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Home » 🎤 YUNGBLUD Covers Black Sabbath’s “Changes” Live – Every Penny Going to Charity!

🎤 YUNGBLUD Covers Black Sabbath’s “Changes” Live – Every Penny Going to Charity!

Michael by Michael
19 July 2025
in News
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YUNGBLUD’s gone and done a proper lush thing, mun. The punk prince of Gen Z just released a live recording of Black Sabbath’s emotional ballad “Changes”, and here’s the kicker:
👉 Every. Single. Penny. made from the track is going straight to charity.

No industry fluff. No “portion of proceeds.” Just raw vocals and real kindness. 🖤

🕶️ Back to the Beginning – With a Sabbath Twist

The cover was performed as part of YUNGBLUD’s Back To The Beginning show — a one-off intimate gig that took things right back to his roots. Stripped-back. Soulful. Just him, a mic, and that gut-punch of a song originally penned by Ozzy Osbourne and Tony Iommi.

And let’s be real: this wasn’t just a tribute — it was a statement. Yungblud poured his heart out into “Changes,” and it hits different in his voice. Less Brummie growl, more emotional breakdown — but in the best way possible. 😭

“Every single penny is going to charity,”
Yungblud announced proudly. “No catches. No cuts. Just music helping people.”

YESS MUN! That’s how you do it. 👏

🎧 From Heavy Metal to Heavy Emotions

Let’s take a second to appreciate how wild this is.
Yungblud, known for chaotic live energy and rebellious punk-pop anthems, slowing down and channeling early-‘70s Sabbath? You wouldn’t expect it — but it works. Oh, it really works.

Where Sabbath’s original version aches with the pain of Ozzy’s family falling apart, Yungblud’s cover speaks to a new generation feeling lost, fractured, and yearning for connection. It’s like emo Sabbath for the TikTok age — and we mean that in the best way possible. 😅

🎤 “I’m going through changes…”
💔 Same, bud. Same.

💸 But Let’s Talk About That Charity Bit Again

In a time where some artists are charging £300 for nosebleed seats and £25 for a tour laminate (don’t get us started), Yungblud just casually dropped a live cover and gave the whole thing to a good cause.

That’s punk as hell.

He didn’t do it for clout. He didn’t drop a merch bundle. He didn’t make it part of a deluxe platinum exclusive NFT-only preorder. He just put out some music and said:
👉 “Let’s help people.”

That’s what being an artist should be about sometimes, innit?

🔥 Fans React: “Ozzy Would Be Proud”

Let’s be honest: this could’ve gone badly.
Covering Sabbath is no joke. And “Changes” isn’t just any Sabbath song — it’s their most emotional. Their most exposed.

But fans? Absolutely loved it.

  • “Chills, bro. Literal goosebumps.”
  • “Never thought I’d cry to Yungblud… but here we are.”
  • “Ozzy would be proud of this.”
  • “Can we get this pressed on vinyl and donate even more?!”

The vibe online has been overwhelmingly positive, with metalheads, emos, and casual listeners all coming together for this tender moment. Who knew Sabbath could unite the scene again in 2025?

🎵 Where to Stream (and Support!)

The live version of “Changes” is available now on all major streaming platforms. Every stream, every purchase, every download helps raise money for charity — and helps spread a little more light in the dark.

So go on. Stream it. Cry to it. Share it.
And if you see someone having a rough day, send them this version. No words needed.


🤘 The Riff Report Verdict

Rock rating: 10/10 tear-stained eyeliner streaks.
Charity rating: Pure angel energy.
Sabbath rating: Emotional damage.

Yungblud’s take on “Changes” isn’t just a cover — it’s a moment.
A reminder that music still has power. And that sometimes, just sometimes, the loudest thing you can do is slow down and sing from the heart.

Proper job, bud. Proper job. 🖤

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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