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Home ยป ๐ŸŽธ Oasis Overtake The Beatles as Morning Glory Climbs the UKโ€™s All-Time Album Chart

๐ŸŽธ Oasis Overtake The Beatles as Morning Glory Climbs the UKโ€™s All-Time Album Chart

Michael by Michael
22 July 2026
in News
Reading Time: 10 mins read
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Oasis-themed parody cover declaring Oasis overtakes the Beatles; bold title, illustrated band members, and a chart listing Queen, ABBA, Oasis at #3 with other acts around.

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The Gallagher brothersโ€™ Britpop monster has officially moved ahead of Sgt. Pepperโ€™s Lonely Hearts Club Band ๐Ÿ”ฅ๐Ÿ‡ฌ๐Ÿ‡ง

Right then, rock fans โ€” put the kettle on, crack open something cold and prepare for one of those music-chart stories guaranteed to start an argument in every pub across Britain.

Oasis have officially overtaken The Beatles in the latest list of the UKโ€™s biggest-selling albums of all time.

The Manchester legendsโ€™ second album, Whatโ€™s the Story) Morning Glory?, has climbed into third place on the all-time rankings, moving ahead of The Beatlesโ€™ psychedelic masterpiece Sgt. Pepperโ€™s Lonely Hearts Club Band.

Yes, mun. Oasis have gone past The Beatles.

Somewhere in Manchester, Noel Gallagher is probably sitting back with the expression of a man who has just been proved right about absolutely everything.

Liam, meanwhile, has presumably already declared it โ€œbiblicalโ€.

๐ŸŒ… The Album That Took Over Britain

Released in 1995, (Whatโ€™s the Story) Morning Glory? was the album that transformed Oasis from rising Britpop troublemakers into one of the biggest bands on the planet.

Their debut album, Definitely Maybe, had already kicked the door off its hinges. It was loud, confident and packed with the sort of swagger normally reserved for bands who had already conquered stadiums.

But Morning Glory took everything to another level.

This was bigger.

More emotional.

More ambitious.

And somehow even more capable of turning an ordinary pub full of people into a 50,000-strong football crowd.

The album contains some of Oasisโ€™ most recognisable songs, including:

  • Wonderwall
  • Donโ€™t Look Back in Anger
  • Some Might Say
  • Roll with It
  • Morning Glory
  • Champagne Supernova

Those songs have become woven into British culture.

They are sung at weddings, football matches, festivals, house parties, funerals, karaoke nights and every pub session where someone finds an acoustic guitar after three pints and immediately believes they are Noel Gallagher.

You know the scene.

Someone plays the opening chords to Wonderwall.

Half the room groans.

Then everybody sings it anyway.

๐Ÿ‘‘ Queen Still Rule the Mountain

Despite Oasis climbing into third place, the Gallagher brothers have not quite reached the summit.

Queenโ€™s 1981 Greatest Hits collection remains the UKโ€™s biggest-selling album of all time, sitting proudly at number one.

And honestly, that is hardly surprising.

Queenโ€™s greatest-hits collection is practically compulsory household furniture in Britain. It sits somewhere between the kettle, the biscuit tin and that drawer filled with batteries nobody knows whether they can still use.

In second place is ABBAโ€™s 1992 compilation Gold, another record so packed with huge songs that it has spent decades refusing to leave the charts.

Oasis now sit directly behind those two giants, with Adeleโ€™s 21 moving into fourth place.

The current top five stands as follows:

  1. Queen โ€“ Greatest Hits
  2. ABBA โ€“ Gold
  3. Oasis โ€“ (Whatโ€™s the Story) Morning Glory?
  4. Adele โ€“ 21
  5. The Beatles โ€“ Sgt. Pepperโ€™s Lonely Hearts Club Band

That is a heavyweight top five, butt.

You have stadium rock royalty, Swedish pop perfection, Britpop chaos, modern heartbreak and psychedelic history all fighting for space on the same list.

๐Ÿ Oasis Pass Their Heroes

What makes Oasis overtaking The Beatles particularly fascinating is the enormous influence the Liverpool legends had on the Gallaghers.

Noel Gallagher has never exactly hidden his admiration for The Beatles. Their songwriting, melodies and cultural impact can be heard throughout Oasisโ€™ music.

The Beatles were more than just another band in the Gallagher household.

They were the benchmark.

The blueprint.

The group against which almost every British guitar band would eventually be measured.

For Morning Glory to now sit above Sgt. Pepperโ€™s on the UKโ€™s all-time sales list is a proper full-circle moment.

The students have overtaken the teachers โ€” at least on this particular chart.

