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Home » Iron Maiden Announce ‘Live After Death’ 40th Anniversary Collector’s Edition ⚡💀🎸

Iron Maiden Announce ‘Live After Death’ 40th Anniversary Collector’s Edition ⚡💀🎸

Michael by Michael
15 October 2025
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Up the Irons, butt! 🤘 One of the greatest live albums in metal history — Iron Maiden’s ‘Live After Death’ — has officially hit the big 4️⃣0️⃣, and the band are celebrating in proper Maiden fashion: with a limited-edition collector’s reissue that’ll make fans scream “Scream for me, Hammersmith!” all over again.

Originally recorded across the band’s World Slavery Tour (1984–85), Live After Death captured Maiden in their absolute prime — fire, fury, and more pyro than a Bonfire Night in Port Talbot 🔥. The new 40th Anniversary Collector’s Edition is set to drop this autumn, featuring:

🎧 Remastered audio from the original analog tapes — louder, heavier, and sharper than Eddie’s blade.
📀 180g triple-vinyl set housed in a deluxe box with lenticular artwork.
📸 48-page photo book featuring never-before-seen on-tour shots from photographer Ross Halfin.
🧾 Replica tour programme, backstage passes, and ticket stubs.
💬 Exclusive liner notes from Steve Harris and Bruce Dickinson looking back on the madness of that legendary tour.

The band said in a statement:

“Live After Death wasn’t just an album, it was our victory lap — the culmination of a tour that nearly killed us but showed what Maiden was all about: passion, power, and our fans around the world.”

For the uninitiated (where have you been?!), this album was recorded over four nights at Long Beach Arena and two nights at Hammersmith Odeon, featuring classics like Aces High, The Trooper, Hallowed Be Thy Name, and Run to the Hills.

The anniversary edition is expected to ship November 2025, and word is there’s a matching Eddie figurine coming too — dressed in his electric-chair glory ⚡👹

Aye, forty years on and it still sounds like the apocalypse set to galloping bass lines.
Proper job, Maiden. Proper job. 🏴‍☠️

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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