What happens when you throw metalcore, punk rock, hyperpop, drum & bass, dubstep, hardstyle and house music into the same musical blender, turn everything up to eleven and let a former rock frontman loose behind the controls?
You get something very close to the musical world of MICAH MARTIN! 🤘⚡
The American vocalist, songwriter and electronic music collaborator is preparing to release his highly anticipated debut solo album, All I Need, on Friday 20 November 2026, through Create Music Group.
And judging by the sheer range of styles involved, this isn’t going to be your average rock album.
Far from it.
The record brings together the heavy guitars and emotionally charged vocals of Martin’s rock and metal background with the enormous electronic productions that have helped establish his reputation within the emerging Rocktronic movement.
We’re talking crushing metalcore breakdowns.
Pop-punk melodies.
Aggressive electronic bass drops.
Drum & bass rhythms.
Dubstep.
Hardstyle.
House music.
And even a stripped-back acoustic track.
Yes, acoustic!
Because apparently, after throwing half the world’s heavy and electronic genres into one album, Micah decided everyone deserved a moment to catch their breath.
From sweaty rock clubs to enormous electronic festival stages, All I Need promises to bring both worlds crashing together.
And here at The Riff Report, we’re always interested when somebody decides that musical boundaries are there to be demolished! 🔥
🎸 MICAH MARTIN – ‘ALL I NEED’ ALBUM INFORMATION
Artist: Micah Martin
Album: All I Need
Release Date: Friday 20 November 2026
Record Label: Create Music Group
Country: United States
Genre: Rocktronic / Metalcore / Alternative Rock / Punk / Electronic Rock / Drum & Bass / Dubstep / Hyperpop
Release Type: Debut Solo Album
Producer: Kevin Thrasher, alongside multiple electronic producers and collaborators
Featured Collaborators: Flux Pavilion, OddKidOut, HIGHSOCIETY and Hyro The Hero
Confirmed Songs:
- Thrown Away
- Burn Them All (feat. OddKidOut)
- Tomorrow’s Over
- VHS
- Finally Home (feat. Hyro The Hero)
The complete album running order and track durations have not been supplied, so only confirmed song titles are included.
🔥 FROM ROCK FRONTMAN TO ELECTRONIC FESTIVAL POWERHOUSE
Before Micah Martin became associated with the electronic bass music world, he was already making serious noise in the American rock scene.
His musical journey began in the world of heavy guitars, powerful vocals and the relentless touring culture of modern rock.
Martin first established his reputation as the frontman of The Zealots.
The band developed its following through live performances and touring opportunities alongside established names.
And we’re not talking about small-time support slots, either.
The Zealots shared touring bills with artists including:
- I Prevail
- Memphis May Fire
- Pop Evil
- Theory Of A Deadman
- Drowning Pool
That’s a pretty impressive collection of bands to have on your musical CV.
These experiences helped establish Martin as a vocalist comfortable with the intensity of heavy music and the demands of live performance.
But his career was about to take a dramatic turn.
And, like so many musicians around the world, that turning point arrived in 2020.
🖤 WHEN THE PANDEMIC CHANGED EVERYTHING
The COVID-19 pandemic brought the global live music industry to a standstill.
Tours disappeared.
Festivals were cancelled.
Venues closed.
And countless musicians suddenly found themselves facing an uncertain future.
For Micah Martin, the disruption marked the end of The Zealots.
The band came to a close in 2020.
But rather than abandoning music, Martin redirected his creative energy towards electronic production and collaboration.
It was a significant change.
Instead of concentrating entirely on traditional rock arrangements, he began exploring the possibilities of electronic bass music.
And that decision opened up an entirely new chapter.
The powerful vocals that had previously driven heavy rock performances found a new home alongside electronic beats, synthesised bass and high-impact production.
Martin discovered that the emotional intensity of rock could translate remarkably well into electronic music.
And he wasn’t interested in leaving his original influences behind.
He wanted to bring them with him.
⚡ ENTER ROCKTRONIC – WHERE GUITARS MEET THE BASS DROP
Rocktronic is a broad term used to describe music combining rock and electronic influences.
But there’s more to the idea than simply placing a distorted guitar over an electronic beat.
At its most effective, the style brings together two musical cultures.
Rock contributes powerful vocals, live instrumentation, aggressive rhythms and emotionally driven songwriting.
Electronic music introduces synthesised bass, programmed percussion, dramatic drops and an enormous range of production techniques.
The possibilities are almost endless.
A metalcore breakdown can transition into a dubstep drop.
A punk chorus can sit alongside drum & bass percussion.
