A New Dogma – Crushing Rhythms And Controlled Chaos!

A New Dogma is one of the tracks specifically highlighted in the album announcement.

Its arrangement is described as combining shocking bursts of intensity with slower, oppressive passages before launching into another wave of aggression.

That contrast is an important element of extreme metal.

Because heaviness isn’t simply about speed.

Sometimes the most crushing moments arrive when the tempo drops.

The guitars become more deliberate.

The drums emphasise every impact.

And the music creates an entirely different sense of weight.

GEROGOT appear determined to exploit those contrasts.

⚔️ 8. The Prophesied Son – Approaching The End!

The Prophesied Son brings the record towards its conclusion.

The title connects thematically with the dark prophetic imagery running through the album.

At just under three minutes, it maintains the compact songwriting approach found across the record.

And then comes the final track.

A composition that apparently takes the album in a different direction.

🪦 9. Will Come… – A Monolithic Finale!

Rather than finishing with another relentless burst of speed, GEROGOT reportedly close Eidoloklas with a slower, more oppressive composition.

Will Come… is described as a bleak descent through a devastated landscape.

The relentless aggression gives way to something heavier and more ominous.

It’s an interesting decision.

Because after an album dominated by ferocious intensity, a deliberate closing passage can create an especially powerful contrast.

The result promises to leave listeners with something more unsettling than another straightforward blast-beat assault.

Sometimes the heaviest moment isn’t the fastest one.

And GEROGOT appear to understand that perfectly.

🎤 Meet The Musicians Behind GEROGOT!

The band’s current recorded line-up features four core members, with additional drums performed specifically for the album.

💀 Krisna Saptian – Vocals

Krisna provides the band’s guttural vocal delivery.

His voice is central to GEROGOT’s uncompromising musical identity, adding another layer of heaviness to the instrumental arrangements.

🎸 Aditya Prakoso – Guitar

Aditya contributes the technically demanding guitar work.

The album’s promotional material highlights intricate riffs and tightly arranged musical passages.

🎸 Maulana Raka – Guitar

Maulana provides the second guitar.

Together, the guitarists contribute to the dense, technical sound that defines GEROGOT’s brutal death metal.

🎸 Aminullah Ibrahim – Bass

Aminullah handles bass guitar.

His role is particularly important in a genre where low-frequency impact and rhythmic precision are essential.

🥁 Yogi Praja – Album Drums

Yogi Praja performed the drums on Eidoloklas.

The album announcement credits Yogi specifically for the recording.

His contribution is essential to the relentless percussion that drives the band’s music.

And considering the speeds described throughout the album, that’s no small undertaking!

🎛️ Indra Cahya And Texas Sicklab Deliver The Production!

The album was mixed and mastered by Indra Cahya at Texas Sicklab.

Cahya has experience working with extreme metal artists including:

  • ANTHROPOPHAGUS DEPRAVITY
  • DEATH VOMIT
  • DEMENTED HEART

That background makes him a fitting choice for the project.

Because producing technically demanding brutal death metal requires considerable attention to detail.

The guitars must retain their aggression.

The bass must provide enormous low-end power.

The drums need clarity during rapid passages.

And the guttural vocals must sit within the mix without overwhelming everything else.

There’s a delicate balance between brutality and definition.

Too much distortion can turn the music into an indistinguishable wall of noise.

Too little aggression can reduce its impact.

The challenge is finding the right balance.

And with GEROGOT pushing their sound into increasingly extreme territory, the production will play an important role in how the finished record is experienced.

🎨 Andik Godfinger Creates The Album’s Nightmarish Artwork!

The visual presentation of Eidoloklas has been handled by Andik Godfinger.

The artist has previously worked with acts including MORGUE TERROR and HYDRA VEIN.

And for brutal death metal, album artwork remains an important part of the experience.

Particularly for physical collectors.

A striking cover can establish the atmosphere long before the music begins.

And within extreme metal, there’s a long tradition of elaborate, disturbing and horror-inspired imagery.

For GEROGOT, the artwork complements the album’s themes of darkness and destruction.

It’s the finishing touch on a release designed to appeal to dedicated underground death metal listeners.

💿 Comatose Music – Keeping Brutal Death Metal Alive!

The album will arrive through COMATOSE MUSIC.

Founded in 2001 and based in North Carolina, USA, the independent label has developed a reputation for supporting uncompromising extreme metal.

Its catalogue focuses heavily on brutal death metal, while also including other underground genres.

And its international roster demonstrates the global reach of extreme music.

For GEROGOT, releasing through Comatose Music provides an opportunity to introduce their latest material to more listeners around the world.

Particularly collectors who actively follow underground metal labels.

Because within brutal death metal, physical releases still matter.

CDs.

Artwork.

Limited editions.

And the satisfaction of adding another genuinely filthy album to the collection.

Sometimes streaming simply isn’t enough, butt!

🤘 For Fans Of Suffocation, Decrepit Birth, Brodequin And Vile Desolation!

The promotional announcement recommends Eidoloklas for fans of several notable extreme metal bands.

SUFFOCATION are among the pioneers of brutal death metal, helping establish the technical complexity and overwhelming aggression associated with the genre.

DECREPIT BIRTH combine technical death metal arrangements with crushing rhythmic power.

BRODEQUIN are celebrated within the underground for their uncompromising speed and ferocity.

