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Home ยป ๐Ÿฉธ EVERY SLAYER ALBUM RANKED FROM WORST TO BEST โš”๏ธ

๐Ÿฉธ EVERY SLAYER ALBUM RANKED FROM WORST TO BEST โš”๏ธ

Michael by Michael
30 July 2025
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By The Riff Report Blog โ€“ Thrashinโ€™ through the decades


12. Diabolus in Musica (1998)

โ€œNu-Slayerโ€ โ€“ the sound of a band experimenting mid-identity crisis.

๐Ÿชฆ This oneโ€™s got riffs, sure, but itโ€™s like Tom Araya woke up in a Korn video. It was the late ’90s, and even the thrash gods flirted with downtuned guitars and groove metal. Itโ€™s heavy, dark, and angry โ€“ but not very Slayer. More โ€œdiabolus in meh-sica.โ€

Riff Report Verdict: โ€œSlayer goes nรผ? I was tamping, mun.โ€ ๐Ÿ˜ค


11. Repentless (2015)

The final blowoutโ€ฆ but missing the old fire?

๐Ÿ’€ Released after Jeff Hannemanโ€™s death and featuring Exodus axe legend Gary Holt, this was Slayer trying to prove they were still the kings. It’s ferocious at times, but the songwriting doesnโ€™t quite summon the same demons. The title track slaps though.

Riff Report Verdict: Itโ€™s relentless, not repentless โ€“ but we still moshed.


10. Undisputed Attitude (1996)

A punk-fuelled sledgehammer to the face.

๐Ÿค˜ Covers of Minor Threat, Verbal Abuse, and TSOL โ€“ plus one Tom Araya original. Slayer pay tribute to their hardcore roots with mixed results. Pure aggression, but not essential listening unless you love the punk that birthed them.

Riff Report Verdict: Speedy, snotty, and shouty โ€“ like a drunk brawl outside Fuel Rock Club in Cardiff.


9. Christ Illusion (2006)

The controversial comeback โ€“ and a fiery return for Lombardo.

โ›ช Slayer reunited with Dave Lombardo and got biblical. Thereโ€™s some cracking moments here (hello, “Cult” and “Eyes of the Insane”), but the productionโ€™s murky and the energy feels like itโ€™s stuck between eras.

Riff Report Verdict: Better than church on a Sunday, but still not divine Slayer.


8. God Hates Us All (2001)

Happy 9/11? Slayer accidentally soundtracked the apocalypse.

๐Ÿ”ฅ Dropped on September 11th, 2001 (yep), this record is pure hate-fuel. Itโ€™s one of their angriest efforts, and although not very โ€œthrashyโ€ in the old-school sense, it punches like a steel boot to the chest. “Disciple” still blows up pits today.

Riff Report Verdict: โ€œGod Hates Us Allโ€ โ€“ but we love this riff-blasted chaos.


7. Divine Intervention (1994)

The Paul Bostaph debut that proved Slayer were still lethal.

โšฐ๏ธ A dark, punishing beast that doesnโ€™t get enough love. Sure, itโ€™s not as iconic, but โ€œ213โ€ and โ€œKilling Fieldsโ€ hit harder than a hangover on a festival Monday. Underrated and unrelenting.

Riff Report Verdict: Proper job, Paul. Hannemanโ€™s riffs slice like razors.


6. Hell Awaits (1985)

The sound of Satan sharpening his knives.

๐Ÿ‘น Technical, sinister, and soaked in sulphur. Their second album is more complex than Show No Mercy, and tracks like โ€œAt Dawn They Sleepโ€ are black-hearted classics. The productionโ€™s raw, but the fury is real.

Riff Report Verdict: Hell definitely awaited โ€“ and we ran in laughing.


5. World Painted Blood (2009)

A late-career burst of bloody brilliance.

๐Ÿฉธ Often overlooked, this is the best Slayer album post-2000. It sounds classic without being a throwback. โ€œPsychopathy Redโ€ and the title track rip, and there’s a dark, eerie vibe throughout thatโ€™s so Hanneman.

Riff Report Verdict: A world painted red โ€“ by riffs, not regrets. Lush.


4. Show No Mercy (1983)

The baby demon takes its first steps โ€“ and itโ€™s already biting heads off.

๐Ÿฆ‡ Slayerโ€™s debut is part NWOBHM, part raw punk fury, and pure unfiltered evil. โ€œThe Antichristโ€ and โ€œDie by the Swordโ€ are thrash blueprints. The production is scrappy, but the intensity is off the charts.

Riff Report Verdict: The birth of a beast. Tidy beginnings of terror. ๐Ÿ˜ˆ


3. Seasons in the Abyss (1990)

The bridge between brutality and songwriting perfection.

โš–๏ธ Equal parts atmospheric and aggressive. โ€œWar Ensembleโ€ is thrash warfare, and โ€œDead Skin Maskโ€ is straight-up nightmare fuel. It balances melody with madness, and it works. An album that matured without mellowing.

Riff Report Verdict: Slayerโ€™s most complete record? Possibly. We were obsessed, butt.


2. South of Heaven (1988)

Slowerโ€ฆ darkerโ€ฆ and utterly sinister.

๐Ÿ•ฏ๏ธ Slayer dared to slow down, and it paid off. Tracks like โ€œMandatory Suicideโ€ and โ€œSilent Screamโ€ show just how terrifying they can be at half-speed. This album oozes dread, and Arayaโ€™s vocals are pure villainy.

Riff Report Verdict: If Hell had an elevator playlist, this would be it.


1. Reign in Blood (1986)

The GOAT. The standard. The apocalypse set to music.

โšฐ๏ธ 28 minutes of speed, savagery, and Satan. “Angel of Death” and “Raining Blood” alone could end careers. This album invented extreme metal as we know it. Still sounds dangerous nearly 40 years later. Hanneman and Lombardo at their untouchable peak.

Riff Report Verdict: The Bible has Genesis. Metal has Reign in Blood.


๐Ÿค˜ Final Thoughts from the Abyssโ€ฆ

Slayer never made a โ€œbadโ€ album โ€“ only albums that werenโ€™t Reign in Blood. Whether youโ€™re worshipping at the altar of thrash or just here to break your neck in the pit, thereโ€™s something on every record to love (or be terrified of).

Now crank it to 11, grab a goat skull, and SCREAM FOR SLAYERRRRRR! ๐Ÿฉธ๐Ÿ”ฅ

Previous Post

๐ŸŽ“ 10 of the Most Educated Metal Artists You Wouldnโ€™t Expect

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Hereโ€™s โ€œ10 of the Weirdest Outfits Weโ€™ve Ever Seen in Music Historyโ€ ๐Ÿคช๐Ÿ”ฅ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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