Genre: Southern Rock, Hard Rock, Blues-Rock, Groove Metal Vibes
Hometown: Edmonton, Kentucky
Formed: 2001
Lineup:
๐ค Chris Robertson โ Vocals/Guitar (voice of gravel-soaked gold)
๐ธ Ben Wells โ Guitar/Stage Jumper-In-Chief
๐ฅ John Fred Young โ Drums/Flailing Drum Demon
๐ธ Steve Jewell Jr. โ Bass (joined 2021, riffs for days)
Former Member:
๐ธ Jon Lawhon โ Original bassist (2001โ2021) โ a founding groove machine
๐ฃ THE BIRTH OF A SOUTHERN STORM
Picture this: tiny town, backwoods Kentucky, population barely bigger than the queue for the loos at Download. Four teenagers with big dreams and bigger amps form a band in a shed behind the local hardware store. The Robertson, Wells, Lawhon, and Young families are already tighter than a snare drum, and their kids are about to rewrite the rock โnโ roll rulebook with Black Stone Cherry. ๐ค๐ช๏ธ
These lads werenโt just playing covers in garages โ they were brewing something dirty, soaked in southern swagger and raised on Skynyrd, Sabbath, ZZ Top and Motown. They had riffs in their blood, and grit in their boots. ๐ถ๐ ๏ธ
๐ฅ THE DEBUT THAT BLEW THE DAMN DOORS OFF
Enter 2006. The world needed a new riff dealer โ and BSC delivered. Their self-titled debut exploded like a thunderstorm through a chicken coop. ๐โก
With Lonely Train, Hell and High Water and Rain Wizard, they showed they could riff with the heavies, groove with the best, and still bring that smoky front-porch charm.
From here, it was game on. Sold-out shows, radio airplay, and Kerrang! going absolutely nuts for them. These werenโt boys from the sticks anymore โ they were global rock contenders.
๐ธ GROWTH, GROOVE & GRIT โ THE ALBUM JOURNEY
1๏ธโฃ Black Stone Cherry (2006)
The birth of a band and a punch to the gut. Dirty, southern, loud โ the kind of record you could taste the sweat on.
๐ง Hell and High Water, Lonely Train
2๏ธโฃ Folklore and Superstition (2008)
Heavier storytelling, blues-drenched hooks, and enough swing to make your nan neck a whiskey.
๐ง Blind Man, Soulcreek, Please Come In
3๏ธโฃ Between the Devil & the Deep Blue Sea (2011)
Commercial but crushing. A bit glossier, but with riffs that still slap. This one put โem in the arena league.
๐ง White Trash Millionaire, In My Blood, Blame It On the Boom Boom
4๏ธโฃ Magic Mountain (2014)
The most chaotic good of their catalogue โ fast, fierce, a bit fuzzy, and all fire.
๐ง Me and Mary Jane, Fiesta del Fuego
5๏ธโฃ Kentucky (2016)
Home turf pride. They went independent, came back stronger, and laid down their most personal record to date.
๐ง The Rambler, Cheaper to Drink Alone
6๏ธโฃ Black to Blues (EP) (2017)
Blues covers with a fuzz pedal twist. Muddy Waters would be grinning.
๐ง Built for Comfort, Champagne & Reefer
7๏ธโฃ Family Tree (2018)
Funky, flirty, full of soul. Groovier than ever but still heavier than your mamโs Sunday roast.
๐ง Bad Habit, Burninโ, Southern Fried Friday Night
8๏ธโฃ Black to Blues Vol. 2 (EP) (2019)
Another smokinโ set of covers. Raw, respectful, and rowdy.
๐ง Big Legged Woman, Me and the Devil Blues
9๏ธโฃ The Human Condition (2020)
Dark and reflective. Released mid-pandemic, and it hit like a brick through a barn window.
๐ง Again, Ringinโ in My Head
๐ Screaminโ at the Sky (2023)
The rebirth! First album with Steve Jewell Jr. on bass, and itโs a riff-hungry return to form. Massive choruses, bigger confidence.
๐ง Out of Pocket, Nervous, When the Pain Comes
๐ฅ LIVE = ABSOLUTE CARNAGE
If youโve ever seen BSC live, you know this already: they donโt just play, they detonate.
- Ben Wells jumps higher than most Welsh rugby players
- John Fred is dripping sweat by song two and usually attacking cymbals like they owe him money
- Chris? That voice is even better live โ gritty, emotional, and thunderous
- And Steve? Slotted in like heโs been there since day one โ tidy as anything ๐งผ
Whether itโs a sweaty club, a festival stage, or a mud-drenched tent in the valleys โ Black Stone Cherry bring southern heat like no one else. ๐ฅ
๐งก THE HEART OF THE BAND
What makes BSC special? Itโs not just the riffs (though theyโre spicy af) โ itโs the sincerity. These lads mean it. Whether theyโre singing about struggles, small-town hope, losing loved ones, or love gone sideways, it always comes from somewhere real.
Theyโre not pretending to be cowboys, they are cowboys โ just with Les Pauls instead of lassos.
Even during lineup changes, industry chaos, and pandemics, BSC stayed grounded. No egos. No bullshit. Just family, fans, and furious southern rock. ๐ก๐ค
๐งจ THE RIFF REPORT ESSENTIAL PLAYLIST
๐ธ Lonely Train โ The origin story
๐ธ White Trash Millionaire โ Anthemic and proud
๐ธ Me and Mary Jane โ That RIFF
๐ธ Again โ Punchy, emotional, epic
๐ธ Soulcreek โ Feels like home
๐ธ Out of Pocket โ Screaminโ BSC 2.0
๐ธ Peace is Free โ Emotional arm-in-arm magic
๐ธ Bad Habit โ Filthy in the best way
๐ธ The Rambler โ Grab a tissue, seriously
๐ธ Blame It On The Boom Boom โ Ridiculous fun
๐ค RIFF REPORT VERDICT:
Black Stone Cherry are the sound of the modern South โ loud, proud, sweaty, and full of heart. ๐ค๐ฅ Whether you’re necking bourbon in a biker bar or blasting riffs on a Welsh hillside, these lads bring the fire and the feels every single time.
They’ve evolved, adapted, and never sold out. Just real music from real musicians with mud on their boots and magic in their fingers.
Cheers to the Cherry boys โ Diolch for keeping rock dirty, honest, and alive! ๐ด๐ป Want more? Letโs build a BSC BBQ Playlist, Top 20 Deep Cuts, or compare their riffs to chicken wings. You know weโve got you covered. ๐๐ถ
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialโfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heโs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heโs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heโs not writing or interviewing artists, youโll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicโtheyโre about community, friendship, and creating memories that last a lifetime. Thatโs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ค
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