Perched atop the scenic heights of Ebbw Vale, Steelhouse 2022 erupted like a Marshall stack wired straight into a dragonβs heart. A tidal wave of riffs, rain, and raw emotion, this was more than a festival β it was a pilgrimage. Whether you were knee-deep in mud or neck-deep in denim patches, the mountain became holy ground for the loud, the proud, and the downright daft. π₯
Ready to relive every glorious power chord and crowd chant? Letβs break it down β band by thunderous band.
πΈ FRIDAY β Riffs in the Mist
Florence Black π₯ (From the Valleys with Venom)
Back on home turf and armed to the teeth with groove-soaked bangers, Florence Black absolutely owned the opening night. From the moment they struck the first note of Zulu, it was like watching a dragon wake up. The bandβs chemistry was electric β a power trio with the punch of a five-piece, tight as barbed wire and twice as fierce.
Tristanβs vocals tore through the mountain mist with raw emotion, especially during Sun & Moon, while Jordanβs riffs had punters air-guitaring into the mud. Thereβs something special about a local band making good β and Florence Black didnβt just make good, they made the mountain theirs. Yma o hyd? You bet they are.
The Dust Coda π¨ (Smooth Operator Meets Thunder Road)
Bringing a sleazy London swagger to the valleys, The Dust Coda delivered a masterclass in modern blues-infused hard rock. Their tight musicianship, clean vocals and irresistible groove set them apart β think Clutch meets Rival Sons with a hint of Skynyrd soul.
Tracks like Breakdown and Jimmy 2 Times had the crowd swaying one moment and fist-pumping the next. It was a set with finesse β less about raw aggression, more about simmering tension and explosive release. These lads know how to tease a crowd before dropping the hammer.
π€ SATURDAY β Storm the Stage, Whatever the Weather
H.E.A.T β‘ (Swedish Thunder, Arena Dreams)
If you looked up βSteelhouse Bandβ in the rock βnβ roll dictionary, youβd find H.E.A.T smiling back at you, wind machines blowing their glorious manes. With Kenny Leckremo back on vocals, their set oozed energy, precision and charisma. These lads donβt just perform β they ignite.
From opener One By One to set-closer A Shot At Redemption, every track felt like a headline anthem. The hooks were massive, the solos dazzling, and Kenny worked the crowd like a glam rock preacher. If Steelhouse had a house band made entirely of lightning bolts and hairspray, this would be it.
Black Spiders π·οΈ (Venomous, Vicious, and Very Funny)
Batten down the hatches and brace your necks β Black Spiders came in hot. Equal parts Motorhead chaos and AC/DC boogie, their set was a glorious mess of beer-fuelled rock βnβ roll mayhem. Stay Down, Teenage Knife Gang, and KISS Tried to Kill Me hit like a steel toe-cap to the teeth.
But it wasnβt just about noise β frontman Pete Spiby kept the banter flowing like the pints in the beer tent. This was primal rock with punk spirit, and the crowd loved it. No frills, no fluff β just filthy riffs and devilish grins. Ych-a-fi? More like Ych-a-fiiiiire! π₯
Michael Monroe 𧨠(Glam Punk Chaos Incarnate)
Imagine a punk rocker possessed by the ghost of Iggy Pop while twirling a saxophone like a battle axe β thatβs Michael Monroe. At 60+ years young, he moved like a man half his age and rocked like one twice as hungry. From the first leap to the last scream, Monroe never stood still β and neither did the crowd.
Songs like Dead, Jail or Rock βnβ Roll brought glorious chaos, while sax-blasting interludes and mic-stand acrobatics gave us glam with grit. His set was a joyful riot β messy, sweaty, unfiltered rock at its most theatrical. He didnβt just play Steelhouse β he ransacked it.
Inglorious π€ (Heavy Drama, Heavenly Pipes)
With a voice that could shatter glass and stir hearts, Nathan James led Inglorious through a powerhouse set full of emotional depth and showstopping moments. Think Whitesnake with modern muscle. They opened with She Wonβt Let You Go and never looked back.
