Because if anyone deserves a seat on the next rocket to Mars, it’s the Spaceman himself.
Only in the world of rock ’n’ roll could this happen, mun. 🏴 A KISS superfan has just launched a campaign calling for Ace Frehley — the original Spaceman, six-string sorcerer, and master of cosmic riffs — to be named a posthumous NASA astronaut.
And honestly? We’re so here for it. 🤘
👨🚀 The Petition That’s Outta This World
The online petition, started by a lifelong KISS devotee (and self-described “intergalactic shredder in training”), argues that Ace deserves official recognition for “inspiring millions to dream beyond the stars through the power of rock music.”
It’s already doing the rounds on social media, with hashtags like #AceInSpace, #LaunchTheSpaceman, and the frankly brilliant #ToTheStarsWithLoveGun picking up speed faster than a Paul Stanley stage jump.
The fan’s mission statement?
“Ace Frehley made kids pick up guitars, believe in the impossible, and reach for the stars — literally. NASA should honour him as an honorary astronaut for his contribution to humanity’s fascination with space.”
And you know what? That’s not even a stretch. Ace wasn’t just playing the Spaceman — he lived it. From the silver jumpsuits and sci-fi makeup to his explosive, galactic solos, the man looked like he’d just crash-landed from Planet Riff and plugged straight into an amp.
🎸 From the Bronx to the Cosmos
Ace Frehley’s journey from a streetwise Bronx kid to rock’s most iconic extraterrestrial is the stuff of legend. Joining KISS in 1973, he became the band’s mysterious, space-age lead guitarist — combining interstellar swagger with fretboard wizardry that made his Gibson Les Paul look like it could launch satellites.
His 1978 solo album Ace Frehley (yes, the one with New York Groove — all rise!) cemented his reputation as both a showman and a serious musical innovator. He wasn’t just dressing like a spaceman — he was sonically orbiting Earth while the rest of us were still tuning up.
💫 “He Took Us Higher Than the Moon” – Fans React
The petition has unleashed a tidal wave of fan comments, many of which read like love letters from another galaxy:
“He inspired me to become an engineer for NASA. Without Ace, I wouldn’t be building rockets — I’d still be playing air guitar in my garage.” 🚀
“He was the first man to make me believe aliens could rock.” 👽
“If Elon Musk can get a car into space, we can get Ace Frehley there too.” 🛸
One fan even suggested a statue of Ace on the Moon — guitar raised to the heavens, cape flapping in zero gravity. And honestly, tell me that wouldn’t make the perfect lunar landmark. 🌕🎶
🧑🚀 NASA, Are You Listening?
So far, NASA hasn’t responded (probably too busy calculating the trajectory of Ace’s solos), but the idea isn’t as far-fetched as it sounds. The agency has previously honoured pop-culture figures who inspired space enthusiasm — from Star Trek’s Nichelle Nichols to Gene Roddenberry.
If ever there was a rocker who deserved to join that cosmic hall of fame, it’s Ace.
Imagine it: a NASA patch with his lightning bolt makeup, embroidered with “The Spaceman: Forever Among the Stars.” That’s merch and meaning right there.
🔥 “He Was Always Out There…”
Even KISS frontman Paul Stanley once said of Ace:
“He was always out there — literally. Ace could make his guitar sound like a spaceship landing.”
Gene Simmons, meanwhile, once joked that Frehley “spent more time in orbit than the Apollo missions,” and we’re not entirely sure it was just a metaphor. 😂
🪐 The Legacy of the Spaceman Lives On
Whether or not NASA salutes him with official astronaut status, the campaign’s message rings clear — Ace Frehley will forever be part of rock’s cosmic DNA.
He was the guy who reminded us that rock ’n’ roll isn’t just about rebellion — it’s about exploration. Whether through sound, style, or sheer madness, Ace made the unknown sound amazing.
As the petition’s creator put it:
“He didn’t just play to the crowd — he played to the cosmos.”
And honestly, that’s lush, that is.
🌌 Final Thoughts: One Small Step for Ace, One Giant Riff for Mankind
We don’t know if NASA will grant Ace his posthumous astronaut badge, but we do know this — he’s already up there somewhere, watching over us with a Les Paul in one hand and a beer in the other. 🍺
So c’mon butt — sign the petition, blast Rocket Ride on full volume, and remember: the next time you look at the night sky, there’s a Spaceman smiling back at you. 🤘✨
Diolch, Ace. Keep rocking the stars. 🌠
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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