A melodic rock vocal can build towards a hardstyle climax.
And a song can move between these different approaches without necessarily belonging to one conventional genre.
For Micah Martin, that freedom has become central to his musical identity.
His work reflects the heavy music he grew up performing while embracing the electronic world he entered after The Zealots.
And All I Need represents an opportunity to bring those influences together across an entire album.
🎧 FROM ROCK CLUBS TO EDC LAS VEGAS
Martin’s move into electronic music has taken him to some major stages.
His career in the electronic scene has included appearances at events such as EDC Las Vegas and Ultra DNB.
That’s quite a journey.
From touring with American metalcore and hard rock bands to performing within the international electronic music circuit.
But the transition makes sense when you consider the similarities between the two environments.
Both metal concerts and electronic festivals thrive on energy.
Both depend on powerful live performances.
And both attract audiences who want music that creates a physical reaction.
A metal crowd might respond to a crushing breakdown with a circle pit.
An electronic crowd might respond to an enormous bass drop with thousands of people jumping simultaneously.
Different cultures.
Different musical techniques.
But a surprisingly similar appetite for intensity.
Martin’s career has allowed him to operate within both worlds.
And that crossover is one of the reasons All I Need is such an interesting release.
💿 ‘ALL I NEED’ – AN ALBUM THAT REFUSES TO PICK ONE GENRE
One of the most ambitious aspects of the album is its musical range.
According to the release information, All I Need moves between:
Metalcore, punk, rock, hyperpop, drum & bass, dubstep, hardstyle and house.
That’s a serious amount of musical territory.
Some artists spend their entire careers refining one particular sound.
Micah Martin appears more interested in exploring the connections between several.
The album also includes a stripped-back acoustic song.
That detail is particularly important.
Because an album containing so many aggressive and electronic styles needs contrast.
Without changes in intensity, even the heaviest music can become exhausting.
An acoustic track offers the possibility of a more intimate moment.
It also provides an opportunity to place Martin’s songwriting and vocal delivery at the centre without the distraction of enormous production layers.
The result is a project designed to represent the full range of his musical background.
Rather than presenting the rock musician and electronic collaborator as separate identities, All I Need brings them together.
🎚️ KEVIN THRASHER BRINGS THE ROCK FIREPOWER
One of the important names involved in the album is Kevin Thrasher.
Best known for his association with Escape The Fate, Thrasher has contributed production work to the live-band recordings featured on All I Need.
His involvement connects the project directly to the modern rock and metal scene.
That matters because blending rock and electronic music requires careful attention to production.
Live drums behave differently from programmed percussion.
Distorted guitars occupy frequencies that can compete with synthesised bass.
And heavy vocals need enough space to remain powerful without becoming buried beneath electronic effects.
Combining these elements convincingly is not always straightforward.
The album’s approach places live-band recordings alongside electronic productions.
That gives Martin the opportunity to explore different sonic environments while maintaining his identity as the central performer.
🤘 THE COLLABORATORS BEHIND THE CHAOS
The album also features contributions from several artists associated with electronic and alternative music.
⚡ Flux Pavilion
British electronic producer Flux Pavilion is widely associated with the development and international popularity of dubstep.
His work has helped introduce enormous bass sounds and distinctive electronic production techniques to audiences around the world.
His involvement connects All I Need to an influential part of electronic music history.
🔥 OddKidOut
OddKidOut brings another electronic production perspective to the project.
He features on the single “Burn Them All”, which combines Martin’s aggressive vocal delivery with jump-up drum & bass influences.
The collaboration represents one of the clearest examples of the album’s rock-meets-electronic direction.
💥 HIGHSOCIETY
HIGHSOCIETY is another collaborator involved in the project.
His association with bass-driven electronic music fits naturally with Martin’s interest in combining aggressive sounds and high-energy production.
🎤 Hyro The Hero
Hyro The Hero brings an important alternative metal and rap-rock influence.
Known for combining aggressive vocal delivery with heavy instrumentation, Hyro has developed a distinctive identity within modern heavy music.
His appearance on “Finally Home” creates another connection between the album’s electronic influences and the world of alternative metal.
🎵 THE CONFIRMED SINGLES – FIVE DIFFERENT SIDES OF MICAH MARTIN
The singles associated with All I Need provide an introduction to the album’s musical variety.
And they demonstrate just how far Martin is prepared to move between different genres.
🖤 1. ‘Thrown Away’ – Emotional Pop-Punk Energy
“Thrown Away” represents the more emotional pop-punk side of the project.
The track has been described as combining heartfelt songwriting with the melodic intensity associated with the genre.
