After a year of eerie silence, shuttered stages, and postponed dreams, Steelhouse 2021 wasnβt just a festival β it was a revival. The mountain came back to life with a roar, and we answered it in unison, arms raised, hearts pounding. ποΈπ₯
In a year when international acts couldnβt make it, UK talent stepped up in style, delivering sets so powerful they left scorch marks on the hillside. The community vibe was stronger than ever β it was muddy, emotional, loud, and absolutely glorious.
Letβs dive into the madness β one unforgettable band at a time. πΆπ
πΈ FRIDAY β Opening the Gates of Rock
Florence Black π₯
Letβs be honest β who else couldβve opened the first Steelhouse since 2019? Hailing from Merthyr Tydfil, Florence Black didnβt just play β they announced their arrival like conquering heroes. From the opening riffs of The Deep End, the trio commanded the stage like seasoned pros, blending gritty heaviness with melodic finesse.
Frontman Tristan Thomas poured his soul into every lyric, his voice raw with emotion and fire. The bandβs now-iconic cover of Breadfan (Budgie, naturally β because Wales) was chefβs kiss perfect, uniting generations of rockers in a single, muddy mosh of nostalgia and noise. A proud Welsh roar echoed across the mountain. Cβmon Cymru! π
Revival Black β«
If Florence Black was the fire, Revival Black brought the slow-burning intensity. Thereβs a classic rock heart beating at the centre of their sound β think Bad Company meets Alter Bridge β but with a grit and urgency thatβs all their own. Tracks like Wide Awake and Believe showcased powerhouse vocals from Dan Byrne, whose voice soared with soul and strength.
The bandβs chemistry was tight, their tone thunderous, and their energy magnetic. They may not have had the flash of the headliners, but they had the groove, and they left the crowd wanting more. No gimmicks. No nonsense. Just rock.
π€ SATURDAY β Baptised in Rain and Riffs
Collateral π―
Strutting onto the stage like theyβd just walked out of a Motley CrΓΌe video, Collateral brought pure, unfiltered glam energy to the Steelhouse crowd. Frontman Angelo Tristan has all the swagger of a born showman, and his voice β somewhere between Bon Jovi and a thunderclap β cut through the air like a blade.
Highlights included Lullaby, Midnight Queen, and a storming cover of In These Arms that had couples swaying and fists in the air. Their performance was drenched in charisma, hairspray, and harmonies β the kind of feel-good escapism we all needed. It wasnβt just a gig β it was a glitter-drenched glam therapy session. Tidy!
The Hot Damn! π
Injecting colour, chaos, and unapologetic fun into the day, The Hot Damn! lived up to their name. A fiery foursome formed from members of Tequila Mockingbyrd and The Amorettes, they brought punchy punk rock with glam sparkle, tight harmonies, and infectious humour.
Their set was high-energy from the jump β think Joan Jett crossed with a unicorn on a sugar rush. Tracks like Dance Around, I Didnβt Like You Anyway, and the crowd-belting Going Down had everyone from die-hard metallers to toddlers in ear defenders bouncing in sync. Pure joy, pure rebellion, pure class.
The Quireboys π©
Spike and the gang returned like old friends pulling up a bar stool. The Quireboys arenβt just Steelhouse regulars β theyβre part of the mountainβs DNA. Their whiskey-soaked brand of pub rock has aged like a fine cask ale, and from the moment Hey You rang out, the singalongs started and didnβt stop.
Thereβs a certain magic to hearing 7 OβClock ring out across the hills, especially after a pint or three. Spikeβs gravelly vocals, the warm tone of Guy Griffinβs guitar, and the soul of the keys created a set that felt like a group hug in musical form. Iechyd da! π»
Massive Wagons π©π₯
Baz Mills = Chaos Goblin Supreme. Clad in his trademark bowler hat and kinetic energy, Baz launched into In It Together and China Plates like heβd been trapped in a box since 2020 and just exploded onto the stage.
This wasnβt just a set β it was a riot. Fans jumped, sang, screamed, and Baz never stopped moving. The band is tight as hell β slick solos, perfect timing, wild energy β and Back to the Stack hit emotional highs as a tribute to Rick Parfitt. Bangin’ in Your Stereo was an actual instruction manual. A Steelhouse staple now, and deservedly so. Cβmon you Wagons!
The Wildhearts (Headliner) π§ β€οΈ
The wild hearts were back, and they came armed with fury, hooks, and a lot of volume. Ginger and co blasted through a setlist that hit like a punk-powered freight train, including Everlone, Sick of Drugs, and the crowd-erupting I Wanna Go Where the People Go.
The chemistry was chaotic good β like watching lightning in a pint glass. There’s rawness in their performances, but thatβs part of the charm. The band felt like they were baring their souls, punching through the pandemic fog and pulling us all into the light. Cathartic, manic, and unforgettable.
πΆ SUNDAY β Last Day, Lasting Memories
Empyre π©οΈ
Brooding. Atmospheric. Empyre brought the mood. Their slower, more introspective sound was a striking contrast to the rest of the weekendβs bombast β and thatβs exactly why it worked. It was like a sonic sunrise through storm clouds.
Frontman Henrik Steenholdtβs vocals soared with haunting clarity on tracks like Only Way Out and Stone, building drama and tension that drew the crowd in. It wasnβt a mosh pit β it was a mesmerised gathering, heads nodding in reverence. A band to watch. Quietly colossal.
The Dust Coda π¨
Returning after making serious waves in 2019, The Dust Coda hit harder than ever. Their blues-soaked hard rock felt bigger, sharper, and tighter β like theyβd levelled up during lockdown. Jimmy 2 Times, Limbo Man, and Dream Alight were standouts, with a sound that screamed maturity and confidence.
Vocalist John Drake delivered with smoky swagger, and the whole set had the polish of a band thatβs ready for arena stages. Crowd reaction? Utterly electric. Definitely not dust in the wind β this lot are kicking up a storm.
Kris Barras Band π₯
Kris Barras and his band delivered a performance that was equal parts muscle and heart. His blend of southern blues rock and modern metal grooves had fists pumping, but it was the emotional grit in tracks like My Parade and Ignite (Light It Up) that made it special.
A former MMA fighter turned rock heavyweight, Kris prowled the stage like a lion, but his humility and gratitude were plain to see. His solos? Face-melting. The crowd? Hooked. His set was a reminder that resilience and rhythm go hand in hand.
Phil Campbell & The Bastard Sons (Headliner) βοΈ
Legend. Icon. Local hero. Phil Campbell brought it home in style with his crew of bastard sons and frontman Neil Starr. Their set was a triumph β heavy, raw, and deeply Welsh. Blasting through original crushers like We’re the Bastards and Freak Show, they had the audience in a frenzy.
But when the MotΓΆrhead tributes beganβ¦ the mountain shook. Ace of Spades turned into a full-blown anthem, with the entire crowd roaring like Lemmy himself was watching from Valhalla. An emotional, powerful end to a cathartic weekend. Diolch Phil β that meant the world.
π Final Verdict β Reborn in Riffs
Steelhouse 2021 was a release, a reckoning, and a rallying cry. It reminded us what weβd missed. It reminded us who we are. From first riff to last encore, it felt like a battle won β a rock βnβ roll resurrection powered by heart, grit, and community.
πΈ No international bands? No problem.
π§οΈ Rain and mud? Part of the charm.
π Steelhouse? Home.
Cymru am byth! See you on the mountain β louder, prouder, and muddier than ever.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialβfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heβs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heβs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heβs not writing or interviewing artists, youβll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicβtheyβre about community, friendship, and creating memories that last a lifetime. Thatβs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. π€
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