Each song built like a rock opera β dramatic, intense, and perfectly executed. The band blended 70s flair with modern fire, and Nathanβs command of the stage was magnetic. A different flavour to the dayβs chaos β more theatrical, but no less powerful.
Airbourne (Headliner) π»β‘ (Aussie Anarchy Unleashed)
What do you get when you mix lightning, lager, and a Marshall stack? You get Airbourne, headlining Saturday with a set that couldβve powered the National Grid.
Joel OβKeeffe is a man possessed β sprinting across the stage, downing beers, and literally climbing the scaffolding while shredding solos. Absolute scenes. Every track from Runninβ Wild to Live It Up hit like a freight train. The rain didn’t matter. The mud didnβt matter. This was a rock βnβ roll war cry, and we were all enlisted. Tidy? It was bloody biblical.
πΆ SUNDAY β The Final Onslaught
Those Damn Crows πͺΆ (Hometown Heroes Rising)
If Florence Black are the fire, Those Damn Crows are the storm. Theyβve become the band of the Welsh scene β and their Sunday set was more like a coronation. Shane Greenhall had the crowd in the palm of his hand from the get-go, leading chants like a rock βnβ roll bard.
Anthems like Who Did It and Blink of an Eye werenβt just sung β they were felt. You could hear the pride in every voice yelling βCβmon Wales!β These lads are destined for arenas, but theyβll always belong to this mountain.
Green Lung π²π―οΈ (Witchy Riffs and Doom-Laced Magic)
A masterstroke of booking β Green Lung brought their woodland sorcery to the stage with a set that blended Sabbath sludge, occult vibes, and tongue-in-cheek charm. It was like wandering into a 70s horror film with a guitar solo soundtrack.
The crowd mightβve come for the headliners, but they left talking about Let the Devil In and Leaders of the Blind. Doom never sounded so fun β or so riff-heavy. They cast a spell, and we all fell under it.
Orange Goblin ππΉ (Stoner Rock Royalty)
A tsunami of groove, volume and bad attitude β Orange Goblin reminded everyone why theyβre underground legends. With tracks like The Filthy & the Few and Scorpionica, they brought a dirty, down-tuned energy that stuck to your boots.
Ben Ward was a towering presence β growling through the set with charm and venom. Goblin donβt play shows. They brawl. The pit got rowdy, the riffs got gnarly, and it was glorious.
Massive Wagons π© (Lunatic Energy, Pure Joy)
Nobody works a Steelhouse crowd like Baz Mills. With his bowler hat and mile-wide grin, he bounded across the stage like a cartoon Tasmanian devil, whipping the audience into a frenzy. This set was a love letter to fans β loud, passionate, and completely unhinged.
From China Plates to Bangin in Your Stereo, the Wagons brought joy in its purest form. Crowd participation was next-level, and their bond with Steelhouse is stronger than ever. This wasnβt just a gig β it was a reunion of misfits and melody-makers.
Uriah Heep (Headliner) π° (Legends Leave Their Mark)
Few bands have the history of Uriah Heep β and fewer still have the power to command a stage like this. With over 50 years of music behind them, they headlined Sunday like true royalty. Every note of Gypsy, Lady in Black, and Easy Livinβ carried weight and meaning.
This wasnβt about flashy lights or stunts β it was about legacy. Bernie Shawβs vocals were immaculate, Mick Boxβs guitar work still sublime. It was moving, magical, and the perfect end to the weekend. A standing ovation in the mud. Rock royalty crowned on the mountain.
π FINAL VERDICT β A Riff-Soaked Triumph
Steelhouse 2022 was a love letter to everything we adore about rock: passion, chaos, community, and volume. Whether you were skanking in the pit, crying during a ballad, or sinking beers with strangers, one thing was clearβ¦
The mountain remembers. And it rocks.
π§οΈ Rain-soaked? Yes.
πΆ Soul-filled? Absolutely.
π Steelhouse? Unforgettable.
Cymru am byth, and long live Steelhouse! See you next year, legends! π€
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialβfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heβs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heβs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heβs not writing or interviewing artists, youβll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicβtheyβre about community, friendship, and creating memories that last a lifetime. Thatβs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. π€
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