Pop-punk has always provided a platform for exploring relationships, frustration and emotional vulnerability.
Its combination of energetic instrumentation and direct lyrics has helped the style connect with generations of listeners.
For Martin, “Thrown Away” provides an opportunity to revisit the rock-oriented influences that helped shape his earlier career.
It also offers a contrast to the album’s more aggressive electronic material.
🔥 2. ‘Burn Them All’ (feat. OddKidOut) – Screams Meet Drum & Bass
Now we’re entering considerably heavier territory.
“Burn Them All” features OddKidOut and combines aggressive vocal screams with jump-up drum & bass influences.
It’s one of the most striking genre combinations described in the album’s promotional material.
Drum & bass is known for its fast breakbeats and powerful basslines.
Metalcore brings aggressive vocals and heavy rhythmic intensity.
Put those elements together and the potential for a high-energy crossover becomes obvious.
The track represents Martin’s willingness to explore the relationship between heavy music and electronic production.
And for listeners who enjoy both metal and bass music, it’s a particularly interesting starting point.
💥 3. ‘Tomorrow’s Over’ – Breakdown Territory
“Tomorrow’s Over” brings the album back towards its heavier rock and metal influences.
The song is described as featuring blistering breakdowns.
For metalcore fans, that’s an encouraging description.
Breakdowns have become one of the defining characteristics of modern heavy music.
They create dramatic changes in rhythmic intensity and frequently become focal points during live performances.
Martin’s background with The Zealots makes this musical direction particularly appropriate.
It’s a connection to the heavier side of his career.
📼 4. ‘VHS’ – Pop Meets Rocktronic
“VHS” represents the album’s more melodic pop-rocktronic direction.
The title evokes an older era of music and entertainment, while the musical description places it firmly within Martin’s modern crossover approach.
Pop songwriting and electronic production can work particularly well together.
Memorable vocal melodies provide an accessible foundation.
Meanwhile, electronic elements can introduce additional atmosphere, rhythm and impact.
For Martin, “VHS” offers another opportunity to demonstrate that Rocktronic doesn’t have to rely entirely on aggression.
🤘 5. ‘Finally Home’ (feat. Hyro The Hero) – Nu-Metal Returns
“Finally Home” features Hyro The Hero and explores the heavier world of nu-metal.
It’s a particularly interesting collaboration.
Nu-metal has always embraced the relationship between rock, hip-hop and electronic influences.
Bands such as Korn, Linkin Park and Limp Bizkit helped establish the style during the 1990s and early 2000s.
For Martin and Hyro The Hero, the genre provides a natural foundation for combining aggressive vocals, heavy riffs and modern production.
The song also reinforces the album’s connection to the broader alternative metal scene.
🎸 THE RIFF REPORT ALBUM REVIEW
🔥 FIRST IMPRESSIONS – ONE ARTIST, TWO MUSICAL WORLDS
The most interesting aspect of All I Need is its ambition.
Micah Martin isn’t simply releasing a collection of rock songs with occasional electronic elements.
He’s attempting to represent the different musical worlds that have shaped his career.
That gives the album a clear personal identity.
His history with The Zealots provides the rock and metal foundation.
His subsequent electronic collaborations introduce another range of influences.
And the album brings those experiences together.
There’s considerable potential in that approach.
But there’s also a challenge.
An album incorporating so many genres needs to maintain a sense of cohesion.
Otherwise, it risks becoming a collection of unrelated experiments.
The central question is whether Martin’s songwriting and vocal personality provide enough continuity to connect the different musical styles.
This is a pre-release editorial review based on the confirmed album information and descriptions of its singles. The complete album has not been independently auditioned for this article.
Accordingly, the following sections examine the album’s creative direction and the musical questions that will matter in a full listening review.
🎸 GUITARS AND LIVE INSTRUMENTATION – THE ROCK FOUNDATIONS
Martin’s background as a rock frontman is central to the album.
The live-band recordings produced by Kevin Thrasher provide an important connection to that history.
Rock and metal rely heavily on the interaction between instruments.
Guitars create the harmonic and rhythmic foundation.
Bass reinforces the low-end.
Drums provide movement and impact.
And the vocals establish the emotional centre.
For All I Need, the challenge is balancing those traditional elements with electronic production.
The album’s confirmed musical direction suggests that live instrumentation will remain an important part of its identity.
And that could be one of its greatest strengths.
🎤 VOCALS – THE VOICE THAT CONNECTS EVERYTHING
Micah Martin’s vocal background is particularly important.
He established himself within the rock scene before moving into electronic music.
