Genre: Progressive Metal, Death Metal, Folk Rock, Swedish Sorcery
Formed: 1990 โ Stockholm, Sweden
Known For: 10-minute epics, genre-hopping madness, and growling like a demon one second and singing like a forest spirit the next ๐ฟ
๐ง WHO THE HELVETE ARE OPETH?
Led by the long-haired, soft-spoken, evil-genius Mikael ร kerfeldt, Opeth started out as a death metal band that clearly read too many Victorian novels and listened to way too much Camel. ๐ฉ๐๐ถ
While their peers were blasting blast beats, Opeth were composing multi-part movements with acoustic interludes, lyrics about ghosts and sorrow, and riffs that either melt faces or gently caress them.
And then โ in true Opeth fashion โ they completely changed sound halfway through their career and became full-on prog rock masters. And they pulled it off. Like absolute kings. ๐
๐ THE LINE-UP OF DARK MAJESTY
- Mikael ร kerfeldt โ Vocals / Guitar / Growl god / Prog poet / Beard of dreams
- Martin Mendez โ Bass / Long-time low-end wizard
- Fredrik ร kesson โ Lead guitar / Shredlord with prog precision
- Joakim Svalberg โ Keyboards / Mellotron master / Bringer of Hammond doom
- Waltteri Vรคyrynen โ Drums / Joined in 2022 / Ex-Paradise Lost skin-beater
Past heroes:
- Martin Lopez (drums) & Peter Lindgren (guitar) โ core of the golden era
- Martin Axenrot โ blast-beat genius with precision like a Swiss watch โ
- Anders Nordin, Johan De Farfalla, Per Wiberg โ all part of the Opeth tapestry
๐ฟ FULL DISCOGRAPHY โ RIFF REPORT STYLE ๐ง๐
1๏ธโฃ Orchid (1995)
๐ธ Death metal with acoustic guitars, piano, and 9-minute songs?!
๐ง In Mist She Was Standing, Forest of October
Riff Rating: ๐ฅ๐ฅ๐ฅ
Promising start. Spooky AF.
2๏ธโฃ Morningrise (1996)
๐ Folkier, longer, dreamier. Five songs. 66 minutes.
๐ง Black Rose Immortal (20 minutes!), To Bid You Farewell
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ
3๏ธโฃ My Arms, Your Hearse (1998)
๐ Concept album. Tighter. Moodier. More brutal.
๐ง When, Demon of the Fall
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
The growl era hits hard.
4๏ธโฃ Still Life (1999)
๐ญ One of their best. Romantic, tragic, heavy as hell.
๐ง The Moor, Godheadโs Lament, Face of Melinda
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
5๏ธโฃ Blackwater Park (2001)
๐ฐ Produced by Steven Wilson. Metal royalty achieved.
๐ง The Leper Affinity, Bleak, Harvest, The Drapery Falls
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
*If you only hear one Opeth album, make it this one.
6๏ธโฃ Deliverance (2002)
โฐ๏ธ The heavy twin. Unrelenting, monstrous, and moody.
๐ง Deliverance (13-minute closer with the worldโs slowest, heaviest outro), Masterโs Apprentices
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
7๏ธโฃ Damnation (2003)
๐น The soft twin. Pure 70s prog rock melancholy.
๐ง Windowpane, In My Time of Need
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
Zero growls. 100% tears.
8๏ธโฃ Ghost Reveries (2005)
๐งโโ๏ธ Gothic and groovy. Prog meets death in glorious fashion.
๐ง Ghost of Perdition, The Grand Conjuration
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
This is PEAK OPETH.
9๏ธโฃ Watershed (2008)
๐งThe great divide. Clean vocals rise, death metal begins to fadeโฆ
๐ง Heir Apparent, Burden, Lotus Eater
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
A transitional beauty.
๐ Heritage (2011)
๐น The prog rebirth. Divisive. No growls. Yes flute.
๐ง The Devilโs Orchard, Nepenthe
Riff Rating: ๐ฅ๐ฅ๐ฅ
Old fans screamed. New fans nodded in approval.
โ๏ธ Pale Communion (2014)
๐๏ธ Vintage prog perfection. Harmonies, organs, odd time sigs.
๐ง Cusp of Eternity, Faith in Others
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ
๐ฎ Sorceress (2016)
๐ Crunchier. Groovier. Opeth goes Deep Purple-doom.
๐ง Sorceress, Will O the Wisp
Riff Rating: ๐ฅ๐ฅ๐ฅ
๐๏ธ In Cauda Venenum (2019)
๐ธ๐ช Released in two languages. Lush, ambitious, powerful.
๐ง Heart in Hand, Dignity, Universal Truth
Riff Rating: ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
Modern prog mastery.
๐ฅ NEXT ALBUM: TBA
ร
kerfeldtโs hinted itโs coming. Could it be heavy? Proggy? Jazz fusion with hurdy gurdies?!
Who knows. Itโs Opeth. Itโll be weird and amazing.
๐ง RIFF REPORT ESSENTIAL PLAYLIST
๐ธ Ghost of Perdition โ 10 minutes of dark beauty
๐ธ Deliverance โ The heavy anthem
๐ธ The Drapery Falls โ Opethโs Stairway to Heaven
๐ธ Blackwater Park โ Title track annihilation
๐ธ To Bid You Farewell โ Acoustic heartbreak
๐ธ Windowpane โ 70s prog tears
๐ธ Heir Apparent โ Final death growl banger
๐ธ Sorceress โ The groovy side of doom
๐ธ Heart in Hand โ Modern Opethโs finest moment
๐งก WHY OPETH STILL RULE THE UNDERWORLD
Because no one else dares to make death metal sound beautiful and jazz sound terrifying.
Because Mikael ร
kerfeldtโs voice is both a monster and a lullaby.
Because theyโve had a 30-year career without ever repeating themselves.
They write albums, not singles. Stories, not tracks.
Each song is a world. A ritual. A forest. A nightmare. A dream. ๐ฒ๐
๐ค FINAL VERDICT FROM THE RIFF REPORT:
Opeth are the Shakespeare of extreme metal.
They didnโt just evolve โ they transcended genres, ripped off the labels, and rewrote the script.
So whether you’re headbanging to Deliverance or sobbing to Faith in Others, just rememberโฆ
Opeth are for the brave, the weird, and the wonderful.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialโfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heโs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heโs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heโs not writing or interviewing artists, youโll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicโtheyโre about community, friendship, and creating memories that last a lifetime. Thatโs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ค
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