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Home ยป ๐ŸŽธHOW MANY STREAMS DOES IT TAKE TO BUY A PINT? โ€“ THE RIFF REPORT INVESTIGATES ๐Ÿบ๐Ÿค˜

๐ŸŽธHOW MANY STREAMS DOES IT TAKE TO BUY A PINT? โ€“ THE RIFF REPORT INVESTIGATES ๐Ÿบ๐Ÿค˜

Michael by Michael
8 October 2025
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Alright, grab your headphones and your wallet, butt โ€” itโ€™s time for some beer maths. Ever wondered how many times your tunes need to be streamed before you can afford a pint down the pub? Spoiler alert: itโ€™s a lot. Like, โ€œmy songโ€™s gone viral on TikTok and I still canโ€™t afford crispsโ€ levels of a lot. ๐Ÿ˜‚


๐Ÿ’ฐ The Pint Test

With the average pint in the UK now hovering around ยฃ5.50, we wanted to know how many streams on the biggest music platforms it would take for an artist to buy just one frothy reward.

Weโ€™re talking beer money by streaming service โ€” from TIDALโ€™s high-roller payouts to YouTubeโ€™s โ€œblink and youโ€™ll miss itโ€ pennies.


๐Ÿบ The โ€œBuy Me a Pintโ€ League Table

๐ŸŽง Service๐Ÿ’ต Estimated Pay Per Stream๐Ÿบ Streams Needed for ยฃ5.50 Pint
TIDALยฃ0.0096~575 streams
Apple Musicยฃ0.0075~735 streams
Amazon Musicยฃ0.0030~1,830 streams
Spotifyยฃ0.0024~2,295 streams
YouTube Musicยฃ0.0015~3,665 streams
Pandoraยฃ0.0010~5,500 streams
Deezerยฃ0.0008~6,700 streams

Thatโ€™s right โ€” if youโ€™re an independent artist hoping to toast your success, youโ€™d better hope your fans hit repeat like theyโ€™ve got nothing better to do.

TIDAL pays the best (lush, mun), so if your tunes rack up around 575 streams, boom โ€” youโ€™ve earned yourself one glorious pint. Meanwhile, on Deezer, youโ€™ll be waiting until your track has been streamed around 6,700 times just to hit that same ยฃ5.50. ๐Ÿ˜ฉ


๐ŸŽค Letโ€™s Break It Down

  • TIDAL โ€“ The posh one. Pays artists the most, but has the fewest listeners. Still, tidy payout if your fans use it.
  • Apple Music โ€“ Consistent, decent rates. You could almost afford a pint and a packet of Scampi Fries.
  • Amazon Music โ€“ Like the middle child: not the best, not the worst. Youโ€™ll need nearly 2,000 plays for that golden glass.
  • Spotify โ€“ The big dog in the room. Great reach, but unless your trackโ€™s pulling thousands of streams, youโ€™re not buying a round.
  • YouTube Music โ€“ Youโ€™ll need roughly 3,600 streams for a pint. Thatโ€™s about the length of an entire night of background playlists.
  • Pandora โ€“ Barely a thing in the UK anymore, but still fun to see how little it pays. Youโ€™d need thousands of spins to buy a teabag, let alone a beer.
  • Deezer โ€“ The Welsh underdog of streamingโ€ฆ but sadly, paying less than a quid per thousand plays. Youโ€™ll need a crowd the size of Cardiff City Stadium to fund your pint. ๐Ÿ˜…

๐Ÿป What This Really Means

Hereโ€™s the kicker โ€” these numbers are for total payout, not what actually lands in the artistโ€™s pocket.
Labels, distributors, managers, taxes โ€” they all take a sip from your pint before you even get to touch it.

In most cases, artists might only see 50โ€“70% of that streaming revenue once everyoneโ€™s had their share. So your 2,300 Spotify plays might buy a pint in theory, but in practice? Youโ€™re probably only sipping half of it.


๐Ÿงพ The Riff Report Verdict

We love streaming โ€” itโ€™s made music more accessible than ever. But when it comes to actually paying the bands, the pint test says it all:

  • A hit song might fund a bar tab.
  • A viral banger might fund a weekend in Butlins.
  • And a million streams? Thatโ€™s roughly ยฃ2,400 on Spotify โ€” whichโ€™ll cover your next Steelhouse Festival weekend, pint included. ๐Ÿค˜

๐Ÿฅ Final Thought

So next time youโ€™re down the pub and someone complains about the price of a pint, just remember โ€” your favourite indie artist is probably thinking:

โ€œThatโ€™s 2,300 bloody Spotify streams, that is!โ€ ๐Ÿ˜…

Support your local bands. Buy their merch. Go to their gigs. And if you really want to help them buy that pint โ€” maybe stream their song a few thousand more times, yeah?

Cheers to the dreamers, the riffers, and the ones still chasing their first beer money. ๐Ÿป


๐Ÿ’€ The Riff Report โ€“ Loud, proud, and slightly daft.
Rock news, reviews, and chaos served daily at staging.theriffreport.co.uk/ ๐Ÿด๐Ÿค˜

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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Original content, reviews, photography and general riff-fuelled chaos belong to The Riff Report Blog unless otherwise stated. Please donโ€™t nick our stuff โ€” ask first, butt. ๐Ÿ˜ˆ

ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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