That experience gives him a foundation in emotionally charged and aggressive vocal performance.
The album’s singles suggest a range of approaches.
“Thrown Away” represents the melodic pop-punk direction.
“Burn Them All” incorporates aggressive screams.
“Finally Home” moves towards nu-metal.
And the acoustic material should provide an opportunity for a more restrained performance.
The most important question is whether Martin can maintain a recognisable vocal identity across those different styles.
Because when an album changes genre so frequently, the singer often becomes the element holding everything together.
🥁 RHYTHM AND ELECTRONIC PRODUCTION – WHERE THE GENRES COLLIDE
The album’s rhythmic possibilities are enormous.
Metalcore relies on heavy guitar-driven patterns and breakdowns.
Drum & bass is built around fast breakbeats.
Dubstep frequently uses half-time rhythms and dramatic bass drops.
Hardstyle introduces another approach to aggressive electronic percussion.
And house music provides a more dance-oriented foundation.
Bringing those styles together creates opportunities for dramatic contrasts.
But the transitions need to feel intentional.
The strongest crossover compositions use electronic production to support the song rather than simply adding effects for novelty.
For All I Need, the interaction between live and programmed rhythms will be one of the most interesting areas to assess.
✍️ SONGWRITING – DOES THE ALBUM HAVE A HEART BENEATH THE CHAOS?
Genre experimentation can be exciting.
But songwriting remains essential.
A track can contain an enormous bass drop, a crushing guitar breakdown and technically impressive production.
Yet without a memorable musical idea, those elements may not leave a lasting impression.
Martin’s decision to include emotionally driven pop-punk and acoustic material suggests that he isn’t relying entirely on musical aggression.
That’s encouraging.
The album has the potential to explore vulnerability alongside intensity.
And that contrast could help provide emotional depth.
The real test will be whether the songs remain memorable after the production spectacle has faded.
🎚️ PRODUCTION – TWO DIFFERENT WORLDS, ONE ALBUM
Production is arguably the most technically challenging aspect of All I Need.
The record places live-band material alongside high-impact electronic productions.
Those approaches have different sonic characteristics.
A rock recording might emphasise the interaction between musicians.
Electronic music often allows producers to construct sounds with enormous precision.
Combining them effectively requires careful arrangement and mixing.
The involvement of Kevin Thrasher and electronic collaborators including Flux Pavilion, OddKidOut and HIGHSOCIETY provides a varied creative team.
But the finished album still needs to feel coherent.
That’s where the final sequencing and mastering become particularly important.
🔥 STANDOUT TRACKS TO INVESTIGATE
🤘 ‘Burn Them All’ (feat. OddKidOut)
The most immediately intriguing crossover concept, combining aggressive vocals with jump-up drum & bass.
💥 ‘Tomorrow’s Over’
An obvious starting point for metalcore fans interested in the album’s heavier material.
🖤 ‘Thrown Away’
A track representing the emotional and melodic side of Martin’s songwriting.
📼 ‘VHS’
An introduction to the project’s pop-rocktronic direction.
🎤 ‘Finally Home’ (feat. Hyro The Hero)
A collaboration that connects the album to nu-metal and alternative heavy music.
These are recommended listening starting points based on their announced styles, rather than a ranking derived from a complete listening assessment.
🤘 THE RIFF REPORT VERDICT
All I Need is an ambitious debut solo album.
It brings together two major chapters of Micah Martin’s career.
The first belongs to rock and metal.
The second belongs to electronic bass music.
Rather than choosing one identity over the other, Martin has decided to combine them.
That’s what makes the project interesting.
The range of genres is enormous.
The collaborators come from different musical backgrounds.
And the inclusion of acoustic material suggests a willingness to explore more intimate songwriting alongside the heavier productions.
The potential is certainly there.
But the success of the album will ultimately depend on its execution.
Does it maintain a consistent identity?
Do the genre changes feel natural?
And do the songs offer enough memorable songwriting to justify the enormous musical variety?
Those questions will determine whether All I Need becomes a genuinely distinctive crossover album.
The Riff Report’s pre-release verdict: One of the more intriguing rock-and-electronic crossover concepts on the November release calendar, with an impressive range of collaborators and a strong connection to Martin’s musical history.
⭐ THE RIFF REPORT STAR RATING
Pending Full Album Listening Review
A final score will follow a complete assessment of the finished recording.
🎧 RECOMMENDED FOR FANS OF
I Prevail, Bring Me The Horizon, Enter Shikari, Pendulum, The Prodigy, Sullivan King, Kayzo and modern electronic-metal crossover.
