By The Riff Report Blog – loud, proud, and possibly holding back tears during “Sailing” 🥲⚓
Well, Glasto 2025 threw us another curveball, butt! When it was announced that Sir Rod Stewart would be gracing the Pyramid Stage, some of us were buzzing for a “Maggie May” singalong… and others were wondering if the old rocker still had the juice. But what we got was… a mixed bag wrapped in Union Jack trousers and doused in nostalgia 🎩🇬🇧
So here’s the burning question:
Was Rod Stewart actually past his prime, or did the sound crew drop the mic – literally? 🎚️💥
🎶 THE SETLIST: GOLDEN OLDIES OR DAD DISCO?
Sir Rod didn’t mess about – he came armed with the big guns.
We’re talking:
- “Do Ya Think I’m Sexy?” (mixed reaction from the front row 😅)
- “Forever Young” (somewhat ironic)
- “The First Cut is the Deepest” (and so was the cringe during the key change)
- And of course, the emotionally explosive “Sailing” – which got even the rowdiest bucket-hat lads crying into their lukewarm ciders 😭🍺
Song choice? Solid. Delivery? Erm… let’s unpack that 👇
🎙️ VOCALS: GRAVEL OR GRAVEYARD?
Right, let’s address the haggis in the room 🥴 –
Rod’s voice wasn’t at its stadium-shaking best. That iconic raspy snarl? It teetered between charmingly weathered and worryingly wheezy.
There were missed notes, some awkward pacing, and a couple of moments that genuinely had the crowd glancing around like, “Is it me, or is this a bit off?”
But here’s the kicker: it wasn’t just Rod.
Everyone in the field started whispering the same thing by the third song:
“The sound is shite.” 💀
🎚️ SOUND ENGINEERING: WHO UNPLUGGED ROD?
We’ve seen some dodgy mixes over the years, but this? This was a clown show on the dials 🤡
- Vocals too low during the openers.
- Guitar lost in the mud mid-set.
- Back-up singers out of sync, probably because the monitors were feeding them a different gig entirely.
- And the bass? More like no bass until someone clearly panicked and cranked it – and then it sounded like Rod was singing from inside a subwoofer. 🌀
Some fans near the Pyramid claimed it sounded lush… but back by the bar? It was Glast-on-burry. 👂🧻
🧓 THE AGE THING: IS IT TIME TO HANG UP THE SEQUINS?
Let’s be honest – Rod Stewart is 80. EIGHTY. And he’s still out here belting classics in front of 100,000 people like he owns the bloody place. That’s rock ‘n’ roll royalty right there 👑🎸
But fair play – age does catch up. This wasn’t Rod at his finest. But to call him “past it”? Nah, butt. That’s lazy.
What we saw was a living legend battling through a brutal mix and still getting thousands of people swaying in the drizzle. That ain’t nothing to sneer at.
📢 CROWD VERDICT: A MIXED BAG OF BOOS AND BALLADS
🗣️ “Bit rough around the edges, but I still got goosebumps during ‘Sailing’.” – Linda, 42, Newport
🗣️ “Sound was appalling – Rod deserved better.” – Jamal, 29, Leeds
🗣️ “I love him but he should’ve headlined the Radio 2 tent, not Pyramid.” – Chloe, 25, Bristol
🗣️ “Didn’t care, had glitter on and danced my arse off.” – Gaz, 38, Bridgend
🧠 FINAL THOUGHTS – SO, WAS ROD COOKED?
Let’s break it down, riff-heads:
🎸 The Bad:
- Vocals didn’t land like they used to
- Mix was borderline sabotage
- Stage energy was more Sunday brunch than Saturday night fever
🎸 The Good:
- Iconic songs that still hit emotionally
- Charisma by the truckload (he is Rod Stewart, after all)
- A crowd that, despite everything, still sang their hearts out
Verdict?
👉 Rod’s still got the soul, but his set was kneecapped by dodgy tech and an unforgiving main stage mix. Give him a proper sound check and a twilight slot, and he’d still blow your glitter socks off 🧦✨
What did you think, Glasto warriors?
Was it a nostalgic dream or a croaky nightmare? Hit us up in the comments or shout us out on socials using:
🎯 #RodAtGlasto
🎯 #DoYaThinkImMixedBadly
🎯 #ForeverYoungForeverFeedback
🎯 #SoundGuysGetAFan
Until next time – keep it loud, proud, and never trust a quiet sound desk! 🤘😆
Written by The Riff Report Blog – the only place where a microphone slip becomes a mosh pit tale. 🥁💥
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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