What’s occurring, Riff Report crew?
We’re gutted today. Properly gutted. Britain has lost one of its most iconic bassists — a man whose low-end thunder shaped an entire era of indie, rave culture, and sweat-drenched clubs from Manchester to the Valleys.
Gary “Mani” Mounfield, legendary bassist of The Stone Roses and longtime member of Primal Scream, has died aged 63. 🖤
The heartbreaking news came from his brother Greg, who posted:
“IT IS WITH THE HEAVIEST OF HEARTS THAT I HAVE TO ANNOUNCE THE SAD PASSING OF MY BROTHER GARY MANI MOUNFIELD. RIP RKID.”
No fancy words needed. Just pure grief from a family — and a music world — that adored him.
🌹 THE STONE ROSES: THE BASSLINES THAT MADE BRITAIN MOVE
Let’s not beat around the bush — The Stone Roses don’t sound like The Stone Roses without Mani.
His bass wasn’t background. It was the engine. The swagger. The heartbeat.
From the hypnotic hum of “I Wanna Be Adored” to the dancefloor-igniting pulse of “Fools Gold”, Mani created a groove that defined Madchester. His playing didn’t just shake speakers — it rewired British music culture.
He was the cheeky, grounded, hilarious glue inside one of the most beautifully chaotic bands Britain has ever produced.
Bucket hats off, lads. This is a massive loss.
🔥 PRIMAL SCREAM: A SECOND CHAPTER OF PURE CHAOS & CLASS
When the Roses imploded in a storm of attitude, lawsuits, and Manc mysticism, Mani didn’t call it a day — he levelled up.
Joining Primal Scream in 1996, he helped shape some of their wildest, most beloved eras.
On albums like XTRMNTR, Vanishing Point, and Riot City Blues, Mani brought that funky, filthy groove that turned every venue into a riotous, sweaty sermon.
Bobby Gillespie once said that Mani “brought heart, soul and humour” to the band.
Anyone who saw them live knows that’s the truth. Mani was the vibe.
💔 FANS, MUSICIANS & MATES REACT — A NATION GUTTED
Tributes are pouring in from every corner of the UK music scene.
Roses fans. Screamadelica lifers. Indie kids. Festival diehards. Even people who only heard “She Bangs the Drums” at indie discos are feeling this one.
Everyone’s saying the same thing:
Mani wasn’t just a bassist — he was a spirit. A joker. A soul. One of the real ones.
And in classic Mani fashion, he never acted like a legend.
He acted like your mate from down the pub.
🥀 WHY THIS LOSS CUTS SO DEEP
There are musicians. There are icons.
And then there are the few who shift the entire musical landscape.
Mani did that.
His basslines were the soundtrack to illegal raves, indie nights, festival sunrises, teenage heartbreaks, and generations of Brits figuring out who they were.
He leaves behind a legacy carved in funk, grit, humour, and absolute Manc swagger.
Proper job, that.
🎸 RIP GARY “MANI” MOUNFIELD — A TRUE RKID, A GROOVE MERCHANT, A LEGEND FOREVER
Tonight, play Fools Gold too loud.
Whack on I Am the Resurrection.
Throw Movin’ On Up into the playlist.
Raise a glass. Raise the volume. Raise some hell in his honour.
Diolch, Mani.
Thanks for the music, the groove, the mischief, and the magic.
You changed everything, butt. 🖤🌹🎸
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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