The Inductees – 1986–1990: The Gods Enter The Building
The mighty Rock and Roll Hall of Fame officially began inducting artists in 1986.
And they did not start small.
They started with the foundations of modern music. The blueprints. The DNA. The lot.
Let’s run it year by year, shall we? Strap in.
🔥 1986 – The Founding Titans
This first class wasn’t an induction… it was a declaration.
- Chuck Berry
- James Brown
- Ray Charles
- Sam Cooke
- Fats Domino
- The Everly Brothers
- Buddy Holly
- Jerry Lee Lewis
- Little Richard
- Elvis Presley
That’s not a line-up.
That’s the Mount Rushmore of swagger.
🎤 1987 – Soul Royalty Rolls In
Second year and it’s still nuclear:
- Aretha Franklin
- Marvin Gaye
- Bill Haley
- Bo Diddley
- Smokey Robinson
- The Coasters
- Big Joe Turner
- Muddy Waters
- Roy Orbison
- Carl Perkins
The groove in this class alone could power Swansea for a week.
🎶 1988 – British Invasion Enters The Hall
Now it gets seismic.
- The Beatles
- The Beach Boys
- The Drifters
- Bob Dylan
- The Supremes
Liverpool meets Motown meets protest poetry.
Absolute scenes.
🎸 1989 – Stadium Giants Activated
- The Rolling Stones
- Stevie Wonder
- The Temptations
- Otis Redding
- The Four Tops
The Stones finally stepping in like, “Alright, took you long enough.”
🥁 1990 – The Anthem Architects
- The Who
- Simon & Garfunkel
- The Kinks
- The Four Seasons
- The Platters
- Bobby Darin
- Hank Ballard
- Charlie Christian
If you’ve ever air-drummed in your kitchen, odds are one of these lot is to blame.
🎤 Why This Still Matters (Yes Mun, It Does)
Love it. Hate it. Argue about it in the pub.
The Rock Hall is basically a living museum of how blues turned into rock, how rock mutated into metal, how punk punched it in the face, and how hip-hop kicked the doors off.
It’s messy. It’s political. It sparks arguments.
And that’s rock ’n’ roll, isn’t it?
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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