And VILE DESOLATION represent another particularly aggressive corner of brutal death metal.

Together, those names provide useful reference points.

If you appreciate low guttural vocals, rapid percussion and intricate guitar passages, GEROGOT are worth investigating.

If you prefer your music gentle and relaxing?

Well…

Perhaps save this particular release for a day when the neighbours are out!

🛒 EIDOLOKLAS Pre-Orders – CD And Digital Available Now!

The album is currently available to pre-order through Comatose Music’s official Bandcamp store.

💿 Pre-Order Information

Format Listed price Digital album From $8 USD CD in jewel case, including digital album $12 USD

The digital pre-order includes access to Disastrous Divinity ahead of the full release.

The remaining tracks become available on 20 November 2026.

The official Bandcamp listing also indicates that physical CDs are expected to begin shipping on or around 13 November 2026, although shipping arrangements may change.

For British collectors, remember to check international postage and any applicable import charges before purchasing.

🎧 Official Links

Eidoloklas – Listen And Pre-Order

https://comatosemusic.bandcamp.com/album/eidoloklas

GEROGOT Bandcamp

https://gerogot.bandcamp.com/music

GEROGOT Facebook

https://www.facebook.com/gerogotbrutal

GEROGOT Instagram

https://www.instagram.com/gerogot/

Comatose Music Website

https://www.comatosemusic.com/

Comatose Music YouTube

https://www.youtube.com/user/ComatoseMusicLabel

🐉 From Indonesia To Cymru – The Underground Has No Borders!

Now then, here’s where we bring things a little closer to home.

Because here at The Riff Report, supporting independent music is at the heart of what we do.

We’re proudly Welsh.

And we’re passionate about celebrating the incredible rock and metal talent emerging from across Cymru.

But that enthusiasm doesn’t stop at the Welsh border.

Not a chance!

The international underground is packed with extraordinary musicians.

Artists who spend years perfecting their craft.

Recording albums.

Performing in independent venues.

And developing dedicated audiences without the enormous marketing budgets available to mainstream acts.

GEROGOT represent exactly that kind of dedication.

More than a decade of musical activity.

Multiple albums.

International split releases.

And now a new record through a respected underground label.

That’s worth celebrating.

Because extreme metal isn’t about where a band comes from.

It’s about the music.

The commitment.

And the community that supports it.

Whether you’re in Cardiff, Newport, Swansea, Wrexham or the valleys, there’s a whole world of brutal metal waiting to be discovered.

And this time, Indonesia is bringing the punishment!

🔥 The Riff Report Verdict – GEROGOT Are Preparing One Seriously Brutal Release!

Well then, Riff Report crew.

This is shaping up to be an absolute monster.

GEROGOT have spent more than a decade establishing themselves within Indonesia’s brutal death metal underground.

From Promo 2014 to Cruelty Vomit Of Hatred and Heading To Eternal, the band have shown no interest in compromising their musical identity.

And with Eidoloklas, they’re preparing another chapter.

Nine tracks of extreme metal.

A combination of technical guitar arrangements and relentless drumming.

Deep guttural vocals.

And a closing track that promises to trade all-out speed for something considerably more oppressive.

The album also benefits from an experienced production team.

Indra Cahya handled mixing and mastering.

Andik Godfinger created the artwork.

And Comatose Music will deliver the finished release to international audiences.

This is an advance album feature rather than a scored firsthand review of the complete recording. The full record isn’t scheduled to arrive until 20 November, and the published track descriptions reflect the band’s promotional information.

But for fans of brutal death metal, the combination is certainly promising.

Especially if SUFFOCATION, BRODEQUIN and DECREPIT BIRTH occupy a permanent place in your music collection.

So mark your calendars.

Check out the official preview track.

And prepare for another helping of uncompromising underground heaviness.

20 NOVEMBER 2026.

NINE TRACKS.

ONE INDONESIAN DEATH METAL MONSTER.

GEROGOT ARE READY TO UNLEASH EIDOLOKLAS!

And here at The Riff Report?

WE’RE KEEPING THE HORNS RAISED AND THE SPEAKERS BRACED FOR IMPACT, BUTT! 🤘💀🔥🐉


💬 Have Your Say, Riff Report Crew!

Right then, you wonderful bunch of extreme metal maniacs!

Have YOU discovered GEROGOT yet?

Are you familiar with their earlier albums Cruelty Vomit Of Hatred and Heading To Eternal?

And will you be checking out Eidoloklas when it arrives on 20 November?

We’d also love to hear your thoughts on Indonesia’s underground death metal scene.

Which bands deserve more international recognition?

Are you a fan of the technical side of brutal death metal?

Or do you prefer the slower, heavier punishment of slam-influenced death metal?

And here’s the big question.

WHAT’S THE MOST BRUTAL ALBUM YOU’VE HEARD IN 2026?

Get involved in the comments and share your recommendations.

Because The Riff Report is about more than celebrating established metal legends.

It’s about discovering independent bands from every corner of the world.

SUPPORT THE UNDERGROUND. BUY THE RECORDS. DISCOVER NEW MUSIC. AND KEEP THOSE BLAST BEATS THUNDERING! 💀🤘🔥

The Riff Report Blog | Music Journalism With Boots At The Barricade.

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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© 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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