That does not suddenly mean Oasis are โ€œbiggerโ€ or โ€œbetterโ€ than The Beatles. Music history is far too complicated for that, and trying to settle the argument would probably require several weeks, a whiteboard and enough lager to sink Cardiff Bay.

But it does demonstrate just how deeply Oasis have become embedded in British musical life.

๐ŸŽค Why

Morning Glory

Still Connects

The continued success of Morning Glory is not simply about nostalgia.

Yes, plenty of people who bought the album in 1995 still treasure it. Many can probably remember exactly where they were when they first heard Wonderwall or Donโ€™t Look Back in Anger.

But younger generations have also embraced the record.

Streaming, vinyl reissues, social media, festival performances and endless pub singalongs have allowed the songs to keep finding new audiences.

There is something incredibly direct about Oasis at their best.

The songs are huge without feeling unreachable.

The lyrics can be mysterious, emotional or occasionally complete nonsense, but they still feel as though they belong to everybody.

You do not need to understand every line of Champagne Supernova to feel ten feet tall when the chorus arrives.

You do not need to be a trained singer to scream Donโ€™t Look Back in Anger with thousands of strangers.

That is the magic.

Oasis songs are not meant to be observed quietly from the corner.

They are meant to be shouted.

Preferably with one arm around your mate and the other holding a drink that is rapidly spilling over somebodyโ€™s trainers.

๐Ÿ”ฅ A Record Built for Massive Moments

There is a scale to Morning Glory that has allowed it to survive changing trends and generations.

The album can sound intimate one moment and absolutely enormous the next.

Wonderwall feels like a late-night confession.

Morning Glory hits with the energy of a train crashing through the studio wall.

Donโ€™t Look Back in Anger has become one of Britainโ€™s great communal anthems.

Then Champagne Supernova closes everything with the kind of sprawling, dreamlike grandeur that makes even the smallest bedroom feel like the middle of a sold-out stadium.

It is not a flawless album.

Very few truly important records are.

But its rough edges are part of the appeal.

It sounds confident, emotional and completely convinced of its own greatness.

Basically, it sounds exactly like Oasis.

๐Ÿค˜ Britpopโ€™s Biggest Survivor

Britpop produced a mountain of fantastic records, legendary rivalries and enough questionable hairstyles to keep barbers traumatised for decades.

But Morning Glory has outgrown the era that created it.

It is no longer simply a Britpop album.

It is part of the British musical canon.

The record has survived the breakup of Oasis, endless Noel-versus-Liam headlines, changing musical fashions and enough reunion rumours to fill Wembley Stadium several times over.

Through all of it, the songs have remained.

That is why the album continues to sell.

That is why it continues to stream.

And that is why people who were not even born when Oasis ruled Knebworth still know every word.

๐Ÿ—ฃ๏ธ The Riff Report Saysโ€ฆ

There will inevitably be arguments about whether Morning Glory deserves to sit above Sgt. Pepperโ€™s.

Beatles fans will point towards innovation, influence and the fact that the Fab Four helped rewrite the entire rulebook of popular music.

Oasis fans will point towards the raw cultural impact of Morning Glory, its monster anthems and the way those songs continue to bring entire crowds together.

Both sides have a point.

But sales charts are not really about declaring one album artistically superior to another.

They are a snapshot of what people continue to buy, stream, revisit and pass down.

And by that measure, Morning Glory remains an absolute beast.

More than three decades after its release, the album is still marching up the rankings like Liam Gallagher swaggering towards a microphone with his hands behind his back.

No rush.

No doubt.

No apologies.

๐ŸŽธ One More Step Towards the Top

Oasis may now be above The Beatles on this list, but Queen and ABBA remain ahead of them.

Could Morning Glory climb even higher?

Never say never.

The appetite for Oasis remains enormous, and every new generation appears to discover those songs all over again.

For now, though, third place is an extraordinary achievement for an album released during the chaos, confidence and lager-soaked madness of the mid-1990s.

Oasis once promised they were going to be the biggest band in the world.

Thirty years later, (Whatโ€™s the Story) Morning Glory? is still backing up the boast.

Biblical?

Maybe.

Tidy?

Absolutely. ๐Ÿค˜๐Ÿ”ฅ

What do you reckon, rockers?

Does Morning Glory deserve to sit above Sgt. Pepperโ€™s, or should The Beatles remain untouchable?

Get involved in the comments, keep the debate friendly, and remember: whichever side you choose, somebody will eventually play Wonderwall. ๐ŸŽถ๐Ÿป

Proudly Welsh. Proudly Loud. This is The Riff Report.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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