🎸🍆 BIOHAZARD’S EVAN SEINFELD SAYS HE MADE MORE MONEY DOING PORN THAN MUSIC, SHOCKING ABSOLUTELY NO ONE 🍆
🎸By The Riff Report’s Department of “Well, Yeah Obviously…” 😏
If you’ve ever looked at your bank balance after a night at the pub and thought, “Maybe I should start a band…” — Biohazard’s Evan Seinfeld is here to tell you: don’t. Start a porn career instead. 💀
Yep, the bassist/vocalist from the legendary NYC hardcore crew has come clean (or, depending on your search history, not so clean) about which side of his career actually paid the bills — and it turns out, getting paid to perform under the sheets was way more lucrative than getting paid to perform on stage.
Seinfeld — who moonlighted in the adult industry under the name Spyder Jonez (because of course he did) — said he made way more cash doing porn than playing music. And honestly, are any of us surprised? The man’s been moshing since the early ’90s, and unless you’re Metallica, touring hardcore doesn’t exactly come with a yacht and a jacuzzi full of champagne.
💰 Rock vs. Cock: The Ultimate Paycheck Showdown
Let’s break it down:
🎸 Band life = split royalties, dodgy promoters, dodgier motels, and 200-mile drives for a crate of warm Carling.
🍑 Porn life = no soundcheck, no backline issues, and you still get to perform in front of a camera — just… a different kind.
Hard to argue with the man’s logic, mun. 🤘
🎥 From the Pit to the “Private Collection”
Biohazard were the band if you liked your riffs brutal and your energy nuclear — pioneers of the NY crossover sound that blended punk, metal, and “I might actually punch someone to this.” But while Seinfeld was screaming his lungs out onstage, he was also, er… screaming his lungs out elsewhere.
His work in the adult film industry gained its own cult following (because of course it did), and suddenly the bassist who once shouted about social decay was… showing off his own bassline.
If you’d told us back in the day that the guy who played “Punishment” would end up making more money punishing something else entirely, we’d have called you mad. But here we are. 😅
🤘 Hardcore in Every Sense
Credit where it’s due — Seinfeld’s never shied away from his choices. He’s built an entire brand around owning who he is, whether that’s shredding a bassline or, well, shredding something else entirely.
And in a world where rockstars are constantly reinventing themselves (we’re looking at you, Machine Gun Kelly), at least Evan didn’t pretend to be something he’s not. He’s still hardcore — just in a slightly… different position. 😏
🏴☠️ Moral of the Story, Butt
Music might feed the soul, but apparently porn feeds the wallet. And fair play — Seinfeld’s living proof that if you’ve got the stamina to survive the mosh pit, you’ve got the stamina for other stages too.
So next time your band’s arguing over petrol money, maybe… diversify your skill set. 😉
Tidy hustle, Spyder. Tidy hustle.
💀 #TheRiffReport | #Biohazard | #EvanSeinfeld | #SpyderJonez | #HardcoreHistory | #RockAndRaw | #OnlyInMetal | #BrooklynBedlam 💀
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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