Celebrating a legendary release from 23 November 1999
Oi oi, butt! Grab your leather jacket, your finest air-conductor baton, and maybe a cheeky pint — because today we’re rewinding to one of the most jaw-dropping, genre-smashing, and utterly bonkers milestones in heavy metal history.
On 23 November 1999, Metallica unleashed S&M, their colossal collaboration with the San Francisco Symphony Orchestra, conducted by the legendary Michael Kamen — a man who basically looked at thrash metal and said:
“Aye, that’ll go nicely with 90 violins, mun.”
And he was right. Proper job.
🎶 A DREAM YEARS IN THE MAKING
The seeds of S&M were planted long before the first violinist rosined their bow. Michael Kamen — composer, conductor, absolute wizard — was fascinated by the cinematic textures in Metallica tracks like “The Call of Ktulu.” He knew this band could pull off something massive.
Fast-forward to 21–22 April 1999 at the Berkeley Community Theatre, where Metallica stepped onto a stage surrounded by an entire orchestra — an actual symphony, butt — ready to create a live album nobody thought could work… until it did.
And oh boy, did it WORK.
⚡ THE SOUND: BIGGER THAN A T-REX IN A TUX
Let’s get one thing straight — S&M doesn’t sound like “Metallica plus violins.”
It sounds like Metallica went Super Saiyan.
Your favourite riffs? Louder.
Your favourite choruses? Glorious.
Your favourite intros? Cinematic as the final battle of Lord of the Rings.
From the moment those strings swell under “The Ecstasy of Gold”, you know you’re in for an epic unlike anything the metal world had heard before.
Standout transformed tracks include:
🎻 “Nothing Else Matters”
Now scientifically engineered to make grown metalheads cry into their warm Carling.
🥁 “Master of Puppets”
A full orchestral assault. You could probably see your own skeleton vibrating.
🔔 “For Whom the Bell Tolls”
Brass that hits harder than a wall of bodies at the front barrier.
🧊 “Fade to Black”
If sadness had a soundtrack and also punched you in the face.
🐙 “The Call of Ktulu”
If Lovecraft wrote symphonies. The orchestra absolutely FEASTED on this one.
🎤 TWO NEW TRACKS? GO ON THEN
Metallica didn’t just remix old tunes — they came packing fresh ones too:
🔥 “No Leaf Clover” – instantly iconic, instantly emotional, instantly Metallica
🔥 “−Human” – a chunky stomper tailor-made for orchestral muscle
Both debuted only on this project, proving they weren’t just there to coast on nostalgia.
🎥 ATMOSPHERE: CHAOS, CLASS & COMPLETE MAGIC
The footage from those shows is wild:
- Kamen conducting like a man possessed
- The orchestra trying not to headbang while playing actual sheet music
- Hetfield grinning like a kid who just found the cheat codes
- Lars giving the timpani daggers
- Kirk shredding while surrounded by cellos that cost more than your house
It’s as if someone poured whisky, fireworks, and a black-tie gala into a blender and shouted “C’MON BUTT — HIT RECORD!”
📀 RELEASE DAY: 23 NOVEMBER 1999
When S&M landed, it wasn’t just another Metallica album — it was a cultural MEGA-EVENT. Even people who claimed to “not like metal” had to sit down and shut up for a minute.
The album went multi-platinum.
The DVD became essential viewing.
Music teachers everywhere had an existential crisis.
It proved metal could be grand, beautiful, theatrical, and frankly lush.
🏴 WHY S&M STILL SLAPS TODAY
Even now, S&M remains:
🎵 One of the boldest cross-genre gambles in rock history
🎻 A masterclass in musical storytelling
🤘 A reminder that Metallica do NOT play it safe
🔥 A moment where metal didn’t just cross over — it took over
Every symphonic metal band that came after?
They’re eating at the table Metallica built back in ’99.
And when S&M2 dropped in 2019, it only proved how timeless the original experiment truly was.
🤘 FINAL VERDICT: A MASTERPIECE, MUN
S&M isn’t just a live album.
It’s a statement.
A celebration.
A flex.
A full cinematic smackdown of “metal can’t be serious music.”
It’s Metallica saying:
“We’re the biggest band in the world — now watch us get bigger.”
If you’ve never blasted S&M on full volume while dramatically conducting the orchestra in your pyjamas… tidy up your life, butt.
Because this album?
This is what happens when ambition meets genius.
Diolch for reading — now whack on “No Leaf Clover” and treat your ears to something lush. 🤘🎻🔥
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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