These are broad stylistic reference points, not claims that the album sounds identical to those artists.
🌍 WHY ROCKTRONIC COULD BE IMPORTANT FOR THE FUTURE OF HEAVY MUSIC
The relationship between rock and electronic music isn’t new.
Bands have experimented with synthesised sounds and programmed rhythms for decades.
Industrial rock brought electronics into heavy music.
Nu-metal embraced hip-hop production and sampling.
Electronicore combined metalcore with dance music influences.
And modern alternative artists continue to explore increasingly varied combinations.
What’s changed is the ease with which musicians can move between these worlds.
Digital production allows artists to experiment with sounds that would previously have required expensive studio equipment.
Streaming platforms also make it easier for listeners to discover music outside traditional genre boundaries.
And festivals increasingly feature artists whose music doesn’t fit neatly into one category.
Micah Martin’s career reflects that development.
He began as a rock frontman.
Moved into electronic music.
And now he’s bringing both sides together through a solo album.
It’s an interesting example of how modern musicians can build careers across different musical communities.
🎪 COULD MICAH MARTIN BRING ROCKTRONIC TO MORE ROCK FESTIVALS?
One particularly interesting question is where music like this belongs in a live setting.
Rock festivals?
Electronic festivals?
Alternative music events?
Or all three?
Martin’s career suggests that the boundaries are becoming increasingly flexible.
He’s already experienced the touring world of rock and metal.
And he’s performed within the electronic festival circuit.
That gives him an unusual perspective.
A Rocktronic performance could appeal to audiences interested in heavy vocals and guitar-driven music while also attracting fans of bass-heavy electronic production.
Of course, festival bookings depend on promoters, audiences and the artist’s touring plans.
But the crossover potential is clear.
And here at The Riff Report, we’d certainly be interested to see how that combination translates to a major live stage.
Imagine the reaction when a metalcore breakdown suddenly gives way to an enormous drum & bass drop.
The barrier security might need an extra cup of tea! ☕🤘
🎸 THE RIFF REPORT SAYS…
Micah Martin has clearly decided that choosing one musical genre is somebody else’s problem.
And we rather like that attitude.
There’s something exciting about an artist who refuses to abandon the influences that helped shape their career.
Martin could have continued working exclusively within rock.
He could have moved entirely into electronic music.
Instead, he’s bringing the two worlds together.
And All I Need represents that journey.
From touring with I Prevail, Memphis May Fire and Drowning Pool to performing at major electronic events, his career has taken some fascinating turns.
The album’s collaborators reflect that history.
Kevin Thrasher provides a connection to modern rock production.
Flux Pavilion brings an established electronic music perspective.
OddKidOut and HIGHSOCIETY contribute further bass-music influences.
And Hyro The Hero reinforces the album’s connection to aggressive alternative music.
Then there’s the music itself.
Metalcore.
Punk.
Hyperpop.
Drum & bass.
Dubstep.
Hardstyle.
House.
And an acoustic track thrown in for good measure.
It’s an extraordinary range of styles to bring together on one debut solo album.
The big question is whether Martin can turn that variety into a cohesive listening experience.
That’s what we’ll be looking for when the complete record becomes available.
But as a statement of artistic identity, All I Need is certainly ambitious.
It reflects a musician who has experienced two different musical worlds and doesn’t see any reason why they should remain separate.
And that’s exactly the sort of experimentation that keeps alternative music interesting.
One artist. Two musical worlds. A mountain of genres.
MICAH MARTIN is preparing to unleash his Rocktronic universe, and 20 November could get very loud indeed! 🤘⚡🔥
💿 MICAH MARTIN – ‘ALL I NEED’
Artist: Micah Martin
Album: All I Need
Release Date: Friday 20 November 2026
Label: Create Music Group
Genre: Rocktronic / Metalcore / Punk / Alternative Rock / Electronic Bass Music
Release Type: Debut Solo Album
Production: Kevin Thrasher and electronic collaborators
Featured Artists: OddKidOut and Hyro The Hero
Additional Collaborators: Flux Pavilion and HIGHSOCIETY
🎵 Confirmed Singles
- Thrown Away
- Burn Them All (feat. OddKidOut)
- Tomorrow’s Over
- VHS
- Finally Home (feat. Hyro The Hero)
🎧 WHERE TO FIND THE ALBUM
All I Need is scheduled for release on 20 November 2026 through Create Music Group.
Search for Micah Martin – All I Need on your preferred streaming service and follow the artist’s official channels for release and pre-save information.
🎸 THE RIFF REPORT BLOG
Music Journalism With Boots At The Barricade. 🐉🤘🔥
