Right then, butt. It’s December. The tinsel’s up, the pubs are rammed, Greggs is doing God’s work… and Wizzard are once again laughing all the way to the snow-covered bank. ❄️💷
Because like clockwork, every festive season, that song explodes back into our lives:
🎶 “I Wish It Could Be Christmas Everyday” 🎶
A glam-rock sleighbell riot written by the legendary Roy Wood, and somehow still one of the most unavoidable, lovable, and financially unstoppable Christmas songs of all time.
So… how much does it actually make every year?
Strap in. 🛷🔥
💸 SO… WHAT’S THE DAMAGE?
Industry estimates suggest “I Wish It Could Be Christmas Everyday” pulls in between £150,000 and £300,000 every single year.
Yep. Every. Single. Year.
That’s from:
- 📻 Radio play
- 📺 TV adverts and festive specials
- 🎧 Streaming
- 🛍 Supermarket playlists (you know the ones)
- 🎄 Christmas compilations your nan still owns on CD
And remember — Roy Wood wrote it, so the songwriting royalties land squarely in his festive stocking. Ho ho holy hell. 🎅💰
Some years, depending on chart resurgences and advertising deals, it’s believed the total can creep even higher.
Not bad for a song from 1973, mun.
🎤 WHY THIS SONG JUST WON’T DIE (IN A GOOD WAY)
Let’s be honest. This tune has everything:
- 🥁 Massive glam stomp drums
- 🔔 Bells absolutely everywhere
- 🎺 Brass like Santa’s got a brass section on payroll
- 🎅 A kids’ choir screaming festive chaos
- 🎸 Roy Wood sounding like he’s had four pints and invented Christmas
It’s not subtle.
It’s not calm.
It doesn’t whisper politely like certain other festive tunes we won’t name…
It kicks the door in, throws tinsel at your face, and demands another round.
And that’s exactly why it endures.
📺 THE TV MOMENT THAT SEALED THE DEAL
That iconic performance footage — colourful outfits, medieval wizard vibes, hair everywhere — is burned into British Christmas culture. It pops up every year like a festive jump scare… but one you secretly love.
The visuals alone keep the song alive on socials, memes, and telly reruns. One clip, a million views, another December payday.
Proper job. 📈🎄
🎁 CHRISTMAS SONGS: THE ULTIMATE LONG GAME
For musicians, a Christmas hit is basically:
🎸 a pension
🎤 a legacy
💰 a yearly bonus forever
Wizzard didn’t get Christmas Number One back in the day, but decades later? They won the war.
Every December, while the rest of us are arguing over wrapping paper and burnt roasties, this song quietly prints money.
Rock ’n’ roll capitalism at its finest, mun. 🤘💷
🎄 FINAL THOUGHTS FROM THE RIFF REPORT
Love it or groan when it comes on for the 47th time in Tesco — “I Wish It Could Be Christmas Everyday” is untouchable.
It’s loud.
It’s daft.
It’s pure British festive chaos.
And every year, it reminds us all of one brutal truth:
👉 The real winner of Christmas… is Roy Wood.
Now if you’ll excuse us, we’re off to whack it on full volume and annoy the neighbours.
Merry Christmas, butt. 🎅🔥🤘
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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