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Home ยป ๐ŸŽธ METALLICAโ€™S LONGEST SONGS โ€“ RANKED BY RIFFAGE, MADNESS & PURE EPICNESS ๐Ÿค˜๐Ÿ”ฅ

๐ŸŽธ METALLICAโ€™S LONGEST SONGS โ€“ RANKED BY RIFFAGE, MADNESS & PURE EPICNESS ๐Ÿค˜๐Ÿ”ฅ

Michael by Michael
30 July 2025
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By The Riff Report Blog โ€“ Because size does matter when it comes to thrash! ๐Ÿ˜ˆ

When Metallica go long, they go proper long โ€” weโ€™re talking multi-minute, riff-stacked, tempo-shifting, face-melting epics that could score a Viking war or a Mad Max desert showdown. Some are proggy beasts. Some are doom-drenched. All are absolute units.

Hereโ€™s a countdown of the longest Metallica tracks ever officially released, ranked by runtime and how hard they slap. โฑ๏ธโšก


1. โ€œSuicide & Redemptionโ€ โ€“ Death Magnetic (2008)

Runtime: 9:57
๐ŸŽง Instrumental Thrash Odyssey
The bandโ€™s first instrumental in 20 years, and they came back swinging with 10 minutes of fretboard fireworks. Like โ€œOrionโ€ on steroids, this one rips with tight, evolving riffs and a solo section that makes your face do that squint ๐Ÿคจ๐ŸŽธ

๐Ÿง  Fun Fact: Originally had vocals, but Hetfield binned them. Thank the riff gods he did.


2. โ€œ…And Justice for Allโ€ โ€“ …And Justice for All (1988)

Runtime: 9:47
โš–๏ธ Prog Metal Perfection
Complex. Crushing. Completely bonkers. Itโ€™s the sound of Metallica fighting the system โ€” with more tempo changes than a caffeine-fuelled jazz band. They even forget to turn up the bassโ€ฆ classic. Still, an essential headbang โ€˜til your neck snaps track. ๐Ÿงจ


3. โ€œThe Outlaw Tornโ€ โ€“ Load (1996)

Runtime: 9:48 (original full version)
๐Ÿงน Slow-Burn Sadboy Masterpiece
Deep cut alert ๐Ÿšจ This oneโ€™s a swampy, emotional rollercoaster. Think doom-blues meets stadium-metal. It was chopped for time on CD release (to 9:49), but the full 10-minute version lives on in the S&M and fan club releases.

๐Ÿ–ค Bonus: Itโ€™s Hetfield at his most vulnerable. Lyrically raw and lush, butt.


4. โ€œFixxxerโ€ โ€“ Reload (1997)

Runtime: 8:15
๐Ÿช“ Dark Ritual Vibes
A moody, brooding closer with voodoo vibes and a hypnotic groove. Criminally underplayed live (until 2022!!), this is late-90s Metallica being weird and wonderful. Like getting lost in a desert thunderstormโ€ฆ with guitars.

๐Ÿง™โ€โ™‚๏ธ Justice for Fixxxer fans: It finally got a live debut after 25 years. About time, mun!


5. โ€œTo Live Is to Dieโ€ โ€“ …And Justice for All (1988)

Runtime: 9:48
๐Ÿ’” Cliff Burton Tribute
A haunting instrumental, partly built on riffs Cliff left behind. Itโ€™s sad, itโ€™s soaring, itโ€™s full of that what couldโ€™ve been energy. That spoken word bit? Chills. Pure chills. ๐Ÿ•ฏ๏ธ


6. โ€œAll Within My Handsโ€ (S&M2 Version) โ€“ S&M2 (2020)

Runtime: 8:48
๐ŸŽป Symphonic Doom Elegance
The St. Anger version was feral. The S&M2 orchestral take? Majestic. James Hetfieldโ€™s performance is heartbreak in a bottle. A song once snarled with rage now breathes with fragile power. What a glow-up.


7. โ€œBleeding Meโ€ โ€“ Load (1996)

Runtime: 8:18
๐Ÿฉธ Therapy via Metallica
Groovy, bluesy, and emotionally bloody. This song builds like a pressure cooker. The outro riff hits like a breakdown in slow motion. If you know, you know. Top-tier Load era.


8. โ€œInamorataโ€ โ€“ 72 Seasons (2023)

Runtime: 11:10
๐Ÿ›๏ธ Metallicaโ€™s Longest Song EVER
Biggest. Baddest. Longest. This new juggernaut is all about love, loss, and… whatever โ€œinamorataโ€ means after three pints. Itโ€™s chunky. Itโ€™s melodic. Itโ€™s got a bass solo (!!!). Metallica proved they’ve still got the chops to go long โ€” and go deep.

๐Ÿ“ฃ Lyrically, itโ€™s Hetfield at his most introspective in years.


9. โ€œSpit Out the Boneโ€ โ€“ Hardwired… to Self-Destruct (2016)

Runtime: 7:09
๐Ÿฆด Full-Throttle Thrash Revival
Metallica go full robot apocalypse mode. Fast, unrelenting, and with a Kirk Hammett solo that sounds like a lawnmower eating steel. For a band in their 50s, this is freakishly fast. ๐Ÿ”ฅ


10. โ€œFrayed Ends of Sanityโ€ โ€“ …And Justice for All (1988)

Runtime: 7:44
๐Ÿง  Underrated Complexity
This one feels like a panic attack in musical form โ€” in a good way. That intro chant? Iconic. The middle section? Neck-breaking. And the riff? Chefโ€™s kiss. They barely ever played it live until recent years, but itโ€™s a certified fan favourite.


๐Ÿ Honourable Mentions:

  • โ€œOrionโ€ โ€“ Master of Puppets (8:27): Cliff Burtonโ€™s masterpiece.
  • โ€œDisposable Heroesโ€ โ€“ Master of Puppets (8:16): War, riffs, and more riffs.
  • โ€œMy Friend of Miseryโ€ โ€“ Black Album (6:49): Bass-led melancholy.

๐ŸŽค Final Thoughts:

Metallica donโ€™t just write songsโ€ฆ they write epics. Whether itโ€™s an instrumental eulogy, a thrash odyssey, or a Load-era emotional purge, these tracks show what happens when Hetfield, Ulrich & co. arenโ€™t afraid to push the time limits โ€” and our necks โ€” to the absolute edge. ๐Ÿ•ถ๏ธ

YESS MUN! ๐Ÿ–ค๐ŸŽธ Which Metallica long track wrecks you the hardest?

Previous Post

๐ŸŽถ 12 of the Best Rock and Metal Instrumental Albums of All Time โ€“ Ranked

Next Post

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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