Oi oi… somebody check the walls because Anthrax have come flying back in with a track that sounds like it was brewed in a sweaty New York rehearsal room fuelled entirely by riffs, sarcasm, and about twelve gallons of coffee. 😤☕🔥
It’s For The Kids is loud, fast, punchy, and absolutely packed with that classic Anthrax swagger we all know and love. This isn’t some polished-by-committee radio rock nonsense, butt. This is thrash metal with trainers stuck to beer-soaked venue floors energy. 🍺👟
⚡ OLD SCHOOL THRASH WITH A MODERN BOOT TO THE FACE
From the second the guitars kick in, the track explodes into pure Anthrax chaos — razor-sharp riffing, stomping drums, and enough groove to make even the grumpiest bloke at the back of the venue start nodding along. 🤘
Scott Ian’s riff work is absolutely filthy here. Tight, aggressive, and packed with that unmistakable bounce that Anthrax have always mastered better than most.
It’s fast…
but it grooves.
And that’s the magic sauce.
Too many thrash bands go full speed and forget the hooks. Anthrax know exactly when to throw in a massive chant-worthy section designed for thousands of fans screaming themselves hoarse in a festival field somewhere while holding overpriced lager. 🍻🔥
🎤 BELLADONNA SOUNDS BRILLIANT
Joey Belladonna sounds absolutely on fire throughout this track.
There’s still that signature melodic edge in his vocals, but he delivers everything with this raw urgency that gives the song real bite. One minute he’s soaring over the chaos, the next he’s barking lines like he’s leading a metal uprising down the streets of Cardiff at 2am. 😅🤘
The chorus absolutely sticks too.
By the second listen you’ll already be shouting:
“IT’S FOR THE KIDS!”
at inappropriate volumes in public places.
Standard metal fan behaviour really.
🛹 BIG SKATE-PARK ENERGY
There’s something brilliantly reckless about this song.
It feels like:
- late-night VHS skate videos 📼
- battered denim jackets 🧥
- sticky club floors 🍺
- circle pits opening without warning 😈
- old-school MTV Headbangers Ball chaos 📺🔥
Anthrax have always had that fun factor a lot of heavier bands forget about. Even when they’re smashing your face in with riffs, there’s still personality, humour, and attitude running through everything they do.
And honestly? Metal needs more of that.
🔥 BUILT TO DESTROY LIVE
You already KNOW this thing is going to go absolutely mental live.
Festival crowds chanting the chorus.
Massive pits opening.
Scott Ian stomping around the stage grinning like a maniac.
Sweaty chaos everywhere.
Proper thrash metal carnage, mun. 😤🔥
This is the kind of song that reminds you why Anthrax remain one of the true legends of the Big Four. They never lost that hunger, that energy, or that ability to make metal feel FUN without losing any heaviness.
🍺 RIFF REPORT FINAL VERDICT
It’s For The Kids is Anthrax doing exactly what Anthrax do best:
- killer riffs 🎸
- massive hooks 🎤
- relentless energy ⚡
- enough attitude to flatten a small city 😈
It’s loud, rebellious, catchy as hell, and impossible not to grin while listening to it.
Thrash metal doesn’t always need to be deadly serious, butt.
Sometimes it just needs to punch you in the face and buy you a beer afterwards.
Anthrax still understand that better than almost anybody. 🤘🔥
⭐ RIFF REPORT RATING ⭐
⚡ 4.5 / 5
“Like getting spin-kicked through a skate ramp by a man wearing high-top trainers and a denim vest.” 😤🛹🔥
Pre-save: https://anthrax.bfan.link/iftksg
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https://anthrax.com
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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