Grab the battered flannel shirt, dust off the distortion pedal and prepare to party like it is 1992 all over again, because several genuine legends of Seattle rock are joining forces for one seriously rare event.
Alice in Chains guitarist Jerry Cantrell, Soundgarden guitarist Kim Thayil and original Pearl Jam drummer Dave Krusen have been announced for Sounds of Seattle: Volume 2, a four-day Rock ānā Roll Fantasy Camp taking place in Seattle from 3ā6 December 2026.
This is not your usual fan convention involving folding chairs, overpriced coffee and somebody spending forty minutes explaining the history of a guitar pedal.
The musicians attending will get the chance to rehearse, perform and jam alongside some of the artists who helped create the thunderous Seattle sound that dominated alternative rock during the early 1990s.
Yes, mun ā people could genuinely find themselves attempting an Alice in Chains riff while Jerry Cantrell is standing in the same room.
No pressure whatsoever.
Welcome to Seattle, Butt š§ļøšø
Sounds of Seattle: Volume 2 will bring musicians and fans directly into the city where Alice in Chains, Soundgarden, Pearl Jam, Nirvana, Mudhoney and countless others helped transform underground alternative music into a worldwide cultural movement.
The camp welcomes musicians of different ages and ability levels, with participants placed into bands and supported by professional musicians acting as counsellors and mentors.
Across four packed days, campers can expect band rehearsals, jam sessions, masterclasses, question-and-answer sessions and live performances.
Rock ānā Roll Fantasy Camp describes its events as immersive experiences in which participants work closely with established artists, rehearse using professional equipment and eventually perform at recognised live-music venues.
Basically, it is the rock ānā roll equivalent of being handed the keys to Willy Wonkaās factory ā only everything smells faintly of amplifier valves, rain and old rehearsal-room carpet.
Kim Thayil Welcomes Fans to Seattle
Soundgarden guitarist Kim Thayil confirmed his involvement with a suitably enthusiastic invitation to musicians considering joining the event.
Thayil welcomed campers to Seattle and encouraged them to bring their best riffs, play inside the cityās rock clubs and jam on songs associated with its legendary music scene.
That is quite an invitation.
This is a man responsible for some of the strangest, heaviest and most instantly recognisable guitar work of the entire grunge movement.
From the grinding attack of āRusty Cageā to the crooked grooves of āSpoonmanā, Thayilās playing helped Soundgarden combine heavy metal muscle with punk-rock danger and wonderfully weird time signatures.
Learning one of those riffs is difficult enough.
Playing it while Kim Thayil watches from the other side of the room could make even an experienced guitarist forget how fingers work.
Jerry Cantrell Brings the Darkness
The involvement of Jerry Cantrell immediately turns the event into essential viewing for Alice in Chains fans.
Cantrell helped define the bandās sound through crushing guitar tones, haunting harmonies and songwriting that could move effortlessly between towering heaviness and devastating vulnerability.
Songs including āMan in the Box,ā āWould?,ā āRooster,ā āThem Bones,ā āNo Excusesā and āDown in a Holeā remain cornerstones of ā90s rock.
His work has influenced generations of musicians across grunge, alternative metal, sludge and modern hard rock.
Cantrell has also appeared at previous Rock ānā Roll Fantasy Camp events, including private question-and-answer sessions with participating musicians.
For the campers involved, this will be much more than simply watching a guitar demonstration.
They could be rehearsing the songs, discussing the techniques and then attempting to perform them with one of the musicians who originally created them.
That is a bucket-list moment with a fuzz pedal strapped to it.
Dave Krusen Represents Pearl Jamās Explosive Beginning
Completing the main trio is drummer Dave Krusen, who performed on Pearl Jamās monumental debut album, Ten.
Released in 1991, the record included enormous tracks such as āAlive,ā āEven Flow,ā āJeremy,ā āBlack,ā āOnceā and āPorch.ā
Krusenās drumming helped provide the powerful foundation beneath an album that went on to become one of the defining releases of the entire grunge era.
His appearance at Sounds of Seattle gives campers the opportunity to explore the music from somebody who was present during Pearl Jamās earliest and most explosive chapter.
Imagine looking across the rehearsal room before launching into āAliveā and seeing the drummer from Ten counting everybody in.
We would immediately drop the plectrum, forget the opening chord and pretend the amplifier had stopped working.
