When youâre honouring a rock ânâ roll warlord like Ian âLemmyâ Kilmister, youâve got to do it right. And in true MotĂśrhead fashion, there was no half-arsing it when it came to unveiling his massive bronze statue in his hometown of Burslem, Stoke-on-Trent.
But hereâs the thing, mun â the big moment was originally set for Thursday, 8 May 2025. That just so happened to clash with the 80th anniversary of VE Day, a national day of remembrance across the UK. Out of respect, the organisers shifted the Lemmy celebrations back one day to Friday, 9 May. Proper job. đ´
A Day for Lemmy â Not Just a Statue, a Shrine âĄď¸
The statue, created by local sculptor Andy Edwards (the same legend behind the Beatles statue in Liverpool), isnât just a lump of bronze â itâs a full-on shrine to the man who lived, breathed, and bled rock ânâ roll. Standing tall in the heart of Burslem, the statue immortalises Lemmy in trademark style: boots, hat, bass slung low, and a glare that says âplay loud or sod off.â đ¸
The unveiling kicked off at 4pm on Friday 9 May. The big moment saw Phil Campbell â Lemmyâs Welsh partner-in-riff from MotĂśrhead â step forward and place some of Lemmyâs ashes inside the statue. A proper spine-tingling touch. That means Lemmy isnât just remembered â part of him is actually there. đ¤Ż
A Crowd of Denim, Leather & Raised Pints đş
Fans from across the UK (and beyond) descended on Stoke for the unveiling. Bikers, rockers, old-school punks, and even a few curious locals packed out Burslemâs centre.
Flags flew, the drinks flowed, and stories of Lemmyâs legendary antics echoed through the streets. The vibe was pure MotĂśrhead â no silence, no stiffness, just noisy celebration. It wasnât a funeral. It was a party for the loudest man to ever stalk a stage.
As one fan was overheard yelling:
âLemmyâs not dead, heâs just turned up his amp in Valhalla!â âď¸
Why the Date Change Mattered đď¸
Some might shrug at the delay, but hereâs the deal: VE Day holds deep meaning in the UK, marking the end of World War II in Europe. Lemmy himself was obsessed with war history (just peek at his collections of German military memorabilia). So shifting the statue unveiling was actually a tidy nod of respect. Lemmy wouldâve understood â and probably raised a Jack & Coke to it.
Lemmyâs Legacy in Stone, Steel & Song đ¤
This statue isnât just for the fans â itâs a permanent reminder that Lemmy meant something to this country. Born in Stoke, forged in North Wales (Anglesey and Conwy got their fair share of teenage Lemmy chaos), and unleashed upon the world with MotĂśrhead, heâs one of the UKâs greatest cultural exports.
And now, like the legends before him, Lemmyâs got his own monument. Move over, Churchill. This oneâs louder. đ
The Riff Report Verdict đ´ââ ď¸
- đĽ The Delay: Right call â no clash with VE Day.
- đ¸ The Statue: Pure filth, fury, and class. Andy Edwards smashed it.
- đť The Crowd: Denim, leather, and more beer than Downloadâs VIP bar.
- âĄď¸ The Legacy: Lemmy lives forever â in riffs, in bronze, and in every blown-out speaker across the globe.
As Lemmy himself once said: âBorn to lose, live to win.â
And with that, Stoke just gave him the victory lap he deserves. Proper job. đ¤đĽ
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialâfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heâs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heâs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heâs not writing or interviewing artists, youâll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicâtheyâre about community, friendship, and creating memories that last a lifetime. Thatâs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. đ¤
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