More Rock Royalty Joining the Camp
Cantrell, Thayil and Krusen will not be handling the entire weekend alone.
The event is also expected to feature several experienced rock musicians serving as counsellors, mentors and performers.
Artists connected with the camp include musicians from bands such as Candlebox, Guns Nā Roses, Black Sabbath, Dio, L.A. Guns and Vixen, creating a line-up stretching far beyond Seattleās grunge movement.
These musicians will work with the participating bands throughout the camp, helping them rehearse songs, develop their performances and prepare for the live shows.
The Fantasy Camp format has previously featured professional equipment from major manufacturers and performances at established venues, giving campers something far closer to a genuine touring-band experience than an ordinary music workshop.
There will probably still be at least one guitarist who turns the amplifier up far louder than necessary, mind.
Some traditions must be respected.
What Happens During Rock ānā Roll Fantasy Camp?
The event is built around participation rather than simply watching famous musicians from the audience.
Campers are typically divided into groups based on their experience and instrument before being assigned an established musician as their counsellor.
They then spend the four days rehearsing, learning and preparing songs for live performances.
The schedule can include:
- Band rehearsals with professional musicians
- Masterclasses and musical coaching
- Private question-and-answer sessions
- Jam sessions featuring classic songs
- Live performances in front of an audience
- Opportunities to meet fellow musicians and fans
Rock ānā Roll Fantasy Camp says its counsellors are selected not just for their playing ability but also for their ability to teach, support and pass on experience gained from years inside the music industry.
So this is not a case of turning up, taking a photograph and heading directly towards the merchandise table.
Campers are expected to plug in, rehearse and become part of the show.
The Seattle Sound Still Matters
More than three decades after grunge exploded into the mainstream, the music created in Seattle continues to influence rock and metal bands around the world.
Alice in Chains brought darkness, harmony and heavy-metal weight.
Soundgarden brought experimentation, strange tunings and colossal riffs.
Pearl Jam delivered emotionally charged rock songs capable of filling arenas without losing their rawness.
Together with Nirvana and other artists from the region, these bands changed what mainstream rock music could sound like.
The movement was never one single genre or style. It combined punk, metal, classic rock, garage music and alternative culture into something unpredictable, loud and deeply human.
The songs dealt with isolation, addiction, anger, identity, grief and survival.
They also contained riffs large enough to knock the rain sideways.
The opportunity to explore that music in Seattle alongside musicians who were actually there gives Sounds of Seattle considerably more weight than a standard nostalgia event.
This is not simply about remembering the past.
It is about climbing inside those songs, turning the amplifiers up and experiencing them from the musicianās side of the stage.
A Rare Opportunity for Serious Fans
Of course, an immersive four-day event with internationally recognised rock musicians is unlikely to be cheap.
Travel, accommodation and camp packages mean this will be a major commitment for most participants.
But for serious fans and musicians, the attraction is obvious.
You are not merely buying a ticket to watch Jerry Cantrell or Kim Thayil.
You are buying the chance to learn, rehearse and potentially share a stage with them.
That is the kind of experience people will still be talking about decades later ā usually to anybody within a five-mile radius, whether they asked about it or not.
āDid I ever tell you about the time I played a Soundgarden song with Kim Thayil?ā
Yes, Dai.
You mentioned it while ordering chips.
š¤ The Riff Report Verdict
Sounds of Seattle: Volume 2 looks like an absolute dream event for musicians raised on enormous riffs, gloomy album covers and enough flannel to carpet the whole of Cardiff.
Jerry Cantrell, Kim Thayil and Dave Krusen helped create music that became part of the soundtrack to an entire generation.
Now, a limited number of fans will get the chance to enter that musical world rather than simply listening from outside it.
It will require confidence, commitment and probably several nervous attempts at the opening riff to āWould?ā
But where else are you going to rehearse Seattle classics with the people who helped write and record them?
For four days in December, Seattle will once again become the centre of the alternative-rock universe.
Only this time, the fans are getting invited into the band.
Sounds of Seattle: Volume 2 takes place from 3ā6 December 2026 in Seattle, Washington.
Would you have the bottle to plug in alongside Jerry Cantrell and Kim Thayil, or would your fingers immediately turn into frightened cocktail sausages?
Let us know, butt. š¤š„
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialāfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heās battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heās always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heās not writing or interviewing artists, youāll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicātheyāre about community, friendship, and creating memories that last a lifetime. Thatās exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. š¤
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